Archive for the ‘General’ Category

Rediscovered, 2011

Wednesday, February 28th, 2018

The illustrated catalogue I have just done of my works showed up a couple of gaps in my documenting, as although I thought I’d finished it, I just came across a photo of this piece, which I finished in 2011 just as a dear friend was leaving the country for South Africa and wanted to buy it.  So though it is in the Ebb&Flow series, and I didn’t remember to list it at the time, I have done so now.

Untitled, 2011, 60cm x 25cm  approx

At that time I was including burned synthetic fabric ‘lace’ in many of my works, and this one features plain black against black nylon organza, then the glittery layer lies behind five segments of pieced fabric – from memory each of these was quilted, but I’m sure Bradley will let me know some time. I really like how the lines in these five sections flow, and this piece is on my mind today.

Browsing With Pinterest

Thursday, February 22nd, 2018

Every day Pinterest sends images of things it thinks I might like.  Because I can so easily become totally absorbed and lose hours happily wandering through images, following links one after the other, I rarely take time to browse.  It’s worse than Facebook.  So I clicked on a page of enticing images headed ‘stitch’, and found myself looking at a page of pics on which was one work I knew I’d seen before, by Cordula Kagemann and as it turned out, had saved in my own board Lines and Shapes, though I’d never gone to her website.  What magnificent work, collaging with cut paper and some fabric. Textile friends in Australia, note that she will be teaching there in October of this year.  Her cutout paper overlays feature various shaped holes and overlocking rings – my mind asked could you call this paper ‘lace’?

Holes and lace have been part of my inspiration for some time: https://www.alisonschwabe.com/weblog/?p=2620  https://www.alisonschwabe.com/weblog/?p=2620  and I still have this little leather sample on my board after about 10 years  – suede bonded onto unbleached calico/muslin, and to me this is definitely all about the holes… and I’m still thinking about it.

 

Snippets and samples of holes in leather and fabric … ? lace

The surface design snippet below is part of a 12|”x12″ quilt first bought in a SAQA Benefit Auction some years back, of gold leather triangles with holes punched from it sewn to a black background with gold machine stitching forming the grid. This week it was auctioned among a collector’s pieces which were donated to the organisation to benefit SAQA a second time, and I am thrilled to hear an Australian collector it.  I never gave it a title, but with hindsight perhaps I could have called it Black Holes on Gold Triangles …

A question I’ve had in mind before is this – what is the most important part of ‘lace’ – is it the holes, or whatever it is that surrounds the holes?

Road Trips

Tuesday, February 20th, 2018

We’ve done lots of them, at home and abroad, for various reasons including Mike’s work, medical trips from Outback towns to major centres, look-see rubber necking, to visit friends, attend the odd wedding, for tourism and vacations, plus one notable epic trip overland Mt Isa to Kalgoorlie, moving house but unable to fly across because of one offspring being post ear surgery… a fantastic outback journey out through Winton, Longreach, Cunnamulla, Wilcannia, Bourke, Broken Hill, Adelaide and across the Nullabor to Kal.

Ticket to Munmalary  1997,  150cm x 130cm,  (photographed against yellow)

Through road trips  I have seen and experienced a reasonable portion of the world – huge areas of Outback Australia including the wilds of Tasmania our home state, quite a bit of the southern part of South America, large tracts of North America and a little of Europe.  I’ve normally been in the front, either driving or on the passenger side.  Other times I have hurtled through a landscape to somewhere on a bus, with a particular sensation of looking sideways and seeing things slip by, which prompted Ticket to Munmalary, years after our Tent Period.  You can’t get to Mummalary by bus – or back in 1975 couldn’t anyway and I doubt things have changed much.  It’s an isolated cattle station out in the Alligator Rivers area of NT, on a dirt road punctuated by wide buffalo wallows, requiring a 4WD with experienced driver.  My memory of going out there for the first time was a passenger seeing an unfamiliar landscape that sort of flashed by in glimpses, like an old movie.

 

I don’t have the same sensation sitting in the front of a vehicle and able to see the road ahead.   This different sensation led me to do a series of little roadscapes a few years ago I called Road Trip #1, #2... and so on.  They are about 15cm x 20cm, mounted in some brushed aluminium frames, and I think there are about 20 of them in storage in Australia.  These were fiddly but fun to make, and each was loaded with memories of road trip experiences.

C

In Need of Money and TLC

Sunday, February 18th, 2018

“In need of money and TLC” applies to many of Montevideo’s oldest buildings. The oldest part of the city, Cuidad Vieja, contains many of them, though there are some wonderful gems in the older suburbs of the city, too.   In the last twenty years there have been some excellent restorations, and in all the most historical parts of the city original facades and essential features are now protected for preservation by building codes.

At the corner of Sarandi and Bartolome Mitre in the heart of the Ciudad Vieja is this truly beautiful but dilapidated building, vacant and available for rent or sale, just crying out for some TLC and a lot of financial attention.  It’s by no means the most decayed in the old city, but I hadn’t actually stopped and really looked at it before yesterday (I’m not often in the old city) though Mike walks right past it most days and has been mentioning it for a while.  With my back to a wall to ensure my balance, I looked up and marvelled at its potential, wishing I had the money to restore it.

I don’t know anything about it’s history, though I suspect it dates from the early 1930’s given the predominantly art deco styling.  Montevideo has many gorgeous art deco buildings, and some of the best, including this one, are featured in a recently published book of photography by Alvaro Zinno ,“Montevideo, Cuidad de Bellos Edificios”  (Montevideo, City of Beautiful Buildings) a copy of which I had just bought from a nearby bookshop.  Lots of wonderful pics of whole buildings and interesting detail shots are accompanied by text in spanish and english.  One interesting thing I read in this book is that in 1928 the civic fathers enacted building regulations that mandated every room in a residential building must have direct access to fresh air and therefore light, to improve the health of people living in rented accomodation.  Atriums, stairwells, internal courtyards and skylights proliferate from this time, though I suspect there might still be a few unhealthy internal windowless rooms lurking in a few very old buildings which languish, decaying, unused and largely forgotten about by the city’s modern residents.

Looking Back a Bit …

Monday, January 22nd, 2018

To rediscover this excellent scan of what is my first intentionally made ‘art quilt’ last week was a thrill (the original is a 2×2 transparency, back in the filing cabinet in Perth – remember those?).  This is ‘Ancient Expressions’, so named because I  thought  that would help it be juried into an exhibition,”Expressions in Quilting”, Barrington IL 1989.  Whether it would have made it without that little push, I don’t know, but it did get in and sold from the exhibition.  If anyone knows who has this quilt I’d love to hear where it is.  I was never informed of the buyer, and didn’t think to press for that detail at the time 🙂

Ancient Expressions I,  1988.      114cm x 102cm

This success really focused me on making my own designs in layered textiles; and further, it led to a series which became the Ancient Expressions series (I- XIV)  Each quilt has an element of landscape in the design, and all celebrate the ancients’ connection with their landscapes, expressed in the patterns they painted or carved on those surfaces. Two or three were OMG flops, but on the whole they are still works I’m proud of.

Detail of the hands – it’s not a grainy photo, I sprayed paint over ironed-on freezer paper cut-outs of my own hand shapes. But the paint seeped under the edges in places, and my initial reaction was that my experiment failed, as I had been going to embroider using the hands and paint as kind of templates (which on reflection would have been boring probably) but when a fellow embroiderer said  ‘You could put it in a quilt …’ I looked with fresh eyes and realised its potential, made the quilt and went on exploring the potential of this theme in the series, some of which are  pictured below:

L – R    #XII                       # I                          #X                        #IX

 L – R     #XII                 #XIV                         #VI                         #II

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