Detail From a New Work

June 6th, 2008

I have called the work this detail comes from “Strata” .
I am happy to announce this quilt has been selected to appear in the first SAQA (Studio Art Quilt Associates) Oceania Quilt Textiles exhibition to be held in Brisbane in October, and will appear in other Australian exhibitions scheduled into next year. I will put up a full view of this quilt once it has been seen in public.

It’s not the first time I have called a work ‘Strata’ but the other was a project article piece in a magazine a few years back so I don’t think it counts, really. (QNM, Nov, 2004) Interestingly in a current magazine “Quilting Arts” there is a roughly similar article by an author who has used several ‘Strata’ quilts from her series of them, to illustrate the article. Wavy lines do suggest rock strata to many people I guess.

This detail shows free machine quilting with metallc thread the same colour as the metallic gold leather applied in a design over this hand dyed fabric of Janet Jo Smith’s – I don’t dye myself – just buy it, mostly hers and Dijanne Cevaal’s.

Which brings me to several other quilting matters: A couple of weeks ago up in Longmont Colorado, I taught a workshop on “Quilting With an Attitude” to a very receptive and hard working bunch of quilters, arranged by The Front Range Contemporary Quilters of CO. They were a joy to teach, and a very stimulating group.

And also while I was up there I met with Jan and Steve Rondeau of Quilted Expressions, Johnstown CO, http://www.quiltedexpressions.net/ who are going to take care of DD and SIL’s kingsize bedquilt, plus a couple more large ones I have been sitting on a while – one I fell out of love with immediately I tea died it and a few of the patches grabbed up much more colour than the other 95% !!! But now, since it has served it’s two year cupboard sentence, I find I love it and feel sure the longarm pattern and thread chosen will enhance this unique quilt. The third one WAS going to be the back for the young newlyweds’ quilt, but for various good reasons isn’t going to be after all, and it’s coming into our home instead as a quilt in its own right. It’s interesting that after all these years of making quilts of various sizes including bedquilts for other people, we will soon have two of mine living here as bed coverings. Of course, there is still the hexagon quilt to finish off……as I will, one day…. no rush, since deciding the quilting pattern for that one will take some time, anyway ….

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A Second 12" Square for the SAQA Online Auction, Going Live 10th November 2008

June 3rd, 2008

On march 24th last, I blogged on the 12″ square I had just made for this year’s SAQA reverse on-line auction, under the heading of Ebb and Flow of a series. So this is a pic of a second one I did and submitted recently. It reflects the leather on fabric works I have done these past couple of years, and is a variation of the one in last year’s auction. The punched leather is a gold, not a yellowy gold but more a fools gold colour, which of course carries absolutely no other relevance than a colour reference! A khaki-gold metallic, in other words. I still have some gold leather and can feel a larger work coming on to ease me into quilting mode after our arrival back in Montevideo this morning from the USA/family visits.
And no, I did not dye this beautiful piece of fabric – and I have had the remnant so long that I honestly cannot fremember the dyer’s name. However I adored it at the time and had been saving the 20″ x 17″ odd piece for something special sometime. I still have some tiny bits …. but they are now not distinctive enough in small pieces to be precious about.

At the Next Table

May 11th, 2008

The minute we were shown to our table at the mercado del puerto last saturday, this little number caught my eye. For me it had so much going for it – fur trim, metallicised looking quilted fabric, and a different clearly fake fur panel down each side. What you can’t see is the jungle print hood lining! I didn’t want to disturb the sizeable table of Brazilian tourists as I don’t even muddle through in Portuguese, so I opted to turn off the flash and set my camera on our table pointing her way.

The five pointed star is one shape I have always loved – and include it in some of the material I am teaching in my workshop “Quilting With An Attitude” in Longmont, N.Colorado, on sat. 24th of this month. (for further information contact me direct, or Front Range Contemporary Quilters) Nice to see this one used in an all-over pattern.

The Glitter of Gold with Sheer

May 8th, 2008


I said a little while back I would like to do something more with sheer fabrics, and here are two samples I have done this week to trap some ideas before they fade from the first flash of inspiration….

The first, top, you can see I am thinking waving edges and wandering lines between solid areas of fabric. I did think of finishing off 12″ square of it for SAQA, but it didn’t develop enough zing for me to be inspired to continue.

The second, below, is all glitter and sheer – handling is not easy even in a little sample size piece like this, and so the BIG ideas I have probably won’t be quilte like this, either.
But – a scattering of things like this onto a black background … or v.v, gold in black sheer onto a cream background which I am about to try – well that could be something.

I brought a big cone of gold thread back from Aus on my last visit last year, so I have plenty to play with, even to also do the 1000 invitations to an exhibition which Petra and I hope will be soon (see the posts for late november, 2007 for one of those invites)

If we are accepted at the fabulous place we saw yesterday and are today submitting for, I will launch into something new and large along these lines, and Petra hopes to launch herself over to Peru to study something she has always wanted to learn more about with goldsmiths there who have mastered ancient Inca techniques.

So back to the drawing board to follow a couple of ideas that have come to mind as I wrote this.

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Looking Back

May 3rd, 2008

Planning my next work, I am keen to re-visit sheer fabric but of course don’t want to copy what anyone else is doing. While I am mulling over ideas and their relevance to what I am doing, it can be helpful to look to back to be reminded about something that was on my mind a while back.

UL and LR are works I did in 2004. They followed a workshop late in 2003 with Chungie Lee who taught a class on Korean Pojagi I attended at fibersWest in W.Australia. She of course showed us how fabrics are pieced in the several traditional ways, and these works were done with folded over seaming, the name of which I forget, but it is rather like double lap felled seams. On reflection I now understand one of the reasons I did not continue with this development, which is that this is too much pojagi and not enough Alison. I am now sure I don’t want to continue with the rigid seaming, but I am very interested in ‘sheers’ per se, and am thinking of ways to incorporate them into my current themes. For one thing, sheers can be used to give the illusion of something misty, the passage of time, or perhaps a sense of distance. If I am clever enough to do that.

UR is a close up of one of the squares in the work below it, and LL has actually no sheer fabric at all, it’s a detail of Ebb & Flow 2, and part of where my thinking is just now. I love the basic geometric shapes, squares and triangles which predominate in traditional quilt designs, and well, I can feel some triangles coming on. And some sheers. And some glitter.

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