Posts Tagged ‘untitled’

Ideas From Pinterest

Monday, April 29th, 2019

The sharing of creative ideas is one of Pinterest’s best features, and I’m a fan. I don’t visit or pin every day – but on a sunday morning I often find a bit of browsing+writing time, as I do today. And another thing about Pinterest is that one thing so easily just leads on to another, meaning you can spend hours just browsing around. Like any other artist, I am always interested in technical ideas to think about using in my own work.

I love hand stitchery, and the resurgence in popularity it has enjoyed in recent years as a highly flexible technique for fibre artists and mixed media makers. Scroll down my contemporary hand stitch board to find this image of a stitchery by Marisa Ramirez that I pinned a while back. While I don’t care for her colour scheme, I was intrigued by (1) that stitched, appliqued circular shape looks like firm plastic – do I like it? not really, but will remember it some time, probably. (2) the patterned segment at the bottom of the pic (to which my first response was ‘hand stitch’) was probably stencilled with red-brown paint with a thin masking tape resist. Whether I’m correct or not doesn’t matter – it’s the pattern and its potential that strike me most. To show why, I did this quick line sketch with jottings to show how I begin to explore possibilities:

From a pattern of lines to – hand stitch, netting, knotting, macrame, knitting, machine stitch, applique, stencilling, free crochet, couching, marker pen drawing

From my lines and shapes board I selected this image of a beautiful set of ceramic pieces. Beside the image: “We design and make garden wall art made from ceramic. Our wall art is suitable for interiors and exteriors and handmade in Marbella, Spain. ” Absolutely. I could live with this, and have just the very wall! On their website this and other customised wall sets are shown installed, and it is worth spending a little time looking at other parts of their website. I wish they were just down the road from here, as Marbella Spain is not on my travel list in the near future. However, having seen it, I’m sure I could take one of my own designs to a ceramic firm here in Montevideo. There are design elements in this that I have long used myself – wandering lines, inserts of pattern and texture, segmented shapes including arcs, and of course, glorious gold!

Ceramic tile set by G.Vega from (with permission)

On another Pinterest board I post hole images I find. Holes have always intrigued me, and I once wrote: To every hole there is a foreground through which the viewer can see a background which might be up close, or stretch into the distance.  I know this is totally basic, but still something to think about. I love lace in its broadest sense; I wear several pairs of earrings and other jewellery with holes as the decorative element; and over many years I have made some art some works with holes revealing something behind :

Post Apocalyptic Lace, 2009. 40cm x 140cm: Full view right, details left and lower right. Burned holes in nylon organza sandwiching fabric segments.

Untitled, irregular shaped wall quilt photographed against cream-yellow wall. circa 1997.
On The Golden Mile 1986, stitchery, overall approx 30cm x 30cm

So, to summarise, Pinterest is like that folder, scrapbook album, drawer or shoebox filled with bits cut from magazines and catalogues!! All creative people save such things, and today we can do it digitally. The financial and environmental cost of keeping up via paper magazines is huge if you must keep up that way. Today, however, we can sign up for digital editions of papers and magazines, google online catalogues where available, and instead of clipping paper we can save text and images in so many ways. Pinterest is a great way to gather visuals. Our computers range from desktop to our pocket-sized phones, many of which have cameras. On our actual phones or using laptops and desktops, we can put images through photo editing programs, some of those even within phones and cameras themselves. Of course, that barely approaches what those filters and lenses can produce in the hands of a skilled professional photographer.

Discovering A Long Forgotten Work

Tuesday, April 18th, 2017

This morning by chance I found a photo of a long forgotten quilt from 2006-2008:









Also in the file I found a photo of half of it mounted in a frame – so clearly I had chopped it down and sold or given the pieces away, which I don’t remember just now; but whatever happened to those, I might have been a bit hasty in chopping it down ­čÖé as I now really like it … ┬áIt’s from an era in which I applied a lot of leather pieces to quilts, the best known of which,┬áTimetracks 1″,┬ámiddle lower row, was in Quilt National 07.









Many feature holes punched through leather units as part of the design, but these myriads of little holes are out of the question now given the arthritis in my hands. ┬áThe detail uppper left is Timetracks 3, one of several I made using leather for this repeat unit I have so often used. In my mind it’s a bare-bones diagram of erosion at work, one that has become important to me as the umbrella metaphor for passage of time change in all of Life itself. Interestingly there were also work-in-progress pics with my untitled discovery, so I include these partly as a belated documentation effort, but also to remind you of how my embroidery informs much of what I do.















I love stitch constructions on detached warps – aka needleweaving, and in 2007┬áblogged about these two pieces, Behind the Scenes 1 & 2,┬á┬áfrom 1987.


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