Archive for the ‘3D’ Category

Studio Art Quilt Associates Members’ Benefits, 1

Monday, September 1st, 2025

The annual benefit auction begins later this week, so I’m posting on several membership advantages that I particularly value from among the wide range of resources offered by this organisation. First up is the SAQA 3D Special Interest Group

Though I’m best known as a creative in 2D fibreart, making tapices, wall hangings or art quilts, depending on where you come from, I’ve occasionally produced three dimensional works, and I was recently invited to speak about these in a Zoom meeting of the SAQA 3D Special Interest Group.

SAQA has several interest groups, which are open to all members at no extra charge. The attendance online that day was around 50, which I thought was wonderful, as many members work during the day, and a good portion of the SAQA membership is spread around the world in other time zones, so a few more will access the recording of the talk some time. It’s always a pleasure to talk about my art in such an opportunity, as I love sharing and hopefully inspiring someone to take a new turn or press on with new energy.

The inspiration to work this way can vary. In 1984 I attended a workshop on fabric covered boxes which gave me the skills I needed in 2016 to make some tetrahedrons.

My first tetrahedron, 15 x 15 x 15 x18cm h 2016
In 1987, I found myself making a soft sculpture of a gold nugget for an important community project.

Back in 2020 I took an online Clarissa Calleson workshop with StitchClub that reminded me about about stuffed forms, and they’ve been on my mind since I began preparing my powerpoint lecture for SAQA 3D SIG.

~12 x 5cm, a possible body ornament
… or presented mounted in an artist canvas.
Different versions of stuffed forms which can add wonderful 3D textures to 2D hangings, too…

I’m currently stuffing various cream fabrics including more of the fibreglass that I used the the first glass+textile exhibition, as the call has gone out for the third exhibition, in February ’26, in Maldonado. The organisers have asked us not to show the works being entered, so just be assured, there will be fibreglass, glass beads and plenty of hand embroidery 🙂 @saqaart

Links are included to give interested readers access to further information

Making It Up As I Go Along, 2

Friday, December 13th, 2024

Decades ago as the ‘creative embroiderer’ I then was, I used stuffed suffolk puffs several times in my art – and one of the earliest workshops in StitchClub 2020 was Clarissa Calleson’s wonderful one on 3D forms, reminding me of the potential of stuffed round and other shapes –

Untitled, ~7cm x ~4cm x ~1.5cm, one of two stuffed puff forms made in a Clarissa Calleson StitchClub workshop, 2020. It’s not mounted, so l could, and should, pin it to a shirt and wear as a piece of jewellery/brooch as it is. (note to self – make a point of wearing it this festive season)

I’m moving right along with the Textile+Glass project now entry deadline February 1st next. Though only 20cm sq., I feel it needs to compensate for the small size with a lot of surface interest meaning some serious texture, and decided stuffed forms would provide that – which takes care of the fabric part of the call. (For the 1st salon entry, I combined glass beads and fibreglass fabric. but I’m not using fibreglass this time, maybe next.)

With the piece for the Second Salon glass+textile art call, I’ve now settled on making some beaded stuffed forms/puffs, surrounded by writhing or cascading lines/strands of glass beads – pretty dimensional or bas relief, as per below – I’ve added seed beads along the top side of one, and will possibly make several more smaller shapes to arrange. I’ve threaded lots of beads as shown and will arrange them somehow.

One of my pet hates is a unit of something or other plonked onto a background with absolutely nothing around it – for an art piece to hang on a wall it really needs something in the background, if only some lines of stitching for context.

I joined in a zoom call yesterday for SAQA’s special interest group – Working in 3D. It will be interesting to see what comes up. A list of materials suitable for 3D use is being added to as people make recommendations, but I’m sure few if any will be available here in Uruguay! But there are people here doing exciting 3D or at least bas relief work here, and so I’ll improvise, ask around and try millinery supplies or fly screen mesh to support 3D forms I might be lured into. Then again, years ago I did a series of tetrahedrons using template plastic as the internal structure – and though my stash of that’s running out, I have a heap of old xray photos that I think will be suitable substitutes.

Tetrahedrons, 2016. Each 18cm x18cm x18cm x15cm.

Back in the 90s I did a group of fruit bowl sized vessels I just remembered, so I’ve actually done quite a few small 3D things down the decades. The thing they all have in common is that that there are no patterns for this kind of original design, and for each there’s a certain amount of planning/problem solving before you even start making the object; then if things don’t turn out as well as hoped despite that planning, there’s more problem solving along the way!

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All images and text are © Alison Schwabe
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