A Very Unusual Antique

March 31st, 2007

Even if we hadn’t been in an antique furniture store, I’d have described this as a piece of furniture, but it’s original purpose was much less obvious, and I had to ask to learn it was made over 100 years ago, to hold the preprinted but undated tickets railways then sold to the traveller. Each ticket was then individually stamped for date of travel, either that day or some time in the future.

Made of the wood nogal (sp?) , rather like teak and very hard wearing – the cabinet? (fechero de billetes) was recently auctioned along with all the other office fittings from the old central rail office in Montevideo. The owner of the store we were in also bought several other interesting tables with drawers and even a large bell embossed ‘FCM’ for ferrocarril (railway) central montevideo, which once rang to signal “all aboard”. On reflection, there are parts of the world where this would never have been allowed to happen, and the whole place would have been turned into a museum, although there are pros and cons to that one which I won’t go into here. Last year I was in a marvellous old station in downtown Santiago which is now a cultural centre – there are several galleries, a restuarant and bar, and the huge interior is now a flexible space used for performances and large conference gathering kinds of presentations. The grand old Montevideo railway station building would be fantastic for such purposes, and may one day be so, as it is in the port area of the old part of the city where such things are starting to happen, just as they have in the Rocks area of Sydney, Fremantle in Western Australia, and similar areas of other cities around the world.

The little panels each have round indentations so you can use a fingertip to easily slide one aside to access the tickets behind it. The lack of one panel on each row gives the sliding space needed, a much more elegant design than any door system or open shelves. There is no sign on the lovely woodwork that there was any kind of labelling attached, but I guess working in the then busy ticket office it didn’t take long to know which niche held the required tickets.

As soon as my eyes lit on this marvellous unusual piece, I saw its potential as a storage unit for my sewing room, and DH commented ‘You can have that if you’d like it, it would be good in your sewing room’ , bless him. And so, we bought it, and it was delivered late yesterday. The store owners are pleased it has come to a loving home where it will have a new lease of useful life, not just be a conversation piece. You can see it’s very shallow so although it is large it doesn’t impinge at all on movement in the working area of my relatively long narrow room. The upper part is only about 10cm deep, and the cupboards below about 15cm – still shallow, but they’ll be marvellous for large cones, bottles and the like which currently hang out on the bookcase, either in open boxes or just balancing in a spare space. It will be fun sorting and putting stuff there, and a delight to use it every day. A thing of beauty is a joy for ever.

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On Second Thoughts …

March 30th, 2007

Sometimes some of the best ideas, tackled with confidence, get to a stage where that confidence sags, uncertainty about what to do next creeps in…. and so it did, before last christmas, with this one.

I was all gung-ho up to and including several lines of quilting in the grid arrangement that so appeals to me. For some reason I assumed this composition, (a downward push or an upward surge if turned up the other way) would look just fine superimposed on and sort of interrupting the grid – but it didn’t look as good to my real eyes as it was going to in my mind’s eye.

Whether the grid wasn’t the right scale for the action trendlines, I am not sure, but anyway I rolled it up and put it away, and started another piece. In December we had visitors, and long summer holidays; but my recent return to serious work prompted me to pull it out again. Another thing was that my gallery guy, Yamandu, said he’d like to see some more horizontal pieces …. Seeing as how I had gone off this one, I did think of chopping it down… that worked marvels with another smaller piece, so why not this?

So a week ago, out it came, and I realised I was loathe to trim it down, after all. Then I pull ed out the first few lines of quilting I’d done in the grid, sprayed the fabric with a fine mist of water and pinned it up on my design board to dry – this was to restore the pristine appearance of the fabric.

Over the next few days I walked past it many times, and at last I was reminded of what it was about the composition I’d wanted to convey and had lost sight of. Suddenly yesterday it came to me, and in just an hour last evening I sat down and began some free motion machine quilting. Now I feel it is going well , and know that soon I will reach a point where any more will be overdoing it. After that, any quilting still necessary for technical/constructional purposes that seems to be outside the thrust zone, so to speak, could well be done in black, and therefore be less visible.

So, while I decide just how much more to do, and where, this piece is currently back on the wall, and I am thinking of it as “Timetracks 4” Today on one of the discussion lists I read, there is an item about someone’s crisis of confidence mid- creation, so I am posting this as an example of how I deal with something that is bothering me – I put it away for a while. Someone else said she runs a warm fragrant bath and looks at it while soaking, but that sounds a bit too intense for me, as I’d have some expectation of needing to work it out before the water gets too cold….

I have another ‘currently bundled away’ and I feel pretty certain I will throw it out soon – of course, I will salvage the basting safety pins, the batting and backing pieces before chucking the rest. Leaving a true UFO sitting around can be very inhibiting, I have found, and once in a blue moon I just have to admit one is going nowhere, and ditch it. Just as in any room in the house I dither aimlessly if the rubbish bin or waste paper basket is overflowing

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Anatomy of a Commission – Delivery Completed

March 27th, 2007

Now I can publish the final pic – the client has taken delivery and expressed her approval of the whole thing, and I hope she enjoys it for years and years.

I have been a bit carried away with blogging the various stages of making this quilt, to a degree I rarely have before, except for writing magazine articles, but they have been technique oriented/specific. and required detailed pics and instructions. In these posts I have tried to cover all the issues one comes up with in carrying out a commission – well, there are many others, but everything went well with this one, so what to do when things-go-wrong kinds of issues might be covered elsewhere some other time!

The binding is my very favourite method: cut on the straight, formed into one continuous folded strip and first attached to the front, then folded back and slip stitched down on the back side. The corners fall into mitre-shaped folds naturally. It is fully described as french binding in Mimi Deitrich’s book on quilt bindings,’Happy Endings’. The binding fabric – I bought in San Francisco in 1992; I’ve carted it around the world since then but until this piece I have never seriously contemplated using it for anything. My rule when buying fabric is that I only ever buy fabrics I really love; but more than once I have looked at this one and wondered, what on earth was I thinking that day? Posted by Picasa

Montevideo Architectural Gems

March 27th, 2007

The architecture in Montevideo includes some very beautiful buildings, many of them from the heyday of the Art Deco style. My regular readers know DH and I have a thing for this period. Along with the buildings there’s a lot of beautiful antique furniture from the period in the many antique shops and auctions. Montevideo is a popular source area for collectors in other parts of the world, since there was a lot of wealth here here at that time, and much of the best europe had to offer was imported. By the same process, today the young people here want whatever modern stuff the rest of the world has; and all but the very savvy ones are ignoring the Art Deco treasures around them. Mind you, I am a fan of drop dead modern design as long as it comes with comfort, which the best does, and imho current sleek modern furniture styles can be quite compatible with art deco pieces, well they are in our own living room, anyway!

If I know I am going to be out and about with some time to visit a fav street I try to remember to take my trusty little digital camera along. Boulivar España is one of the most stylish streets in the whole Pocitos area which itself is rich with such gems once you move back from the apartments blocks along the Rambla. I recently took this pic in late afternoon light beautifully highlighting the intricate trims and decorations on these two houses. Sadly it is often impossible to get a picture without power poles or wires intruding.

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Commissions – General

March 20th, 2007


Commissions , to do one or not, can be a vexed question.

I know some people will never take them on. Others seem to work mostly designing things for others. I’m in between, as I enjoy the challenge of an occasional commission, meeting the hopes of a client, within their budget if that is a concern. As long as it fits with the kind of work I was planning to be doing, anyway.

A woman once rang offering good money for me to make a Heritage or Heirloom bedspread (using cream satins and laces, pearl buttons, bows, and other sentimental mush in effect) It is not at all the kind of thing I have ever done, so I don’t know why she called me ( did she want to be able to say she had an “Alison Schwabe” in her possession? I wish more people felt that way …) but I did put her in touch with someone who really liked working that way, and was happy to do what she wanted.

Anyway, “Misssion Beach”, 1995, (pictured) was not a commission, but led to one.

A couple had seen my quilt in a gallery, and the savvy owner let them take it to try in their home ( this hugely increases the chance of a sale) Then they asked the owner to contact me with two questions: could the quilt be hung up the other way? and could the price be reduced to fit their tight budget? NO on both counts! My answer carefully explained that to do this without the side bits flopping over and always looking terrible, the peaky bits would need to be deconstructed, stiffening inserted and the edges re-finished again, making a fair bit of tedious finicky work, which I could do just fine, but for which I’d have to charge a certain large sum in addition to the purchase price.

One of the most irregular shaped quilts I have ever made, Mission Beach is one of my most important, landmark quilts, and has always been a real favourite. It was designed to hang the specific way it shows above – it suggests a 3-d wave through which stringers of seaweed can be seen – lots of very glittery machine embroidery to suggest wateriness, although it hangs absolutely flat against the wall (black here) Several potential buyers hummed and haahed (over the price, but I would never reduce it) and in about 2003 it was bought by a Perth woman to give to her yachting husband. Many of the irregular shaped bits on each side are cut and shaped to just hang. If hung the other way they would just flop over. But, the real question was why did they think it needed to be up the other way? I went with the gallery owner to these people’s home, and we saw at once what the problem was: to the right of where they hoped to hang it, was a large picture window, and the lines of the quilt’s design took the eye out of the window in a rather disconcerting way. Hanging up the other way the attention of the eye stayed in the room (which of course defeats the purpose of the picture window, but I do remember it being unsettling) We talked a while, I had several other watery things to show them, they clearly wanted blues and greens, and then we got to price – they couldn’t afford it. But they could afford something around 2/3 the price – the outcome was we agreed to a commission. Deposit, contact, once isgned and sealed I made them one in blues and greens, with less complex piecing, rather like a curved “Waterweave” but with a strongly curved design lines heading back the other direction. Lots of peaky bits top and bottom, they loved it, it looked terrific on their wall, and I hope theyr’e still enjoying it. I really enjoyed working with those people.

But I have experienced people being very difficult, and believe that a serious deposit or design fee, and a signed contract can help to avoid pitfalls. In 1993 there was a Denver couple who contacted me, well she did, about the possibility of designing and making a contemporary quilt for their new home. Once I received her design fee check, non refundable, I drove up to see the house and hear her plans. The house was gorgeous, drop dead modern, with huge picture windows overlooking the kind of view money can buy in Colorado, and one which couldn’t be built out. There were several great dramatic contemporary ceramic pieces and a couple of lovely pictures on the wall. Money plus taste – a nice combination.

She was all gung-ho, and I left there with photos of the room, wall plans etc, ideas starting to form already on the way home (nearly an hour’s drive each way) I mailed her some design ideas and was called up again to meet her husband this time. I took some quilts to give him some idea of the kind of thing I could do, prices, quality of finish and how these things hang. As he looked and cast my works aside one by one, almost rudely, it became clear that these two were nowhere near being on the same page – not even in the same chapter. In fact, a tension between them suggested he already thought she’d spent quite enough …. so as I realised I couldn’t work with these two, probably ever, I stood up, thanked them for their time, said that since they each saw things so differently just now, they were not ready to commission anything, and so I could not work with them at the moment Before leaving I suggested they contact me again whenever they had reached agreement, and we could talk again. Of course, I never heard from them – we moved away a few months later anyway, and the stupid woman is probably still wasting his money.

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