A small collage piece, sample really, approx 10cm sq employing some of the things on my mind just now….

.. stencilling, freehand machine piecing, machine and hand stitch, hand drawn elements …

Where are the stencils available?  I cut them myself from template plastic using an art knife and my own pencil line drawings.  The two I actually used above are from a group  of variations of the traditional one I always think of as the rising sun –

-not sure what its name is but I always think of it as that… or sunset I guess, depending which way you’re looking at the time.  

I’m a keen hand stitcher/embroiderer from way back, love combining paint with stitch and over the past few years have enjoyed its renaissance in textile art.  Mixed media is the term you hear a lot these days.  Perfect.

“Who knows what happens if…?”

This question, about technique,  materials or equipment often comes up on the several fibre or art quilt chat lists I subscribe to.  It’s asked by people who consider themselves to be creative or even innovative. The obvious  answer is “Why not just make a sample and see for yourself?”  In the time it takes to post the question and wait for any replies, often the matter could easily be settled to the questioner’s satisfaction. Learning by doing is one of my mantras. (Sometimes someone wants an answer to a question before they invest in some expensive art supplies, equipment or sewing materials, and I do get that)

I wanted to know the potential of some things I’m thinking about at the moment, so here are a couple of samples from this morning.  First, a scrap of bronze leather on a piece of scrap fabric told me what I wanted to know about sewing into it (must look for that leather needle)  and attaching the leather onto scrap fabric with the threads I had in mind.  Hmmm…. that leather is nice, and there’s a lot of potential there for I have in mind.

This next one came to me in the wee small hours of the night, and I was not sure I’d remember it the next day, so put my watch onto the other arm to remind me 🙂    The scrap of tan was cut to no particular shape before hand, but before gathering around the edge, it was sewn to the background cream. Satisfying, a lot of potential there, too suggested by the jottings I typically put on a sample.

As a prelude to the Ozquilt conference and AGM at the national Wool Museum in Geelong last month, I took a design workshop presented by well known Australian designer and textile artist Jan Mullen  We were asked to take along papers of all kinds plain and printed (but it was only a one-day w/s and I was travelling, so really did limit myself here, which was fine) We took along also our own choice of various kinds of mark makers like pens, crayons, pencils, water colour paints, felt tip pens and more.  I included some gorgeous glitter glue in 6 strong colours, some metallic pencils plus bronze silver and gold marker pens – all stuff I didn’t already have and had never tried – why not!  I added a couple of remaindered magazines for $1 each in case I needed them for cutting and pasting, and I did use bits from one.

Several objects from the Museum’s collection of things associated with the Australian Wool Industry and its history were laid out for us to use as the starting point for Jan’s design approach which formed the basis of this workshop.  We were reminded of the importance of getting to know an object and its characteristics via many ways of recording it – drawing and photographing from various angles, and the value of writing of lists of words and phrases to record our own thoughts and responses to the object – the back story – were all part of the study on how an object can be the starting point for a design.  Some of this approach was familiar to me as being part of the way I work, but other parts of the approach were new and thought provoking.

A spiral of canvas rubber and metal pins described as a carding strap was eye catching ( it was wound round a revolving drum and removed particulate matter from the raw wool fibres)  Photos were one way of recording it – however as we were able to handle these objects, there are lists of words and phrases too of how it felt in my hand.  It wasn’t as heavy as it looked.  To someone interested in line and shape, this was intriguing – 

The other object that really caught my eye was a huge book, essentially a catalogue or scrap book, containing snippets of the fabric samples produced by one woollen manufacturer over many years, revealing change in taste and fashion as they were glued in and annotated each year. These samples separated the pages out, producing some lovely linear patterns –   

The drawing and writing while really looking at these photo images suggest lots of things I could do with each of them. I may or may not use them directly in the future, but the whole exercise of the workshop – observing, recording and thinking about associations these objects suggested, did re-enforce and expand my ideas – such is the value of occasionally attending a design workshop.  Jan’s was fun and relaxing, her material was well organised and well presented – everyone had a great day – so take a workshop with her some time if you can!