Archive for the ‘General’ Category

Segmented Designs 3

Thursday, May 19th, 2016

Today I found these photos of paths, taken about ten years ago in New Zealand, reminding me I’ve had a thing for mosaic/segmented designs for quite a while.mosaics 2 blog

Brick mosaic pathways, New Zealand 2006.

And really, when you think about it a lot of patchwork designs are a bit like mosaics, aren’t they?  With that thought, I looked further in the old files and came up with a few –

mosaic like blog

 

I also noticed this blast from the past, “Hidden Messages”,  which hung only once at a solo exhibition I had in Perth, Western Australia, 1997.  I have no recollection of what the hidden messages were ;-0  but might remember if it was in front of me, perhaps.  It was not one of my greats, and yet finding it today gave me pause to think about it again …

hidden messages blog

Hidden Messages, 1997.     86cm  x 120 cm

 

Segmented Designs 2

Sunday, May 15th, 2016

Experimenting with little bits of metallic leather applied with metallic stitchery met the requirements of the SAQA auction. It arrived safely. Mosaic quilt blog

Mosaic Pathway, 2016.  12″ x 12″    SAQA Online Auction 2016.


With the silver mylar stuff  I mentioned last post, I’ve since begun a reasonably large piece, 90cm x 120cm   It is feather light, compared to what something similar using leather, obviously!    One thing about this stuff is, that when ironed from the wrong side after being attached, the cut edges pleasingly sort of round off, as if trying to turn under, which gives a nice smooth finish which you may be able to pick out on the sample on the very left side of the collage below –

Mosaic design silver pathway blog.

If it all turns out satisfactorily in accordance with how it’s going so far, I could enter it in Quilt National, so that’s probably the last you’ll see of any of it until it’s exhibited somewhere.

Tetrahedrons In Transit

Wednesday, May 11th, 2016

All three pieces I entered in Wangaratta Art Gallery’s Petite Miniature Textiles Biennial Exhibition 2016 were accepted, and I’m happy to say are now on their way to Australia.  The Exhibition opens on June 4th and runs through until 17th July.   All entries had to be within 30cm x 30cm x 30cm.  I love miniature textile works and would love to see this popular biennial show.  If you’re in the northern Victoria area over that time, you can go to http://www.wangaratta.vic.gov.au/recreation-leisure/art-gallery/visiting-gallery.asp for gallery times and other information.

Wave blog

‘Wave’  2016.   18cm x 18cm x 18cm x 15cm.  Soft sculpture.

FairyBread blog

‘Fairy Bread’  2016.  18cm x 18cm x 18cm x 15cm.  Soft sculpture.

Morse blog
‘Morse’  2016.  18cm x 18cm x 18cm x 15cm.  Soft Sculpture.

How did I come up with their names?  That’s always fun and is sometimes a challenge.  Any Aussie will get the Fairy Bread one – non-pareils, aka in Aus as “100’s and 1000’s” are sprinkled over thin slices of buttered fresh bread cut into triangles – a mandatory item on any kid’s birthday party menu.  When I took these pieces to my wonderful photographer, Eduardo Baldizan, I hadn’t yet named the other two, and he used ‘Wave’ and ‘Morse’ to identify the pics of each one when sorting their files – and I loved those choices, so they stayed.

With the three pieces, each18cm x 18cn x 18cm x 15cm, plus the weight of the box and paper to stop them rattling around, the total weight of the parcel was only 0.4kg   They’re light as a feather.  My regular followers recall I blogged about their development first here, then and finally.  Others made since these have been in colours other than cream – and the other day it occurred to me it might be a good idea to Scotchguard (r)  these, so I hope that helps to keep them pristine.

 

 

 

 

 

 

 

 

 

Displaying Irregular Shaped Quilts

Monday, May 9th, 2016

There’s no need to be restricted to a rectangular shape if designing a piece to hang on a wall, so consider breaking out of the square sometime!  I have made quite a few irregular shaped quilts, and occasionally teach a workshop on designing, finishing and hanging them.

Hanging alternatives should be considered and be planned for in the design and construction stages of quilts with serious top edge shapes,  as for example the upper edge of this quilt, “Pahoehoe 2” photographed against a wall in our home.  (Yes, you can see cutout holes in places, showing the wall and a bit of shadow behind)  In this kind of  situation, template plastic at key points inserted between the batting+front and the backing works wonders in preventing upward-pointing shapes flopping forwards!  Yes, the machine will sew through this as you machine quilt, no worries, particularly if you take it slow and steady.Pahoehoe 2

“Pahoehoe 2” 1996

The next one, “Kimberley” 1996, photographed against black (an old slide that needs to be scanned to be really useful in this digital age)

Kimblerley“Kimberley”  1996,  110cm x 80cm approx,  against black B/G

Because of such extreme shaping as  along this top edge, the supportive plastic might not be enough to hold it all upright when mounted on a quilt rod, ie. if there’s too much distance between the highest point at which you can place a sleeve for a rod, and the uppermost points.  No rules apply here – you just have to try it and see, and be prepared to go to a bit more trouble.  You may find you need a shaped plywood panel (US marine ply), jig-saw cut to about 1.5cm smaller all round from the upper left to the upper right upturned corner shapes. Finish this off smoothly and seal – then drill holes in this to go over picture screws in the wall.  All round the upper edge, add strips of male velcro, glued or stapled to the wood; and to corresponding edges of the quilt itself hand sew strips of female velcro.  You place the quilt’s velcro against that on the board, adjust for proper fall/drape if necessary, and voila! it’s hung.  Of course, this is not a sustainable hanging method if such a work is to be travelling anywhere outside your home town, your own personal delivery area!  And, if its a really large hanging panel, by working with a carpenter you might find it preferable to work out a design hinged in several places for easier storage.

Segmented Designs

Wednesday, May 4th, 2016

Three years ago in the Denver Botanic Gardens I took this pic of this lovely path in one part of the garden, printed it out and have had it up on my pinboard on and off for ages, feeling I had ‘to do something’ about it.

mosaic path DBG blog

Mosaic style pathway, Denver Botanic Gardens.

More recently I’ve discovered fabulous installation hangings by Christine Mauersperger whose simple stitch designs I’ve always loved, and buzzing around somewhere in the depths for several years has been some of the work by Olga de Amaral one of whose beautiful hangings stopped me in my tracks in the foyer of the Hotel Santa Clara, Cartagena, Colombia.

On the weekend I found some bits of metallic finished leather that were surplus to several pieces I made in the Tracks series.  Well, I ‘found’ them when the biodegraded bag they were in fell to bits in my hands and they cascaded to the floor.  In the Tracks quilts, leather pieces were laboriously hand stitched from behind to the base fabric, which was then quilted.  It was hard on the hands and won’t do anything more that way.  For some reason just then a lightbulb came on – leather snipped into bits and machined onto base fabric could make a mosaic-like surface.   Heartened by a quick sample, I realised it would make a good 12″ square piece for the SAQA Auction – so here it is completed.  Two layers of fabric were torn to size and bonded together with fusing web; then the machine applique using gold metallic thread was also in effect the quilting (through two layers of fabric)  The leather pieces stopped at the rough edge – no binding or other finish was necessary or imho appropriate.

Mosaic quilt blog

12″ quilt for SAQA Online Auction September 2016.       Full view left, detail right.

While working on that I had other ideas, and today fiddled a bit with slivers of mylar-backed ripstop nylon- left side of this pic –

Mosaic samples blog

Samples – mylar/nylon left,   metallic leather right

I bought several metres of this mylar/nylon, about 150cm wide, @$2/m, in the cheapo fabric zone of Santiago de Chile, several years ago, mainly because I can’t resist glitter and would have bought gold, too, if they’d had it, and also I guess because it was a cheap challenge.  The piece I have in mind will make a slight dent in it, and I could also use the mylar as a base fabric…goodness, I’ll have that stuff used up in no time!

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