Posts Tagged ‘working in a series’

Deconstructed Circles For SAQA’s 2017 Online Auction

Friday, April 7th, 2017

The annual online auction to benefit SAQA, Studio Art Quilt Associates, comes up again, opening on September 15th and continuing through October 8th.  I’ll be reminding you closer to the time, of course.  For further information and updates including some of the works already received, go to SAQA’s website  Right now several hundred SAQA members including yours truly are preparing their 12″ x 12″ donations, and over the last few days I have almost finished mine – shown here with quilting in progress:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Excess fabric and batting will be trimmed off once the quilting is completed – and yes, I do darn in the ends as I go!  I may do a fine black binding, but will audition other coloured fabrics anyway, just in case one of them adds a bit more zing.  This is the third in a deconstructed circles theme that has emerged in the last few weeks, and I’m pondering a more meaningful title for what is clearly becoming a series – as ‘Deconstructed Circle #3’ is a bit unexciting.  I’ve started a list, with entries such as ‘Whirlwind’, ‘Cyclone’ and ‘Tornado’ under consideration.

 

 

‘Maelstrom’ 2009  was my first deconstructed circle design, to which I have turned again, and maybe it is now the first of a series of that name; meaning the one I’m nearly finished would be #4, but maybe I’ll come up with something else.

 

Segmented Designs 2

Sunday, May 15th, 2016

Experimenting with little bits of metallic leather applied with metallic stitchery met the requirements of the SAQA auction. It arrived safely. Mosaic quilt blog

Mosaic Pathway, 2016.  12″ x 12″    SAQA Online Auction 2016.


With the silver mylar stuff  I mentioned last post, I’ve since begun a reasonably large piece, 90cm x 120cm   It is feather light, compared to what something similar using leather, obviously!    One thing about this stuff is, that when ironed from the wrong side after being attached, the cut edges pleasingly sort of round off, as if trying to turn under, which gives a nice smooth finish which you may be able to pick out on the sample on the very left side of the collage below –

Mosaic design silver pathway blog.

If it all turns out satisfactorily in accordance with how it’s going so far, I could enter it in Quilt National, so that’s probably the last you’ll see of any of it until it’s exhibited somewhere.

Tetrahedrons In Transit

Wednesday, May 11th, 2016

All three pieces I entered in Wangaratta Art Gallery’s Petite Miniature Textiles Biennial Exhibition 2016 were accepted, and I’m happy to say are now on their way to Australia.  The Exhibition opens on June 4th and runs through until 17th July.   All entries had to be within 30cm x 30cm x 30cm.  I love miniature textile works and would love to see this popular biennial show.  If you’re in the northern Victoria area over that time, you can go to http://www.wangaratta.vic.gov.au/recreation-leisure/art-gallery/visiting-gallery.asp for gallery times and other information.

Wave blog

‘Wave’  2016.   18cm x 18cm x 18cm x 15cm.  Soft sculpture.

FairyBread blog

‘Fairy Bread’  2016.  18cm x 18cm x 18cm x 15cm.  Soft sculpture.

Morse blog
‘Morse’  2016.  18cm x 18cm x 18cm x 15cm.  Soft Sculpture.

How did I come up with their names?  That’s always fun and is sometimes a challenge.  Any Aussie will get the Fairy Bread one – non-pareils, aka in Aus as “100’s and 1000’s” are sprinkled over thin slices of buttered fresh bread cut into triangles – a mandatory item on any kid’s birthday party menu.  When I took these pieces to my wonderful photographer, Eduardo Baldizan, I hadn’t yet named the other two, and he used ‘Wave’ and ‘Morse’ to identify the pics of each one when sorting their files – and I loved those choices, so they stayed.

With the three pieces, each18cm x 18cn x 18cm x 15cm, plus the weight of the box and paper to stop them rattling around, the total weight of the parcel was only 0.4kg   They’re light as a feather.  My regular followers recall I blogged about their development first here, then and finally.  Others made since these have been in colours other than cream – and the other day it occurred to me it might be a good idea to Scotchguard (r)  these, so I hope that helps to keep them pristine.

 

 

 

 

 

 

 

 

 

Lines – Seams Just Waiting to Happen 2

Tuesday, April 5th, 2016

 

THE  most basic knitting stitch and probably the first one learned by everyone is garter stitch.

knitting garter stitch blog

 

lines garter st blog

In a recent post,  the first of several on this theme, I showed how the lines in a newspaper ad featuring  part of head and shoulders of a man wearing a heavy knitted sweater inspired one of my wall quilts.  Since I made Waterweave twenty years ago, I’ve had it lurking in the back of my mind that garter stitch is a wonderful pattern  of line and shape to explore,.  I can’t think why its taken so long, but perhaps I needed to make the Bungle Bungles quilts for this notion to move forward again.  So I’m going to take time today to play with this basic linear pattern and see where it might lead.

While posting this garter stitch diagram, I remembered my first art quilt, Ancient Expressions 1   I cropped this segment from what back in 1988 was an excellent quality 35mm slide image, so its a bit grainy.  I’ve always had my work photographed using a good photographer using the best technology available at the time, but the quilt sold from the 1989 exhibition “Expressions in Quilting ” so I’ve never been able to have it re-photographed in digital format.

 

Ancient Expressions 1 pattern detail blog

On the horizontal bands of AE 1, I used linear quilting patterns from drawings I found in  a book on the ancient Anasazi people of  America’s Southwest.  We lived in Denver for a yew years in the late ’80s, and came to know that region of the USA well, including the wonderful petroglyphic sites, ancient village ruins and some of the history of the now disappeared Anasazi people.  Almost without thinking I used characteristic patterns and imagery from the Southwest in that series of quilts,  just like everyone else did and still does.  Patterns developed in different cultures and regions of the world for are found on rock, ceramic, metal, wood, leather and fabric surfaces.  They have much in common, and we recognise them as man-made marks even if no one around today is absolutely sure of their significance.  But bearing in mind the issue of cultural misappropriation, today I might not make some of that series in quite the same way. Anyway, looking back over a couple of decades, I see that appealing arc shape repeatedly popping up in my work in various ways.

As I’ve said before – a line is a seam waiting to happen.

Tetrahedrons, Continued…

Tuesday, March 8th, 2016

This one is almost ready to sew up and I  thought I’d document a couple of steps with pics –

inside a tetrahedron blog

1) Showing the back/inside of the structure, where knots anchor the thread as it goes to the front.

black stitching blog

2)  Three of the triangles sewn together to provide the one working surface.

black and white ready to sew up blog

3)  When the stitching is finished, the final side seam is closed and the base sewn on.

I have done several now, and am enjoying making them.  In the next group I will do surface design before covering the template pieces, to see how that goes – probably some combination of paint and stitch – ideas for which are coming far faster than my ability to make them!  I may have some thinner batting somewhere and may replace batting with a couple of layers of cotton fabric – I learn something or tweak a detail on each one, but this is probably the last how-to on them, though  I have no idea where this 3D quilted textile art will go from here.

 

 

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