Posts Tagged ‘working in a series’

Looking Back a Bit …

Monday, January 22nd, 2018

To rediscover this excellent scan of what is my first intentionally made ‘art quilt’ last week was a thrill (the original is a 2×2 transparency, back in the filing cabinet in Perth – remember those?).  This is ‘Ancient Expressions’, so named because I  thought  that would help it be juried into an exhibition,”Expressions in Quilting”, Barrington IL 1989.  Whether it would have made it without that little push, I don’t know, but it did get in and sold from the exhibition.  If anyone knows who has this quilt I’d love to hear where it is.  I was never informed of the buyer, and didn’t think to press for that detail at the time 🙂

Ancient Expressions I,  1988.      114cm x 102cm

This success really focused me on making my own designs in layered textiles; and further, it led to a series which became the Ancient Expressions series (I- XIV)  Each quilt has an element of landscape in the design, and all celebrate the ancients’ connection with their landscapes, expressed in the patterns they painted or carved on those surfaces. Two or three were OMG flops, but on the whole they are still works I’m proud of.

 

Detail of the hands – it’s not a grainy photo, I sprayed paint over ironed-on freezer paper cut-outs of my own hand shapes. But the paint seeped under the edges in places, and my initial reaction was that my experiment failed, as I had been going to embroider using the hands and paint as kind of templates (which on reflection would have been boring probably) but when a fellow embroiderer said  ‘You could put it in a quilt …’ I looked with fresh eyes and realised its potential, made the quilt and went on exploring the potential of this theme in the series, some of which are  pictured below:

 

Left to Right –   #XII                       # I                          #X                        #IX

 

 

 

 

 

 

 

 

 

 

 Left to Right –    #XII                 #XIV                         #VI                         #II

Considering Series Again

Wednesday, December 13th, 2017

In response to yet another question on working in a series, on which I have written before,  I wrote a  few comments on the Quiltart list this week, including:  “I think it is important to write about each work. I don’t mean how you made it – those technical details aren’t the important part of a series. I mean writing your thoughts, ideas, inspirations, concerns, fears maybe – anything about your work, put onto paper, or into a digital visual or artist’s diary of some kind.  This writing, in whatever form, is not for publication but for yourself; the act of thinking about why you are doing what you are doing is part of the series process.  And when a meaningful artist statement is required, you have already done the groundwork! I’ve occasionally had what I felt at the time were one-offs, and yet with some, hindsight, there are really only two that don’t fit in one of my series.  But, even as I wrote that sentence, it occurred to me that those two almost forgotten works, made almost 20 years apart, have something strong in common… perhaps I need to think about that and write something about what links these two very different looking works…”


Life’s Rich Tapestry 2,  1990,  160cm x 160cm

I can’t find anything I’ve written about this old quilt, although if you have a Visions 1992 catalogue handy you’ll find something in that –  that artist statement would refer to the role of chance, in how our lives weave through highs and lows, as nothing stays the same for ever – we exercise skill navigating the swings and roundabouts, but there’s always temptation, the quirky hand of fate, the wheel of fortune, and so on – all these things are alluded to in the images on the quilt, which itself is a patchwork background of brights and darks signifying highs and lows.  In many ways this  contains the germ of the much later and still current ‘Ebb and Flow’ series.

 

Arbol de la Vida,  2008,  approx 150cm x 100cm

This morning I went back through my blog posts (aka something like ‘artists diary’) and read here what I’d forgotten about this second quilt I called Arbol de la Vida.  It was a exhibited in some exhibition I was invited to take part in – I just don’t remember – and I didn’t write much about it at the time, perhaps I didn’t think it was important enough, I’m not sure.  But I can tell you that in the preceding few months or weeks I had seen a fabulous exhibition of the ceramics of very important Uruguayan artist  Jose Gurvich  some of whose works can be seen today in a dedicated museum in the old city on Plaza Matriz. I love his work which is literally everywhere here.  Note the Life theme, and the pictographic symbols on the leaves – I was definitely on that same hand of fate/role of chance track 18 years later.

This morning I watched an interesting profile of Egyptian jewellery designer Azza Fahmy whose beautiful dramatic modern jewellery references her nationality and cultural history – she commented that while designing her Pharaonic collection over 10 years she was constantly combing through museums and archeological sites all around Egypt re-familiarising herself with all elements of ancient Egyptian decorative design that she was using as inspiration.  It can take much time and thought to build a series!

I think it’s time to have a palm reading.

Following A Trail – aka Making Samples

Saturday, July 22nd, 2017

Earlier this week I had a studio visit from local textile artist Lilian Madfes, and while she was here I gave her a demo/lesson in the basics of freehand patchwork piecing   Next week I will go to her studio for her demo of the basics of silk painting, at which she is a master in a very creative way.  When I had given her plenty to use to explore the technique if she wishes to, I talked about the dome-like shapes I often use in my designs and showed her how I do one.  Sewing it up therefore made it a sample – and my readers know I’m keen on samples for trying out any new ideas and materials!

That first one is on the RH end of this pic.  I liked it, so made more, and love where this is apparently going.

Art Quilts Exhibition – Touring Australia

Friday, May 5th, 2017

In 2017 I made the following quilt “Purnululu #7” in a series of works with the same landscape scheme.  While working through it, I blogged and showed more images here and here,

 

 

 

 

 

 

 

 

 

 

 

“Purnululu #7” Currently travelling with SAQA exhibition “My Corner Of  The  World”

 

Australian landscapes such as Purnululu and Uluru, known in the past as the Bungle Bungles and Ayers Rock respectively, are distinctive examples of weathered sandstone landforms or karst topography. To the Australian Aboriginal people these and other similar places have always held strong cultural and spiritual significance.  Today non-Aboriginal Australians and foreign visitors find Purnululu and similar Outback places great destinations for travel and education.

“Purnululu #7” is already quite well travelled in Canada and USA with the juried SAQA art quilt exhibition “My Corner Of The World”.     Made while I’ve been living here in Uruguay, it’s already gone to places I never have visited.  But starting later this month it will travel to places I do know well, appearing with the others in this collection at textile and craft events in these Australian cities on the following dates:

My Corner of the World
Craft & Quilt Fair, Perth, West Australia, Australia • May 24 – 28, 2017
Craft & Quilt Fair, Canberra, Australian Capital Territory, Australia • August 10 – 13, 2017
Intocraft Handmade Expo, Newcastle, New South Wales, Australia • August 17 – 20, 2017
Craft & Quilt Fair, Adelaide, South Australia, Australia • September 11 – 12, 2017
Intocraft Handmade Expo, Melbourne, Victoria, Australia • November 24 – 26, 2017

 

What happened Brisbane? Why no Hobart?  Darwin – are you there?

Deconstructed Circles For SAQA’s 2017 Online Auction

Friday, April 7th, 2017

The annual online auction to benefit SAQA, Studio Art Quilt Associates, comes up again, opening on September 15th and continuing through October 8th.  I’ll be reminding you closer to the time, of course.  For further information and updates including some of the works already received, go to SAQA’s website  Right now several hundred SAQA members including yours truly are preparing their 12″ x 12″ donations, and over the last few days I have almost finished mine – shown here with quilting in progress:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Excess fabric and batting will be trimmed off once the quilting is completed – and yes, I do darn in the ends as I go!  I may do a fine black binding, but will audition other coloured fabrics anyway, just in case one of them adds a bit more zing.  This is the third in a deconstructed circles theme that has emerged in the last few weeks, and I’m pondering a more meaningful title for what is clearly becoming a series – as ‘Deconstructed Circle #3’ is a bit unexciting.  I’ve started a list, with entries such as ‘Whirlwind’, ‘Cyclone’ and ‘Tornado’ under consideration.

 

 

‘Maelstrom’ 2009  was my first deconstructed circle design, to which I have turned again, and maybe it is now the first of a series of that name; meaning the one I’m nearly finished would be #4, but maybe I’ll come up with something else.

 

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