Posts Tagged ‘landscape’

Insights Into A Gridaholic’s Creative Process

Friday, June 9th, 2017

I think most of us have the impression a grid is made up of squares, but other general words come to mind including network, lattice, matrix, reticulation. It all depends on how you’re using the concept, but I suspect the most common one has been used to make maps and charts which for centuries have been drawn out on some grid scheme, though not always rectangular. Long a student of geography, I understand the different ways a mapmaker can present known locations of geographical information in a system that relates everything on some system of reference. These different systems are called projections, chosen for the usefulness of their final result to the task in hand.  You can check them out right here – and some will amaze.

I confess it, I am a gridaholic who usually thinks in rows of squares, but occasionally breaks out into triangles 🙂

I like the order contained in rows of repeated patterns, although within each of my repeat units there are always variations that make each unit unique compared with all the others around it.  This is of course, anathema to makers of  traditional quilts.  Take these nine patch block patterns for example. Though creatively used with other elements and sometimes in a minor way, each Nine Patch unit is made with precision and accuracy to result in exact repetition of every block.   It was this lovely strict order which drew me initially but briefly to traditional quiltmaking.  I love traditional designs overall, but have left them to others since the Flying Geese wall hanging I made in c.1989.  I am one of many art quilters whose work has evolved from influences of traditional quilt making.

Especially when I’m thinking of new work that I want to include some kind of patterning within repeat units, I take a printout sheet like this one, get my pencil and start  doodling.  I have this grid on file and can print off a few whenever I want.  A bit OCD I guess, instead of just freehand drawing the lines as I do in my sketchbook pages; but somehow it helps me focus my attention onto ‘fillings’.  They are just patterns, and could be hand marks, stitch marks, seams, whatever, but things do grow out of my putting them down.  It is about a year since I put pencil to this paper, and now certain things stand out, giving me more to think about.

These and some other mark patterns from another sheet, made it onto mylar backed nylon applied to leather in the small sample piece I made and donated to the SAQA anniversary trunk show collection   and, pleased with that, I made a 120cm x 90cm size wall quilt.

7″ x 10″ Sample piece submitted to Anniversary Trunk collection, SAQA, 2016.

 

Art Quilts Exhibition – Touring Australia

Friday, May 5th, 2017

In 2017 I made the following quilt “Purnululu #7” in a series of works with the same landscape scheme.  While working through it, I blogged and showed more images here and here,

 

 

 

 

 

 

 

 

 

 

 

“Purnululu #7” Currently travelling with SAQA exhibition “My Corner Of  The  World”

 

Australian landscapes such as Purnululu and Uluru, known in the past as the Bungle Bungles and Ayers Rock respectively, are distinctive examples of weathered sandstone landforms or karst topography. To the Australian Aboriginal people these and other similar places have always held strong cultural and spiritual significance.  Today non-Aboriginal Australians and foreign visitors find Purnululu and similar Outback places great destinations for travel and education.

“Purnululu #7” is already quite well travelled in Canada and USA with the juried SAQA art quilt exhibition “My Corner Of The World”.     Made while I’ve been living here in Uruguay, it’s already gone to places I never have visited.  But starting later this month it will travel to places I do know well, appearing with the others in this collection at textile and craft events in these Australian cities on the following dates:

My Corner of the World
Craft & Quilt Fair, Perth, West Australia, Australia • May 24 – 28, 2017
Craft & Quilt Fair, Canberra, Australian Capital Territory, Australia • August 10 – 13, 2017
Intocraft Handmade Expo, Newcastle, New South Wales, Australia • August 17 – 20, 2017
Craft & Quilt Fair, Adelaide, South Australia, Australia • September 11 – 12, 2017
Intocraft Handmade Expo, Melbourne, Victoria, Australia • November 24 – 26, 2017

 

What happened Brisbane? Why no Hobart?  Darwin – are you there?

It Can Take A While For An Idea …

Saturday, March 8th, 2014

For some years  I’ve had on my pin board a little cutting of a full and detail view of a tapestry weaving by Scottish textile artist Sara Brennan   The image was for an ad in a magazine for a solo show at The Scottish Gallery Edinburgh, 2006.

Lines are important to me, as in ‘lines=seams’.  The importance of line in Sara Brennan’s landscape inspired work is because of  “the meetings (that) occur around a horizon”   Who knows why didn’t I research her work when I first found this picture, but I never took the little pic down, because it felt important for me to leave it there.    This morning, while doing something totally different I suddenly realized if I fused some sheer fabric over a seam it could have a slightly similar effect, with a lot of potential – and so I put together this little aide memoire of a sewn seam with sheer overlay, with the snippet from the pin board on the cream part of the photo.   How interesting that it has taken me all this time of occasionally glancing at that little pic to finally have a little light bulb switch on!.

Sara Brenna's horizon work blog

I don’t know the name of the piece above, or the one below.  When searching around for writing on her work I found very little, really, which is a bit disappointing.  But at least you can see more images of this beautiful, evocative work here.   

sara brennan weaver - horizons series

Wool tapestry weaving from Sara Brennan.  I’m a fan.

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