Influences Are Everywhere

January 19th, 2008

This is not a new work. I have shown a part of this pic before, in a blog recounting some of the work covered in a Dorothy Caldwell workshop, “The Expressive Stitch”. This is the worksheet, the experimental page, on which I explored ideas she presented. (see October 2005 archive) That very stimulating workshop reminded us all that anyone regardless of skill or experience can sew a simple straight stitch, in and out, again and again, without any fancy turns or knots along the way, and grouping them in lines, crosses or randomly, create expressive and possibly powerful patterns of marks on cloth .

I am an admirer of UK textile artist Clyde Olliver, whose thread marks are not on cloth but on stone. (“slate or other suitable material” ) This week I visited his blog, http://clydeolliver.wordpress.com and was fascinated by a recent post on current influences in his work. After reading his analysis, I was prompted to consider my own work in terms of ‘influences’. Everything we admire for qualities of design and craftmanship has influence, and I think degrees of admiration and influence are in direct proportion to each other. I think of fav. artists from several countries, all of which I realise have added something to my individual sense of colour, design concepts and love of line and texture.

Serious influences in particular come from textile artists and teachers I have encountered. I became interested in ‘creative embroidery’ in 1975 in a class of that name; Laurel Fraser Allen really opened my eyes to the enormous variety of embroidery/stitchery as a craft practised in all cultures. My mother and grandmothers stitched counted thread work, smocking, needlepoint and ‘fancy work’ – remember the cloths, doilies and duchesse sets on pre-printed fabric? Often sold pre-edged, but Mum and Gran x2 bought ones you needed to crochet your own edges. Then between 1977 and 1980 followed Cynthia Sparks (own design, consider any thread, any stitch) Constance Howard I was privileged to have as a teacher for 4 days in Aus ’79 (emphasis: really looking at colour ) and Meg Douglas ( paint plus stitch, free machined embroidery) The next major textile influence was the world of traditional patchwork and quilting as experienced living in the USA ’87-’94. A first flying geese wall hanging preceeded my own designs, all of which owe something to the grids and repeat units of traditional patchwork. Nancy Crow’s multi-faceted influences on approach and attitude have been far greater than the mere technique of template-free rotary cutting and piecing construction techniques she teaches and which I and many other contemporarty quiltmakes now use exclusively. In recent work I am influenced significantly but possibly less obviously by temporarily living out of my own country in another with different cultural background and values; and finding an interest in lace and leather reflected in some ways, too.

My website, https://www.alisonschwabe.com/ is currently being updated – the most recent artist statement/bio addresses this, too.

Tatts !

January 10th, 2008

Living in the relatively quiet backwaters of Uruguay, I had not seen this stuff, but probably all north americans have. Our DD has not had her arms covered in a full set of zany tattoos – the printed flesh-coloured stretchy mesh sleeves attach inside the t-shirt she’s wearing and, being form hugging they give the appearance of tattooed arms.

She says she gets a lot of looks, some of them horrified, some admiring, whenever she gets out in this number. I was rather taken with this witty idea, and pleased she isn’t planning to actually ‘do’ the whole arm bit. However she and fiance G are planning to have wedding rings tattooed before the big day… bizarre imho but, it’s their business. What will ‘they’ think of next to part people from their money….

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OMG – Laser cutting Machine

January 10th, 2008

My regular readers and all who know me personally will know that I am by inclination very low tech, my love of fabric and stitch having been expressed through hand and sewing machine techniques, with the occasional aid of paint by various techniques, and the use of adhesives and bonding materials. Wherever possible I use a rotary cutter, of course, and scissors for the tricky bits. In recent work using leather, I have resorted to hand cutting with scissors and using a leather punch to achieve lacey effects. However, last year, after attending the SDA conference in Kansas City and seen many interesting developments in work on show there resulting from some of the new technologies being explored in the textile field, I then spent some time with my computer and graphics design savvy son, who opened my eyes to the potential of a laser cutting device…. and so, I have been thinking and dreaming about this for the past 6 months. Finally, last week DH, DS and I all went to visit the distributor of one of these machines for an actual demo. It took me very little time to realise that this is an answer to my love of repeated units, the tricky non-traditional materials that I love, and slightly arthritic hands which really feel the impact of hours of cutting and punching through something like leather. And, the time saved putting my ideas together will be enormous.
It was no mean feat to get from Easton MD over to Fredericksburg VA, at 3 hours each way – but once there we spent several hours with Paul who ran one of these machines through its paces. I took along a selection of fabrics and other materials I was interested in seeing perform under the laser cutting beam. Although he had other stuff like granite, wood, laminated plastic and lots of other ‘hard’ materials, it was leather and fabrics including synthetics I was especially interested in, and sure enough, he did not have most of those things around. By either scanning the lines of a hand drawn or photographed design, and setting the level of the laser’s focal point to the surface of the material being cut, the same shapes can be cut, enlarged and reduced, with the aid of the dedicated computer, onto which of course the settings for each material and the different designs you are working with can be saved. The cutting takes mere seconds, no matter how complicated the shape. And, the scope of endless exact repeats is infinite. DH’s eyes were really opened, and I totally fell in love with a machine that day. My son says it was like watching a kid in a candy store….it was all I had hoped it would be.
One great thing about cutting/burning with a laser is that especially on synthetics, the heat seals the edge each side of the cut – meaning handling of the shapes does not lead to instant fraying, something that is hard to combat and which has been rather offputting re cetain materials – nylon organza, synthetic metallics and silk especially. See detailed view above left.

The full view, right, shows : UL cutouts of an artificial silk-like fabric with embossed glittery Christmas shapes; some gold lame UR; at LL some batting; and LR some stretchy red metallic knit fabric – all cut with exactly the same pattern at different sizes.

Odd layout – sorry – in deleting some text I accidentally got rid of one pic- which did not go back in where I wanted it – sigh – it’s just one of those days Blogger wins. I am just not re-doing this – it’s too hot and humid.
The samples are of Paul’s designs – he is an engineer and as I told him, it shows. I’d have gone for more organic shapes, but we didn’t have all day to fiddle around, and it is clear to me that between now and when the machine lands in Uruguay I need to make myself familiar with Adobe Photoshop, and get ready to start tapping the potential of this machine. The cost? IMHO quite hefty – but, really the smallest desktop model I am getting is just a bit more than one of the fanciest top line sewing machines available – and a bit less than setting up with one of the popular long-arm quilting machines. And so I have chosen to take a higher tech direction that I feel is in tune with where I am going with what I am doing.
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A White Christmas, Colorado, USA

December 27th, 2007

Greetings from Greeley CO, where we have been spending a white Christmas with DD and her fiance, G. The prospective in-laws invited us down to Denver for Christmas Day with their family, so late in the morning, after breakfasting on christmas pudding with sauce so that little grandson #2 wouldn’t miss out while spending the rest of the day with his dad, we set off in light snow which got heavier as we headed further south. It was great to meet members of their family and their offsprings, and what with plenty of bonhomie, good food and fun company the day passed quickly, snowing the whole time. As the snow continued into the night, we were easily persuaded to stay over and head home the next day – which was fine and clear. Now, thursday, it’s snowing again, but may clear in time for tomorrow’s departure east to visit the other family.

Traditionally in north america, many houses are decorated with Christmas-themed collections of objects, dishes, tableware and linen that come out of storage for the month or so. G’s parents’ place was no exception, several lovely collections of Old Nick and Santa figures, tree decorations, and those little electified traditional houses and buildings from yesteryear set up in dioramas, all collected over many years, one advantage of living in the one place for a long time. This towel caught my eye each time I visited the bathroom – and although of course it is machine embroidered, I just loved it, and decided this should be my textile note for the season – and wish all readers the best for the coming year.

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Muestra Fusion, Part A

December 14th, 2007

Regular readers will have seen the invitation I posted to the joint exhibition of my work with gold jeweller Petra Eberl. this first photo shows her her work is displayed and the organic finish she achieves in her designs. As it was taken with the glass cover in place, DH caught the two reflections, but look past those to wsee the gold. I’ll try to replace it some time without the glass.

Beginning our rental period at 8 am and opening to the public all set up at 2pm, we did very well considering the wedding from the night before went until 5 am and the cleaning up had barely been started when we arrived… but we all pitched in to help despite the staff ‘s protests – we wanted them and their mops out of the way pronto so we could really get moving on our transformation of the space.

UL shows how the 2.8m cream fabric we bought was hung from existing battens on the ceiling (nails ) and two helpers using the steam vaporiser thing to de-wrinkle the fabric. Compare these pics with the ones below which show the completed installation – Caco and his assistant put up the fabric and all the lights in a masterly well coordinated operation between, effectively 9am and 2pm. It was amazing, all well planned out, I saw his working diagrams – he had been there the week before, thought about things, bought electrical cable and the light fittings, measured and assembled them according to his plan as he went. LL shows Petra filling her containers with paper on which she put fine white gravel – see picture above -and on that surface she then put slices of travertine marble with pieces of jewellery on each – several pieces to each of these large shallow bowls – they are assembled in LR – and each with a round sheet of glass over the top and a small light suspended over each. UR is showing the last quilt to go up, at which time Mike and I left, rushed back to our house, changed into some better clothes and got back just before our first visitors arrived – and giving me time to add a few stitches, LR, to the quilt I had finished only the night before leaving an unquilted area 2″ x 2″ bang smack in the middle at the classical eye height!!!

Our first visitors arrived shortly after we opened, figuratively speaking, for in fact the doors were open all day and all night – we were blessed with warm dry weather, which was kind – at this time of year it is often hot and very humid, and and therefore rather difficult to endure in a non-airconditioned venue like this, with many of the windows cut off by the false walls!

One party of early visitors, some rels of one of my closest friends here, sailed through the show en masse, and, as if swooping in on a department store sale, picked up the hem of every quilt pulled it up and looked behind at the each of my quilts. If they had been paintings I wonder if they would have done that? (well maybe they might have …) I was a bit gobsmacked – but didn’t say anything, out of deference to my friend – and once satisfied they settled to some wine and nibblies. I couldn’t think of anything witty or clever to say, but, I’ll be ready for these particular people next time we do this kind of thing….interestingly, they were the only ones I think, who did that. And, although I had alerted everyone in case we were blessed with children sucking sticky lollies or icecreams and sporting itchy little fingers, there were almost no children to be on the alert for.

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