New Work in Progress

November 23rd, 2008

This will be a wide piece, at least 2m wide and probably about 1m – 1.25m high. A couple of years back I did a piece I called Lightstream, thinking as I was at the time how as white light passes through a prism it is divided into the rainbow bands of colour. This is a follow up I have been meaning to do for a while, and so it may bear the same name, Lightstream #2. But it is also very much in the style of the Ebb & Flow series. Who knows, I may not name it, as I intend for it to replace a will quilt that has been hanging in my own home for several years. (that one will be retired to a labelled cloth bag.)
As each vertical strip of fabric I am inserting strips into is about 25cm wide, I have at least 4 more to go, maybe 5. I want it to look light and lively, full of motion.

As with all my pieced quilts, this is truly a scrap quilt, more accurately a scrap bag quilt, since I have emptied the bag containing small almost useless size scraps, offcuts, of fabric onto the floor beside my machine, and am diving into that peridocially, putting buts and pieces together to form strips of chunks of colour usually no more than a couple of inches wide, max. As I use them the curvy bits tend to make one edge trail off into a sliver – so that bit comes off and I add something more to make it a useful length again. sometimes I divide up a unit and intersperse another colour, or some cream, which if used occasionally gives the impression of some wandering line suddenly coming to an end part way across the vertical panel.

As with any scrap quilt, it might all look random, haphazard and unplanned ( some would use’intuitive’ here) but once all the strips are pieced, they have to be placed in relation to each other, adjusting either up and down or in different relation to the right or left edge. Probably one or two will need to be pulled out and replaced with something else – a need that doesn’t become clear until later. For example, the rather long sinuous bright blue close to the centre of the photo is a bother now that I step back and look through the lens. I will either break it up with some other colours or replace it totally. Alternatively I might consider long bright blue pieces elsewhere, 2 or 4 more of them (the ikebana principle) I also might even add in more cream here and there, depending on how the final 8 or 9 look done. Light and dark clear and bright, large and small spaces, and ‘incomplete lines’ all need to be balanced in the final assembly. That means another 20 hours or so in the piecing stage I estimate, or in other words, it’s about half pieced.

While all this is going on I am considering glitter, if, which colour and where, and the quilting pattern. At the moment I favour machine quilting with a shiny cream rayon thread wandering randomly from left to right; and that too may change.

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SAQA Online Auction – Happening Now!

November 13th, 2008

EBB & FLOW #12 sold

in the SAQA online 12″squares auction

From an ongoing series, this small quiltlet is 12″ square, as are all the other pieces in the auction. It is a lead in to another work now under way, but much larger – 2m wide and I haven’t yet decided how deep, but probably about 1.25m high. It’s coming along- see above.

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Peru – food

November 13th, 2008

Served in lost of places, fish seems to appear far more on the menu in Peru than here in Uruguay. The Incas fished the seas, rivers and highland lakes, and were traders of dried fish over long distances. We were presented with lots of vegetables, too. Over 1500 varieties of potato, and over 450 of corn are produced there. We found there always seems to be potato and/or corn in there somewhere at most meals.
You might not be able to tell, but the LR pic is fish in a shallow lake of potato blended with pumkin and cilantro and, well not sure what else, but very yummy – we’ll be doing a version of this at home. It also came with an upturned 1/2 hard boiled egg and a black olive which are no longer evident. Above, in UR, is another piece of fish served on a bed of potato with tomato and  I’m not sure what else blended in with it, but it was fantastic.

The two pics UL and LL are two versions of ceviche, the fresh fish pickled in lemon or lime juice with cilantro and a little chilli basically, and served everywhere it seems. The upper one is covered with masses of fresh onion with slivers of moderately hot chilli peppers; and the lower one came flanked with white beans, lima probably since we were in Lima, plus oven baked corn, and the ceviche in the centre was topped by a mild chilli pepper. A meal in iteslf, although it was listed under ‘entradas’.

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Arpillera – details

November 13th, 2008


The details are wonderful relflections of what is on sale in the daily markets – notice the brooms and basketry objects, small miracles of minature construction; and the hats, jewellery and musical instruments down the left edge of the upper pic.

Lots of people are either shopping, or offering, as one Egyptian market vendor expressed it last year, to Let me help you spend your money madam!” I have to say, though, the marketing was less directly aggressive. In Egypt I found that vendors would even gently take hold of my arm or wrist to direct my attention or try to make me head in a particular direction. In Peru there was constant verbal pressure sotto voce, and goodness, I would love to have bought up something from every stall, but everyone knows that can’t be.

Over on the right of the lower pic are some of the fruits and vegetables, as heaped up in every general market amongst the household items.

These are major works of the miniaturist’s art, quite up there with other examples like dolls houses or ships in bottles, IMHO. I have never been bitten by the bug, but do appreciate the work of people who love doing this.

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Arpillera – Peru- Enthusiasm!

November 12th, 2008

Updated November 2024.

While we were visiting Peru (October 2008) I bought this arpillera at the markets in Aguas Calientes, en route to Machu Picchu:

These delightful needlework pieces come in a range of sizes and complexity, and therefore, cost, but to a keen fabric artist like myself, this addition to my collection to walk past and admire every day was worth every peso, whatever it was. I often collect a locally crafted item on my travels, and bought a hand stitched wool table runner in Cuzco that lives on our dining table.

I have seen similar works from Cambodia and Vietnam, and just like this one, the subjects are depictions of aspects of daily life, or flora and fauna of the region.  At the time, I had no idea that arpilleras are social and political statements or expressions of concern, often embroidered by women who had been left in a financially precarious position by modern political movements.  Searching round on Wikepedia I found most information about arpilleras in Chile, but I’m assuming that as there have been many similarities in the history of Peru and Chile, these fabric art pieces have arisen for the same reasons, and under the same kind of social organisation to market them.

Every kind was available, but I thought this one was wonderful. It has not only flat stitchery but many little 3D forms which I’d call stumpwork  Up near the RH cloud in the top picture is sewn the word ‘mercado’ meaning market. Against a backdrop of the clear skies and bold clouds we experienced, a typical building from that part of the Andes, some of the plants, people dancing in indigenous dress, and the llamas you see everywhere is a crowded market scene. 3D fruit and veggies, meats, fabrics, shoes, clothes, sewing notions, flowers, baskets, jewellery, brooms, musical instruments and more, are all crowded onto the market area, just as in real life.

I love the dancing ficures. We went to a musical evening in Cuzco and enjoyed quite a number of folk dances, most of which were along set formation movements, and this is exactly what the figures are doing, accompanied by a pipe player, see upper left edge of this detail shot.

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