Something Spherical

October 10th, 2017

On July 22 last I blogged of how in a little demo to visiting artist friend I had come up with a small group of samples of half circles inset into a contrasting background (there’s a pic in that link)  I kept them up on my board for inspiration, not knowing what I should do with them but wanting to do something, definitely.  And then I went off travelling.

Visiting USA family and friends in August, I was in Greeley, CO, the day of the recent Solar Eclipse over North America. Out on our daughter’s back lawn, equipped with eclipse viewing glasses, eclipse pizzas, gorgeous eclipse devilled eggs, solar eclipse vodka, sunkist raisins and lots of other appropriately named or labelled refreshments, we enjoyed a solar eclipse brunch party with some of her UNC Botany Department colleagues. Though we were not in the zone of total blackout, the effects were dramatic enough, including a temperature drop in a few minutes of eerie ‘dusk’ at about 11.15 am.   The whole event was awesome.

After returning from my travels, it all clicked into place – I needed to do something ‘solar’ using these samples on my wall as a starting point. I have always loved these scales or dome shapes – which first appeared in my work 20 years ago, eg Pahoehoe 1 and 2Afterglow and recently in the Kimberley quilts. Here they have become the dark and light sides of spheres, in the loosest sense possible, mis-shappen and mis-matched. There’s no such word but there should be a made-up one I can’t get out of my mind, ‘ecliptical’.  I found enough of what to me are moonlight, nocturnal coloured fabric pieces and scraps – not my usual palette at all – and envisage lots of hand quilting in pale gold thread …   

 

You know I love grids – and these units are trimmed to 4 1/2″. A new project is underway, positive vibes so far, it’s lunar rather than solar, and the list of title ideas contains interesting possibilities.

 

 

 

Art Quilting In Uruguay

August 9th, 2017

I’ll be speaking on this topic a couple of times over the next few weeks – in Colorado on monday 21st August, at the monthly meeting of the Front Range Contemporary Quilters, (a fabulous group I belonged to when we lived in CO) and to the delegates at the Ozquilt Conference dinner in Launceston Tasmania, on saturday September 9th.

I will be showing and commenting on work of talented Uruguayan mixed media textile artists such as Lilian Madfes who unfortunately does not have her own website.  However you can start here and search for other references to her online.   From an exhibition of Lilian’s work in 2011, this piece, about 75cm sq, really fits within the definition of an ‘art quilt’ – at least two layers of fabric or something that serves as a fabric, held together by stitching or something that functions as stitch.  Not here, but in the US, I have seen layers of fabric held together with stapling and even pinned with dresssmaking pins; in each case very pertinent to the theme of the work of art in which they were used.

 

A Gold Nugget Soft Sculpture?

July 25th, 2017

Sure, why not?  Memories of this particular achievement of mine came flooding back as I browsed in some old photo files recently.  This group relate to a project I was involved in and blogged about in a 2009 post.  Gloria Currie had emailed them that week, although I had seen some of them before on paper.  

This first pic shows the letter side of the 36 double-sided quilts, each letter forming part of the entry signage to the Australian touring bicentenary exhibition of 1988.  Every banner quilt was designed and produced in a major regional centre of Australia, with a designated letter on one side and on the reverse side a depiction of something typical from that particular region.  It was all wonderfully coordinated by someone in Canberra, home of the Bicentennial Authority of the day.

Entrance to Australia’s  Bicentinary travelling exhibition of 1988

The main centre of the huge gold mining industry in Western Australia’s Eastern Goldfields is the City of Kalgoorlie Boulder.  Gold is still produced there today, even after nearly 130 years of continuous gold mining; and as the chief economic activity of that area it was obvious that gold and it’s history there would be the theme on our quilt’s reverse.

Members of Goldfingers Embroiderers and The Patchwork Pollies formed a group to carry out the big project, led by quilter Margery Goodall.  With a desert landscape colour scheme throughout, our assigned letter was H, for which we chose traditional crazy patchwork, seen here with Margery standing in front. For the other side we settled on a traditional medallion-style design featuring a soft sculpture of one of the most fabulous gold nuggets ever found in Australia –  the legendary Golden Eagle Nugget  here with yours truly standing in front of it.

Margery Goodall and Alison Schwabe in front of the sides of the quilted banner.

I was happy to use my experience with free machine embroidery to depict some typical landscape, mining buildings and headframes on the surrounding red-brown fabric.  When someone asked if I could do a gold nugget for the centre? I blithely agreed, having no real idea of how I’d do that, and knowing there would be no pattern source.  I’m an experienced procrastinator with a finely tuned sense of just when I really need to just get on with it 🙂  So, after weeks of procrastinating and agonising over the folly of agreeing to make such a thing, and facing a fast approaching deadline, I finally got down to experimenting with samples, naturally. Once I focused under the pressure, the Golden Eagle Nugget took me about a day to figure out and make.  I cut the shape from gold lame, toned it down in places with brown paint, layered that with batting and free machine quilted it to give the lumpy surface texture.  I then backed that and stuffed some fibre filling between those layers and sewed it up like a little pillow.  Phew! I was hugely relieved and just a bit proud of the result.


The Golden Eagle Nugget, soft sculpture by Alison Schwabe, 1987    ~ 25cm  x ~ 15cm 

Below the eagle is a little pic of the main street water fountain statue of the prospector Paddy Hannan whose discovery of gold nearby led to one of the most fabulous gold rushes the world has ever seen.  What a joy to wander back in time through these photos, enjoying the memories and reminder of the proven value of making samples whenever entering uncharted territory! 

Following A Trail – aka Making Samples

July 22nd, 2017

Earlier this week I had a studio visit from local textile artist Lilian Madfes, and while she was here I gave her a demo/lesson in the basics of freehand patchwork piecing   Next week I will go to her studio for her demo of the basics of silk painting, at which she is a master in a very creative way.  When I had given her plenty to use to explore the technique if she wishes to, I talked about the dome-like shapes I often use in my designs and showed her how I do one.  Sewing it up therefore made it a sample – and my readers know I’m keen on samples for trying out any new ideas and materials!

That first one is on the RH end of this pic.  I liked it, so made more, and love where this is apparently going.

Fabric Stash Archeology

June 26th, 2017
Detail showing animal print background, Ebb&Flow 17, 2009

My fabric stash is very small by most standards, so how could I have forgotten I had still have 2m of the background animal print above?  I thought I’d used it all leaving only small bits in the scrap bag.  But last week, in a downsizing and passing-on mood I was thrilled and rather surprised to find I still had 2m.  Though I’ve handed on a good sized bag of fabric, not all fabric is equal, and this was special to me the moment I saw it.  I remember I was inspired to buy the remainder of the bolt at the time, and will carefully plan how I use this unexpected windfall soon.

 

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