A Second 12" Square for the SAQA Online Auction, Going Live 10th November 2008

June 3rd, 2008

On march 24th last, I blogged on the 12″ square I had just made for this year’s SAQA reverse on-line auction, under the heading of Ebb and Flow of a series. So this is a pic of a second one I did and submitted recently. It reflects the leather on fabric works I have done these past couple of years, and is a variation of the one in last year’s auction. The punched leather is a gold, not a yellowy gold but more a fools gold colour, which of course carries absolutely no other relevance than a colour reference! A khaki-gold metallic, in other words. I still have some gold leather and can feel a larger work coming on to ease me into quilting mode after our arrival back in Montevideo this morning from the USA/family visits.
And no, I did not dye this beautiful piece of fabric – and I have had the remnant so long that I honestly cannot fremember the dyer’s name. However I adored it at the time and had been saving the 20″ x 17″ odd piece for something special sometime. I still have some tiny bits …. but they are now not distinctive enough in small pieces to be precious about.

At the Next Table

May 11th, 2008

The minute we were shown to our table at the mercado del puerto last saturday, this little number caught my eye. For me it had so much going for it – fur trim, metallicised looking quilted fabric, and a different clearly fake fur panel down each side. What you can’t see is the jungle print hood lining! I didn’t want to disturb the sizeable table of Brazilian tourists as I don’t even muddle through in Portuguese, so I opted to turn off the flash and set my camera on our table pointing her way.

The five pointed star is one shape I have always loved – and include it in some of the material I am teaching in my workshop “Quilting With An Attitude” in Longmont, N.Colorado, on sat. 24th of this month. (for further information contact me direct, or Front Range Contemporary Quilters) Nice to see this one used in an all-over pattern.

The Glitter of Gold with Sheer

May 8th, 2008


I said a little while back I would like to do something more with sheer fabrics, and here are two samples I have done this week to trap some ideas before they fade from the first flash of inspiration….

The first, top, you can see I am thinking waving edges and wandering lines between solid areas of fabric. I did think of finishing off 12″ square of it for SAQA, but it didn’t develop enough zing for me to be inspired to continue.

The second, below, is all glitter and sheer – handling is not easy even in a little sample size piece like this, and so the BIG ideas I have probably won’t be quilte like this, either.
But – a scattering of things like this onto a black background … or v.v, gold in black sheer onto a cream background which I am about to try – well that could be something.

I brought a big cone of gold thread back from Aus on my last visit last year, so I have plenty to play with, even to also do the 1000 invitations to an exhibition which Petra and I hope will be soon (see the posts for late november, 2007 for one of those invites)

If we are accepted at the fabulous place we saw yesterday and are today submitting for, I will launch into something new and large along these lines, and Petra hopes to launch herself over to Peru to study something she has always wanted to learn more about with goldsmiths there who have mastered ancient Inca techniques.

So back to the drawing board to follow a couple of ideas that have come to mind as I wrote this.

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Looking Back

May 3rd, 2008

Planning my next work, I am keen to re-visit sheer fabric but of course don’t want to copy what anyone else is doing. While I am mulling over ideas and their relevance to what I am doing, it can be helpful to look to back to be reminded about something that was on my mind a while back.

UL and LR are works I did in 2004. They followed a workshop late in 2003 with Chungie Lee who taught a class on Korean Pojagi I attended at fibersWest in W.Australia. She of course showed us how fabrics are pieced in the several traditional ways, and these works were done with folded over seaming, the name of which I forget, but it is rather like double lap felled seams. On reflection I now understand one of the reasons I did not continue with this development, which is that this is too much pojagi and not enough Alison. I am now sure I don’t want to continue with the rigid seaming, but I am very interested in ‘sheers’ per se, and am thinking of ways to incorporate them into my current themes. For one thing, sheers can be used to give the illusion of something misty, the passage of time, or perhaps a sense of distance. If I am clever enough to do that.

UR is a close up of one of the squares in the work below it, and LL has actually no sheer fabric at all, it’s a detail of Ebb & Flow 2, and part of where my thinking is just now. I love the basic geometric shapes, squares and triangles which predominate in traditional quilt designs, and well, I can feel some triangles coming on. And some sheers. And some glitter.

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Beaded Tree Ornament, late C20

May 3rd, 2008

This is another work from way way back, last century in fact. In 1994 about 3,500 artisans and craftsmen around the USA, (we were living there at the time) – were invited to submit an original and totally hand made Christmas tree ornament to go on the trees in the White House to celebrate the year of American Craft which also happened to be the Clintons’ first Christmas in residence.

I have been meaning to put this pic up for some time, as beading is so popular in textile crafts at the moment – several friends of mine are making bead jewellery and doing quite well selling it. Beading is everywhere on all kinds of womens’ clothing; beads and other ’embellishments’ have been appearing on quilts in the past few years, although for perhaps the past 15 years at least several prominent contemporary quilters such as Jane Birch Cochoran and Terri Mangat among others have applied beads as an integral part of their artistic voice in their quilted works.

I guess my invitation to submit an ornament came as having been a Quilt National exhibitor in 1993 and at the time being resident in Denver CO. The specifications were few, as I recall to be no larger than 15″ across and weigh no more than 12oz, any technique or material could be used. Coming as I did from a long embroidery background and adoring sparkle and glitter, I envisaged something that would catch the undoubted downlights and glow and glitter over there in the White House. So, it didn’t take me too long to settle on a silk poinsettia with beaded petals and other flower parts. Those who know me know that I jump in boots and all and then find I really have a challenge on my hands once I get down to basics – so of course, with no pattern around for anything like this I had to work it out for myself. The leaves are double sided, and on the underlayer I sewed in a couple of lines of covered florist wire so that I could shape the leaves once they were sewn. The stamen thingies up the middle were challenging – rolls of green silk with beaded ends turned out reasonably well I thought. Then all the leaves and stamen bits were gathered in a bundle and sewn together by hand and finished off tidily. I don’t recall whether I had not resolved the hanging mode at the time of this pic or whether the photographer and I agreed not to show it – anyway it was a lovely gold cord loop long enough to go over any reasonable size branch. The final dimensions were about 10″ across, and about 4″ depth taking into account the splayed leaves and including approx. 1″ deep bundle of stems unit. When I began the project I thought I’d make one for them and one for us – but by the completion of this one, I can assure you I had decided it was to be unique.

The blurbs that came with the paperwork included the information that after the christmas period the ornaments would go to the Smithsonian . I suppose they did….and wonder if they are still there. A couple of years back I tried to enquire but my phone calls, letters and emails went unanswered. I lost interest. If any reader either saw the christmas decorations in the White House that year or has since heard or knows of their ‘fate’ I’d be interested in hearing from you. I also contributed the Colorado panel to a tree skirt under the tree in the Blue room. That was used, at least once – going by the full colour large photo I and other contributors received. That one tree was positively bristling with ornaments, with barely a spruce needle showing. I did read somewhere of 7,500 odd ornaments turning up !!.. and it was probably almost too much for the 15 large trees traditionally placed in the house. it just occurred to me – I could email Hillary’s campaign to see if they can find me the information ….

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