Archive for the ‘General’ Category

It Can Take A While For An Idea …

Saturday, March 8th, 2014

For some years  I’ve had on my pin board a little cutting of a full and detail view of a tapestry weaving by Scottish textile artist Sara Brennan   The image was for an ad in a magazine for a solo show at The Scottish Gallery Edinburgh, 2006.

Lines are important to me, as in ‘lines=seams’.  The importance of line in Sara Brennan’s landscape inspired work is because of  “the meetings (that) occur around a horizon”   Who knows why didn’t I research her work when I first found this picture, but I never took the little pic down, because it felt important for me to leave it there.    This morning, while doing something totally different I suddenly realized if I fused some sheer fabric over a seam it could have a slightly similar effect, with a lot of potential – and so I put together this little aide memoire of a sewn seam with sheer overlay, with the snippet from the pin board on the cream part of the photo.   How interesting that it has taken me all this time of occasionally glancing at that little pic to finally have a little light bulb switch on!.

Sara Brenna's horizon work blog

I don’t know the name of the piece above, or the one below.  When searching around for writing on her work I found very little, really, which is a bit disappointing.  But at least you can see more images of this beautiful, evocative work here.   

sara brennan weaver - horizons series

Wool tapestry weaving from Sara Brennan.  I’m a fan.

From Deeper In The Samples Box …

Thursday, March 6th, 2014

holes samples

So at one time you can see I was pretty full on with the leather punch – and a few years ago looked into buying a secondhand laser cutter, but various real considerations and practicalities finally prevailed, and I didn’t go ahead with it.  I think I’d have had to do a lot of trophy engraving to pay for it ….  Well, I like the organic, hand-cut look, anyway 🙂

Stitch Plus Shape

Tuesday, March 4th, 2014

kintsugi meets textile mending web

Top – Sample from today – some fused shapes with a variety of edge treatments, and including some metallic stitches.

LL – from a poor quality photo but an adequate aide memoire – of a section of kuba cloth we saw in a Colombian museum.

LR – detail of a hand quilted wall quilt,  2010, using the traditional squares with squares motif non-traditionally.

To me they’re related, and link to the ethic of mending something valuable; on which theme I recently discoverd the beautiful Japanese craft of mending broken ceramics – kintsugi 

The Ghiordes Knot Stitch

Tuesday, March 4th, 2014

I was digging around looking for the name of and  basic working instruction for a loopy stitch I used in the ’80’s but never since.   I’ve seen it or something like it so effectively used in Debbie Lydon’s works, and some other artists’ works.  Despite fiddling with a needle and thread I’d forgotten how I did it, and looked around.  First, the meagre offerings on my bookcase; I have far more comprehensive books in my collection in Australia,  and now there is so much online, but I take these along to one of the workshops I teach.  They’re well travelled and had a lot of use since I bought them in the late 70’s.  But the stitch wasn’t there.  However, in the front of each one I found this wonderful introductory quote:  “Free Style Embroidery – The most popular type of embroidery is Free Style Embroidery. i.e., embroideries which are worked over a traced of hot-iron transfer design of from a stamped linen.”   Goodness – the last traced linen embroidered doily I did was at age 12-13 in the late ’50’s, hand crocheted edge and all.  I still have it and will phoograph and show it one day.

stitch books

After amuch online searching I found that what I was looking for is the Ghiordes Knot – check out these images for a feast of potential including easy to follow step by step instruction.  Images include a very few from free spirits, but mostly carefully controlled execution… as in this next link, containing perhaps the clearest basic step-by-step instruction in an article on the American  Needlepoint Guild’s Stitch of The Month back in August 2006.  Naturally, for a guild,  it’s very precise and correct, and from the point of doing it on canvas and eventually cutting the loops once they’re all in place…. the equivalent to the ‘free style embroidery’ on linen !

I did masses of uncut loops, aka ghiordes knots apparently, c. 1986 in a piece for an exhibition of my creative embroidery.  Of course, I don’t have an image within reach,  and indeed I’m wondering if I do have an image anywhere – well, surely ….  and that’s one more thing I’ll have to check next time I’m in my Aus sewing room, while photographing the last traced design doily I did.

Holes As Lace Samples

Monday, March 3rd, 2014

DSCN3463 copy

My last post included a little square within a square, with holes.  I found when using the ‘what if?’ principle that the leather punch would go through fabric, a pleasing little thing, and so I did another little square-within-a-square – I bonded it to paper – another pleasing little thing.  It’s io nthe top row – don’t take any notice of the brown next to it, that’s just the benchtop.

DSCN3462 copy

OK this is just a sample, but I am pleased with the landscape texture quality of it.  Bonding and free machine embroidery, cotton, bronze leather and shot nylon organza, and I forgot this when working with it, so the upper blobs are oriented differently to the piece with the cutouts,  and whichever way you look at it the colour is different but related – interesting. Maybe useful some time.

 

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