Stencilled Gold Shapes+Stitch

May 19th, 2021

Back in 2012 I did some stencilling samples for a work “Tidelines 8-12” that was exhibited in an Australian exhibition, “Golden Textures” the following year. I cannot believe I have been carrying this little image around in my mind since then, and can’t find the actual sample anywhere, but I’ve been pinning grids, and yesterday decided I needed to do something with this idea.

stencilled-shape-with-stitc1.gif (400×400)
A 2012 sample of metallic gold paint and machine stitch ...
Neon orange nylon cut to form a grid template, gold paint brushed over

I’ve now realised the hole in the fabric template I used was much larger than I remember; but I’m liking the idea of a small, intimate grid, with holes more oval than this first lot I made today, and much more irregularity, too.

So I did some free machine embroidery with matching gold thread, and comparing it to the sample I remember but can’t find, and clearly that one was not free machine stitching, and I think that first effect is nicer.

Overall, a pleasing effect for a first foray, with more to come.

A Sample A Day …

May 16th, 2021

Still thinking about landscape segments and how to applique them, hoping to work out a process of using fusing to avoid hand basting of such little pieces into place before oversewing.

I fused silk segments onto the green polyester – and they stuck together long enough to go in and out of a spring loaded machine embroidery hoop a couple of times – but by then, in places the silk had started to lift, so on this fabric I wouldn’t be able to set them all out and fuse them all before starting the oversewing.

In the upper row of segments, I varied the sitchery and really loved the third/right end one, which I then repeated in the square.
  • If the two bonded fabrics were natural fibres, not synthetic, laying them all out and bonding into place before stitching should work well.
  • I also found leather bonded onto cotton really well, but held the iron in place too long, so the edges of the leather curled a bit, so tomorrow/soon I’ll do some serious samples using those materials.
  • Neon green polyester fabric and neon green polyester thread … might as well for the sample, especially – I just have so much of that stuff, probably still about 2.8km 🙂

Browsing With Pinterest, As You Do

May 13th, 2021

My regular readers know I browse with Pinterest probably weekly, and most times upload a few pins. Particular things that inspire me, and when they do, I pin them, not to copy but be some kind of reminder of something that struck me. I might save something for example on my ‘Holes’ board, but it doesn’t mean the image is necessarily one of actual holes, just that it made me think of holes of some kind, and set me thinking about what I could do in fabric and stitch with this idea.

I’m also trying to establish the habit of doing something, a small sample or a quick diagram aide de memoire, creative but quick, every day before I do other things in the studio. So here are several more:

  • The iron was a bit hot even using the teflon sheet, so both nylon fabrics wrinkled.
  • Pressing hard did not smoothe anything out and set wrinkles around the stitching in the orange.
  • So was this a failure? Definitely not – I’ve learned more about how this material handles, and there’s interesting potential in that.
  • A number of the presentations I’ve saved on my pinterest board are some style of 3D fabric form, and in the Clarissa Calleson workshop in Stitch Club last year, I was reminded of how stitch texture can be added to them.
  • These 3 small rolls ~8cm to which I added a little stitchery, were enough to tell me the stuffing needs to be much firmer so that the shape doesn’t collapse.
  • The non-fray edge is nice to work with – but frayed edges are interesting, too …
  • Rolled fine leather shapes might be good to try.

And the third for this week is an exploration of an interesting texture I pinned, of what I think is a paper+stitch work, by mixed media artist Takahiko Hayashi:

Parts of the stitchery suggest vertical rows of fly stitches, but now I’ve done this next sample, I’m not so sur. I am sure the thread wasn’t polyester, from the way it’s sitting, but I feel ironing it would flatten it down.
Upper – fly stitched, very loose. Lower – very loose straight stitches formed wefts across which I stitched, knotting at each one, a technique I haven’t used for ages, and never that loose.

Covid, Coffins, Syringes, Masks

May 5th, 2021

This morning, after letting the dog out just after 4am, it took a while to get back to sleep, and thinking around my Pandemic Pattern series and the grids I love so much, I realised there are possibilities here to combine traditional block layouts with motifs instead of different fabrics in the squares for 9 Patch, Trip Around The World or something else …. I’ll have to explore techniques, as I rather like the idea of some hand-drawn looking images – and I do still have at least ~5750m neon threads 🙂

A quick diagram of covid, coffins, syringes and masks.

Bonded Shapes, Samples Continue

May 4th, 2021

Though I’m continuing on with the back and gold hand appliqued piece, each day I’m also doing a small sample of something, two recent ones being in this post. Not taking long over making or posting them … this is a visual diary, after all, not a half day workshop 🙂

In the first, I’m still thinking about the corona virus – aren’t we all, all of the time? Bonded neon fabrics, neon threads, stemmed french knots … and by the time I’d gone this far, I could see that the weight of thread I have, which is like a large buttonhole twist or upholstery sewing thread, makes a nice looking virus unit stitched into the smaller circles of fabric. So, if I wanted to make a large piece, I’d need heaps and heaps of little circles. Time’s not especially important – after all, there’s a pandemic on. The new infection numbers in Uruguay are better than they were a few weeks ago, but still awful compared with 2020. There are still 6 more weeks until my second Pfizer shot, and then the post vaccination wait of 2-3 weeks … so I’m still not nearly ready to resume any in-person social life, inside or out.

In the next sample I tried a couple of things with my favourite little segmented landscape block.

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