Archive for the ‘General’ Category

Sandlines

Friday, March 30th, 2012

I submitted a proposal to an art quilt exhibition opportunity in Australia – where you have to outline and give sketches of a proposed work, suggest colours, list materials and techniques to be used – all a helluva lot of pre-planning committed to paper compared to what I usually do – a half page pencil sketch perhaps with some words and lists around the margins generally gets things organised enough in my mind to be able to start.

This image is typical of a number I included of beautiful patterns of sand ripples and textures, with the images manipulated to give the appearance of B/W  pencil sketches, and, without going into detail of the whole proposal, materials would include gold leather, some earthy neutral background fabric, like aubergine or charcoal, some gold metallic machine quilting, and, well,  other things may come to mind once a project is under way.  So, fingers X mine is one of the proposals chosen….but chosen or not,  I’ll probably make it in some form anyway.

New Small Works

Friday, March 16th, 2012

"Flowlines 8"

This is a 15cm sq miniature quilt mounted on a 20cm sq painted art stretcher, as much of my recent small works have been, and seeing as how I am using the lines and the grey fabric it seems logical to just continue on with the naming of them.  It’s one of several using the wonderful grey fabric.  Back  last year I did several others including this one with very Aus Outback colouring :

"Flowlines 10"

but I haven’t continued this colour group since I don’t have any of the shiny black left.  But never mind: as I said in the previous post, the wonderful thing about fabric is there’s always more.  As all quilt makers know, it may not be quite the same as you had before  -and there are some fabulous quilts both antique and modern showing the quiltmaker ran out of one fabric and used another that doesn’t quite match.  It’s an accepted part of the whole quilt heritage thing.   And that’s  OK too, as  many people believe nothing man-made can be really ‘perfect’ anyway.   Or, to put another way,  machine-made objects turn out exactly alike, unless the machine goes haywire or materials have defects, but the artist-craftsman produces things that show differences even if they carefully follow a pattern or template.

My regular readers will be interested to know that today a friend and I are to visit a Uruguayan woman who can tell me something of the belief system behind the beach offerings I find so fascinating.  She’s asked me to bring a flash drive to download some of the material she has – marvellous – and then it occurred to me to download some of my more interesting photos to take along to her for comment – which I hope will be enlightening!  Oh, and she does tarot readings too, so as its been several years since I had a reading, I’ll have one today.

 

 

Wonderful Fabric Find

Wednesday, March 14th, 2012

Flowlines #2, 12″ x 16″

I found this lovely plain, soft grey fabric several weeks ago on a remnant stall at the sunday markets.  It jumped up and down saying “Pick me! pick me!” and so I bought 5m @ what I thought was a good price, 100 pesos/m  (about  US$5 / meter).   It’s  cotton, about 60″ wide, which is unusual here in uruguay, and has a very slight sheen on one side.  It also contains about 5% viscose according to the stall holder.   While I worked with it during the following week, I had two thoughts – (1) ‘cheap’ as it was in Aus or US terms,  I should have haggled a bit over it, and (2) I should have offered to buy the lot – it was after all a remnant of hard to find cotton fabric, likely to never be repeated, etc.   It was so nice to work with, and these thoughts persisted, so last weekend I went back.  And after a search, the woman found the rest of the bolt which amounted to 6 and 1/2m, and sold the lot of me for $300,   US $15.  So averaging, yes it was a good price/metre.  I have also done some very small pieces using it as a background, and am having them photographed today.

So I’m happy with about  8-9 m in my stash, and will be using a lot more of this wonderful grey, until it runs out !  The stall holder is always there, I have bought things from her before, and this time left a card with my contact details on it asking her to  please phone me if she gets in any other plain cotton fabric with no designs on it.  Such stuff is needle-in-haystack value for patchworkers here.  And yet this fabric is so nice, a finer quality than any of the plains I have brought back from Aus or the US down the years.   I’ll be sorry when it’s all used up – but hey, it’s a wonderful thing about fabric that no matter where you are there is always some wonderful find of unusual quality or marvellous colour that  pops up unexpectedly to demand a purchase….

SAQA Benefit Auction 2012

Saturday, February 11th, 2012

Last week I finished the 12″ square I am donating for this year’s benefit auction.  “Tidelines 7” is now on its way; it may have already arrived.  This is unusual for me, I am normally up against a deadline, but I don’t think this year’s work is any the worse for having been produced at a more leisurely pace in plenty of time, either. 

These small pieces are often in effect studies for larger works, in which I resolve issues and anticipate others that might arise from changing to a larger scale.  I hope it does well in the auction, which is held each year to help support the exhibition and education programmmes of the Studio Art Quilt Association, of which I am a professional artist member, PAM.

After Every Good Party There’s a Mess to Clean Up

Saturday, February 11th, 2012

Three days after the  evening on the beach where Sally and I observed the goings on for Iamanja’s birthday, an article appeared in the local paper El Pais describing the event with pics of the particular beach we’d been on.  (well, it was just down and along a bit from the newspaper offices) Although probably the action began just after dark, certainly things were well underway when we arrived just before midnight, and we saw new groups coming and people leaving all the time we were there.  Nevertheless, I would not have described the crowd as ‘thousands’  but perhaps they meant all along the coast that edges the metropolitan area, then it would be so, I guess.  The article referred to the 100.000+ adherents of this faith system currently active in Montevideo itself.  Interesting.  I believe I have found someone who will soon talk with me about the symbolism and basic principles, and will write more on that after I have met her.

After any good party, there is always mess to be cleaned up!  The next day, according to the paper, from 8am that day, over 100 city workers plus machinery were cleaning the beaches of debris, and certainly the beaches on the edge of the city had been all cleaned off wonderfully before midday.  Our local beach , Carrasco, was cleaned as far east as the casino, but not further along, where I walk from the casino to the naval school – it was a terrible mess, captured in the collaged pics above.  A couple of days later there was even more mess, but for the technical reason that I had forgotten my camera ! I can’t show you the heavy line of small bits of styrofoam shapes and other bits of junk that were washed up.  I was astonished to see an almost elderly couple who had parked their chairs on the dry sand, and were standing knee deep in the rather unhealthy shallows – I hope they were deciding not to swim….  I didn’t wait around watching them – there was no one else around, and it would have been a bit obvious I was watching them.   A lot of the gifts were organic in nature and therefore will be biodegrading as I write.  Perhaps it is safe now to swim there.   Yesteray, 10th feb, there was nothing much along the tideline, it seemed to have all been sucked into the water and on its way down to the Atlantic where some of it will end up in one of those vast whorls of plastic rubbish in several parts of the ocean, of just floating around out there being so harmful to marine life.  

I have said before one of the goddess’ likes is anything pretty and blue, and she is very vain.  So perfume (the label on the bottle above says Touch of Love) and blue predominates in the offerings, plus white, the colours of the sea.  Even the glass that might have toasted her was partly blue – and was just left dangerously lying in the sand ….

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