Posts Tagged ‘holes’

Look Forward to Resuming Work

Saturday, October 4th, 2014

Since shoulder joint surgery 4 weeks ago, I haven’t been able to do any quilting or sewing, but rehab’s going well, and it won’t be long before I am making some new work.  First up will be finishing off one of the pieces for the Golden Textures exhibition in Wangaratta next February.  I posted about this piece here .   It’s about 3/4 done, and I hope my ‘hand’ doesn’t show up in stitch differences – my handwriting is far from recognizable at this stage! But every day brings new improvements so we’ll see.

Posaplato Dos detail blog copy

The detail from a piece I did some years back includes many of the elements that I’m looking at combining –  holes of course, glitter, needle woven stitchery and grid – one of the most enduring elements in my quilts.  During this week I have looked at  several artists whose works paintings, installations and sculptures are in linear or grid formats, and I have found my work has something in common with each of them:   Alan Shields, Chuck Close, Carl Andre, Guillermo Kuitka, James Sienna, Julie S Graham, Sol LeWitt, Sean Scully and Agnes Martin, whose work I had known of for many years.  Looking at images of their work and  reading about each has given me some inspiration and urged me to think about my next moves.   Roll on the day I can draw diagrams, use my cutter and scissors, sew at my machine, wield my iron, and make up some of my ideas.

 

From Deeper In The Samples Box …

Thursday, March 6th, 2014

holes samples

So at one time you can see I was pretty full on with the leather punch – and a few years ago looked into buying a secondhand laser cutter, but various real considerations and practicalities finally prevailed, and I didn’t go ahead with it.  I think I’d have had to do a lot of trophy engraving to pay for it ….  Well, I like the organic, hand-cut look, anyway 🙂

Holes As Lace Samples

Monday, March 3rd, 2014

DSCN3463 copy

My last post included a little square within a square, with holes.  I found when using the ‘what if?’ principle that the leather punch would go through fabric, a pleasing little thing, and so I did another little square-within-a-square – I bonded it to paper – another pleasing little thing.  It’s io nthe top row – don’t take any notice of the brown next to it, that’s just the benchtop.

DSCN3462 copy

OK this is just a sample, but I am pleased with the landscape texture quality of it.  Bonding and free machine embroidery, cotton, bronze leather and shot nylon organza, and I forgot this when working with it, so the upper blobs are oriented differently to the piece with the cutouts,  and whichever way you look at it the colour is different but related – interesting. Maybe useful some time.

 

Holes, Continued

Sunday, March 2nd, 2014

As I’ve said before, they have been on my mind for years.

holes in leather 2006 samples

This couple of samples was cropped from a pic I took of several samples back in 2006.  Hand cut black leather and punched gold leather – I know I had some big plan for this but the constant use of a leather punch leads to tired hands and arms, and I dropped the plan.    A change of scale, though, and change of material… well there’s a lot of potential for both ideas.

hole and lace

And these sample snippets are from this afternoon’s experiments – grey nylon organza bonded onto the cream canvas – sure, the pic’s a bit dull but I know what it means.  Down in the LH side are some triangular shapes bonded on of course but then hand stitched in various ways with several threads including metallic.  I keep thinking of how people only repair precious objects, and ‘mending’ is a frequently used motif these days in mixed media and textile works – but I hope I can use ‘mending’ in a non cliché way – I’m working on it.

 

square with holes

I don’t think it’s just the bold contrast why I like this little sample- approx. 4cm x 4cm suede leather piece, with a smaller square cut and rotated – those holes are smallest done by the leather punch I have.  There’s no way I could do something  with masses of these squares of leather – oh for a laser cutter here!  But, perhaps another material … this idea has lingered in my mind since 2006, too.

 

From Idea to Form

Monday, February 17th, 2014

sandlace2blog

On how I transform something from an idea into some form, this pic says much.   I have always thought any ‘line’ can be a cut, a seam or a line of stitches.   So using a pic I’ve taken of some pattern,  and using some form of my very, very basic, tech tools –  in  this case PE11  (Photoshop Elements 11) – I will choose to resize, manipulate, re-draw, change colours, whatever .  Those photo-editing programs are wonderful, but as I say I just go ‘basic’, more or less one or two steps up from the lead pencil and simple diagrams+lists  I’ve always done.  Here I have collaged a sample with part of a sand pattern photo on which I drew with PE11 to show how my brain takes an image to a form via fabric and thread.

I was recently asked where my ideas come from.  All over the place ! is my  answer.   Right now ‘holes’ and ‘lace – widest interpretation of’ are on my mind as I am focus less on The Quilt itself, and more on wherever exploration takes me with mixed media and stitch.  Since the late ’70’s the wheel has turned a full circle, I think.

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