Collecting With Pinterest

January 24th, 2020

Peridocially I write a post titled ‘Browsing with Pinterest’. Today I have ‘holes’ on my mind again, and invite you to dip into one of my own Pinterest boards with the theme ‘holes’. Pinterest is such an interesting app for those of us who, in an earlier life would have cut pics from Mum’s old magazines and pasted them into a large blank paged scrap book, often without comment. When I was young kids also collected playing cards for their images, haggling with fellow collectors to exchange something we really wanted from their collections in turn for something we hoped they’d want from our own pack. sometimes what you wanted needed two cards to be handed over… and so people built quite large collections, some almost too much for young hands to hold and manage, she remembers with envy.

Just the process of browsing and cutting out images we liked was so satisfying, possibly ‘therapeutic’ using a C21 buzzword, and a perfect ativity to help keep kids occupied on a rainy afternoon, in the same class as sorting out Mum’s button jar, and choosing the best ones for extra attention. When we tired of that, or the sun came out, all the buttons went back into the jar to be sorted again another day. Do kids still do that? Indeed, do people still remove buttons from discarded clothes, or change buttons to give a new lease of life to an aging garmet? It was all about the process, saving or cutting out, maybe sorting, but not necessarily doing anything more. If you kept a few loose you always had something interesting to paste onto the protective brown paper cover on your school books.

From several works and samples

Pinterest subscribers can go online to look for something in particular or just just browse through the images Pinterest selected for us to see because of images we’ve previously saved. It is no exaggeration to say that you can spend hours enjoying images in exactly the same way as we carefully thumbed through discarded colour magazines. To cut up old womens magazines was ok, but we’d never have dared to cut things out of a National Geographic, regardless of age.

A hole’s essential characteristic is that you can see, or have some glimpse, of something beyond the edge of the hole. Holes can be deliberate or accidental, can imply deterioration by aging or be part of something called ‘lace’ , on which I’ve mused before.

Inlaid brass elements, public walkways, Miami International Airport

I have several boards or ‘themes’ for images I save, and holes is one collection to which I fairly often add an image. Holes intrigue me for their potential which is not limited decorative patterning. Enjoy my board!

Broderie anglaise, handmade antique, mended.

“Afterglow 2”

January 21st, 2020

I just finished this year’s 12″x12″ quilt for the annual SAQA benefit auction. I try to make it early in the year, but think January 21st. is the absolute earliest that I’ve ever finished one.

“Afterglow 2″ to be sold at the annual SAQA Benefit Online Auction of 12″x12” works by member artists, in September 2020.

It features freehand cut and machine pieced patchwork, and was machine quilted with flourescent red-orange thread. The inspiration was fire ravaged Australian landscape. In some regions hit earliest in this disastrous bushfire season, some trees and other vegetation are already sprouting new leaves.

Fellow SAQA member Regina Benson asked why, after years of making one of these works annually and each of us never feeling comfortable with the format, why did I comment I was now feeling more interested in this size? My answer included these points:

  • Despite the very large quilt top I just made, I have been thinking a bit about where to from here. I don’t normally do pictoral designs, and in quiltmaking I’ve always been primarily focused on presenting impressions through colour and line, mostly using pieced fabric.
  • Since the 70s I’ve loved creative, interpretive embroidery, often over paint, and ‘stitch’ is never far from my mind.
  • Though I love and admire the large stitched installations of Dorothy Caldwell, Christine Mauersberger et al, I recently found myself looking at gallery pics of a recent exhibition of quilts wondering whether I want to make ‘large’ works any more.
  • My works are gradually downsizing, recently 60-125cm range.
  • A few years back I had a brief flirtation with 3D forms each of which included stitch.
  • I keep thinking of groups of small works. I love the work of Helen Terry http://www.helenterryart.co.uk/blog  and this exhibition of thematically related works in several small formats struck me.

“Afterglow” is a 1997 quilt I made after spending a 6-week artist in residence term in Katherine, Northern Territory. It’s a memory quilt, of walking along a dry creek bed in the bush, late on a very, very hot day to go to a cool waterhole picnic spot with some friends. The fierce heat was radiating off the rounded riverbed stones, but the thing was, after cooling off, on dusk we had to return along the same path, and the heat was still palpable.

Afterglow, 1999. 198cm h x 115cm w

Improv Patchwork Inspired By Landscape Lines

January 20th, 2020

This is one of my favourite beach photos. I edited out the footprint, doing which made the scale quite ambiguous, emphasising that erosion patterns are erosion patterns, whether in a vast desert or along the margin of your local beach. For this slide I drew basic lines and collaged that beside part of the pic as an example of how I see natural patterns, and how this one could be used in a textile artwork. This one has always fascinated me, and now it’s pinned up behind my ironing board ,where I see it daily. It’s calling to me and though I have other things to do today, I really do need to get cutting and sewing to see if I can put this into some fabric form. Yes, today, right after I finish this post.

In my advanced improvisational patchwork construction workshops, a power point presentation includes some other examples of how we can use using patterns observed in nature:

Highlighted on a computer, an interesting section of the lines on this shell could be a starting point for a patchwork unit (whatever scale you like, but in this case, the smaller the scale, the more difficult, finicky, this type of pattern becomes) It could be wonderful on a large scale… mmm. Freehand rotary cut through two contrasting fabrics, use one line to start from, and add more. A good rule here is “Less is more” (of both cuts and degree of curve) One cut=one seam, so two cuts close together when sewn up form a strong line against the contrasting background.

Aftermath 2

January 19th, 2020

My entry for the Vision:2020 exhibition was not successful, unfortunately. Never mind. I believe in the refusees list I’d be in some very good company, as this attracted a lot of interest.

FUTUREWATCH 2020 50cmx50cm
Despite the photo, my own, it really is square.

Of course we have already donated money and certainly will again, but I would like to try to sell this artwork and donate all proceeds to our preferred relief organisation working to assist people affected by this disaster. I think it would look stunning in a modern home or office. It would declare the owner’s commitment to preserving and conserving our natural environment, supporting mitigation of effects of changing climate with innovative technologies and processes applicable especially to the Australian continent, though heaven knows, this is not a one-continent issue. Any collector interested in buying this art quilt, please contact me through this website, email me directly, or message me through Facebook.

There are lots of local organisations assisting in bushfire relief efforts, but from this distance we felt it best to give money to a large nationally recognised charity. For one thing, the fires have occured in almost every state. We know many organisations have become overwhelmed by clothing and food donations that people have sent in and dropped off at the door. It’s interesting to read how much of volunteers’ time this takes to catalogue, store and distribute, whereas cash can be immediately placed or spent directly on what is needed and where it’s most needed. If you would like to donate, lists of organisations include the Australian Red Cross, Saint Vincent de Pauls, The Salvation Army and can be found easily by searching online, or go to a major daily newspaper, like The Australian for good information.

Some good news from parts of regional Australia this week is that some fire affected areas have received some rain. Not nearly enough to put out all the fires, but some are now out, some others really slowed down, but there are still some out of control. As rain clears and temperatures rise again, some smouldering trees and tussocks will become active fires again. Nowhere has the rain been strong enough yet to break the prolonged drought that has ravaged much of the country; that is not expected until at least April at the earliest. Water falling on some burned areas is running off rather than soaking in, leading to other problems including some local flash flooding in some areas. A land of fires drought and flooding rains indeed.

Aftermath

January 15th, 2020

It is clear fire is once again a focal point in my art. Between 1998 and 2000, I made several quilts ‘about’ fire, the impact it has on Man and it’s presence on the Australian continent. Every Aussie grows up with combined respect and fear of this natural force which is so useful to us all but easily escapes our control when it feeds on a heavy load of fuel in the landscape.

No words can accurately convey the horror so many Australians have lived through this year, with Nature’s destructive force running out of control, forcing evacuations, bringing death, injury, panic and pain. Stinging eyes, shortness of breath and black snot are the least of what so many have suffered.

In a powerpoint slide for my advanced improvisational patchwork class in Brasil last year, I coupled part of ‘Bushfire 4’ (1999) with an image of the Amazon fires then raging in the north of that country. All the patchwork is freehand cut and pieced, then inlaid with stiops of contrasting ‘lines’ of fabric to emphasis the speed and movement of a fire.

Quilt detail is “Bushfire 4” 1999

But nothing stays the same for ever. Already social media is producing images of regrowth, renewal and regeneration that are now apearing mere weeks after fires went through the earliest hit areas. Some parts of these have received small amounts of rain, hastening germination and regrowth, but much more is needed for full effect and to break the crippling drought whch was one factor in the seriousness of these fires. It is renewal and regrowth that I wish to focus on in my next work. Based on those images, I’m sure there will be a lot of black, dark grey and little bits of colour. How I will put this together I’m not yet sure – but one thing is certain, there is lots of piecing to be done, and so I’ve started:

One of my favourite processes is working with a heap of scrap pieces on the table, to build up sets of strips to be set into whatever will be the background.
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