Malcolm Harrison – mixed media

June 15th, 2007

This piece stopped me in my tracks as I entered the Encounter design gallery at the Museum in Auckland.
Entitled “Little Barrier” by Malcolm Harrison , a large figure stands on a canoe in front of a sail. The whole thing stands about 6ft tall in the glass case, which unfortunately caught a little of my flash no matter which way I approached it.

My first thought was ” that looks like a quilt….great” but then it seemed to be a sail and then it had characteristics of a map. On it are appliqued shapes suggesting wind and wave, and schools of fish up to the right of and above the figure’s head. Some of the appliques could read as suggesting fluttering seabirds…..anyway, the sail in muted greys blues and creamy whites on the sandy coloured canvas offset the warmer coastal sandy earthy tones of the figure itself: is it a man? or a woman? It is godlike in pose, anyway.

Found objects include wood, presumably driftwood pieces, stones and some tiny shells formed into hair or is that a diadem? The clothing on the figure is of a natural silk, embroidered in toning and near-toning threads to provide interesting textures and patterns; it is also marked by quilted lines and hand written figures – making no sense but suggesting recorded information of some kind – the passage of time? sailing data? cultural information? or weather records perhaps? … it really doesn’t matter that we don’t know this, it’s powerful anyway. Other techniques around and on the figure include wrapping, applique, fabric manipulation and hand painting. There may be more. The head is a simple stone marked in such a way to suggest an ancient mariner searching the distant horizon ahead. A wonderful tribute to the ancient people who arrived by sea from distant Polynesia, over 1000 years ago.

Oh , and in case you hadn’t picked up on this, I loved this work.

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The case for trifocals

June 15th, 2007

The three sets of glasses in this case had retired for the night -as had their wearer – in repose they struck me as rather comical, appearing conked out after participating in an all-day hectic juggling act at conferences and quilt exhibitions; taking turns in and out of the case, on and off the nose. W – it’s really time to trade them in for the 3 in 1 number!

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My quilt at Quilt National 07

May 29th, 2007

Greetings from Greeley, CO, where this is the first chance after a rather hectic few days in Athens and subsequent travelling and family visiting that I have some computer time on an unfamiliar computer – takes 3x as long to do anything!
Here I am in front of “Timetracks 1”, my third QN appearance, to add to those in 1993, 1995; it’s been a while although I have entered every time. The opening was very crowded of course, and this was taken the following morning at the special viewing opportunity for exhibitors and SAQA participants, many of which overlapped. The quilt itself is on black cotton fabric, and the segments in the blocks are of applied leather, held on by stitches sewn from behind, partly because bonding and a leather adhesive I had did not hold for long. At QN07 I met someone who helpfully suggested a suitable adhesive would be barge cement, and I will be taking some back down south with me to try. I will post results of those experiments.

It was great to see many people I knew, and meet some very interesting new ones there at at the SAQA conference over the several days, and it was particularly great to have present two of my closest textile friends from Perth Western Australia, Cherry Johnston , and Wendy Lugg, who took this pic.

Over all there were some very interesting pieces in the show, the usual few that I felt should not have been included – but we’ve all felt that way over large juried exhibitions, haven’t we. The quilt you can just see in the background was a work among several shown to us on slide night by Kathy Weaver from her Robo Sapiens series, a very clever and witty comment on the modern world. I really enjoyed her work. There were so many others to marvel at – but right now I am heading off for the day with DDaughter here in CO, and still mentally sorting and sifting my impressions from a crowded few days, and that will be compounded by what the SDA conference in Kansas City holds, to which I head out tomorrow evening. There will be even more food for thought and will write some more later.

Also From the Museum in Auckland

May 19th, 2007

Hung up high, ie out of reach, was this taifaefae patchwork coverlet from Samoa, with the patchwork itself being a little less than than double-bed size, each of the tiny patchwork pieces forming the motifs measuring about 3/4 inch/ 1.5 cm approx square. Hard to tell if it was hand or machine sewn, and pieces that small will tend to buckle a little regardless of technique used.

I would love to have been able handle this breastplate and turn it over to learn more of the construction. An intriguing jigsaw of slices of bone, measuring about 10 inches /25 cm across, and with what looks suspiciously like blood on the two left hand side panels ….. my imagination is just too vivid for my own good sometimes.
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There’s Nothing New Under The Sun

May 19th, 2007

In the Auckland Museum my first stop was the gallery featuring New Zealand design and finely crafted objects of all kinds including several textile numbers, among which is this gorgeous 1964 silk two- piece culotte cocktail suit, by designer Colin Cole. It was not made clear whether the fabric design was his, or not.

Anyone who has been paying attention to developments in contemporary quilt design will recognise this pattern in the fabric as having been done over and over, I wouldn’t say done to death but it has become a modern quilting classic, which I attribute to the development of freehand rotary cutting and piecing methods mostly – as well as being a totally natural way to divide a square by curved non-intersecting lines. Although many quilt artists have totally abandoned any suggestion of repeat or block design in their desire to avoid anything to do with the traditional quilting world, I have always found it fascinating to explore the nontraditional within structures of repeat blocks and units.

Several of my quilts built of blocks in this design including John and Sue’s Quilt, Mary and Joyce’s Quilt, Diamantina, Spinifex, and Tidal Shallows 1 & 2 can be found in the gallery pages of my website, www.alisonschwabe.com
The colours I really love.

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