Archive for the ‘General’ Category

Southern Spring And Pandemic Inspirations

Tuesday, September 1st, 2020

A pinch and a punch for the first of the month – or hares and white rabbits, whatever you say to bring a bit of luck on the first day of the month. It is the first day of spring in the southern hemisphere, and is celebrated as National Wattle Day in Australia – if you follow that link to a plethora of images and information about the flowering Acacias that Aussies call wattles, you’ll learn more about them and their place in our history than you ever thought you could know about wattle.

The Golden Wattle was incorporated as an accessory to the design of our national coat of arms in 1912.

The Golden Wattle was incorporated as an accessory to the design of our national coat of arms in 1912. And that has absolutely nothing to do with what I have been up to in the month since I last posted here. I haven’t been posting much anywhere – I am perhaps as active as normal on Facebook, but posting a bit less on my other blog, pickledgizzards.com Keeping in touch with our far flung family members also needs a fair bit of time, and that that seems all the more urgent in this dreadful pandemic.

Detail of a corona pandemic related quilt approx. 75cm x 125cm, covered with hundreds of appliqued fabric strips ~4.5cm x ~ 1.5cm

The Covid-19 pandemic has changed everyone’s life in an infinite number of ways. Touch wood, so far there have been no cases in the families, and I’ve not heard of deaths of anyone I personally know. Mike and I are in Uruguay’s capital, Montevideo, where we’ve been living for many years. Now that he is retired, this was to have been the year we found ourselves a new home in Australia, got our stuff there out of storage there and settled into retirement living with a bit of travel. But, sigh, we’re still here, so thank goodness for our own house and garden. Uruguay’s handling of the crisis is very good, with a low number of cases and deaths, a well organised health system that has never been stressed, and clear concise updated information through one voice to a people who trust the system. The country is surrounded, though, by Argentina and Brasil, where the virus is ravaging the populations. Clearly, any lapse in the well controlled closed borders could bring similar catastrophic effects here.

We are all shocked daily by stories and images of the painful hardships and death totals that this virus has brought to people all around the world. Certain images are sticking in my mind, and this quilt is the first of what might become a pandemic inspired series.

Auditioning From The Scrap Bag

Monday, August 3rd, 2020

I’m starting a new larger piece, aiming to submit to Quilt National. Entries have been open for months, but I’ve only just focused in the past few days. Most of the times I have been selected for QN, I’ve made my entries in the last few weeks before closing, so I’m more or less on my accustomed schedule 😉 With the book club and my mahjong group in recess for the duration, there’s little social activity to interfere with it !!

Auditioning from the scrap bag

Late last week I began dabbling with samples and fabrics, but for one reason and another, none of these urged me to continue in this vein.

Left – strips of pieced stripes; Upper right: what can I say; Lower right: segments oversewn with (a) cream and (b) flourescent red – too much wrong with this idea.

At first I thought cream background with cream thread would be great … but the result is quite blah, though it took me 3 different samples to be convinced. I do think that would look lovely in greys or gentle sunset/sunrise colours, even though ‘soft colours’ aren’t my thing. Never say never. Slices of pieced strips aren’t ‘it’ this time, either, though I sewed one piece with cream, another with gold and the third with light silver/gold. Metallic threads definitely need a dark background to literally shine. Finally, the upper right hand sample needs more experimenting: there’s no drama, although there could be, and this idea needs more work, which would take time I don’t have.

Late on Sunday afternoon, I found some marvellous overdyed fabric that I thought a whole lot of red and purple/darkish shapes would look great on. I assembled the reds, called it a day and was all set to start stitching today. But in the shower early this morning, a different image came to mind; one with serious meaning and an apt title. The result was I felt I had to totally change my fabric ideas again, for the third time. I think this might be the first time I have ever had a title for a quilt before the quilt is actually under way.

The fact that I found some fabric I’d completely forgotten about, and by sheer fortune had a reel of matching thread, convinced me I had done the right thing by changing the fabrics/thread combo yet again. It took several hours to put the previous lots of fabric away, and then turn out the scrap bag to pull pieces of the things I now needed: hand dyed fabrics in warm earthy colours, with no commercial prints and, interestingly, no commercial plains this time- they just won’t work, even though I normally mix them all. However, I found lots of scraps of hand dyed fabrics plus some yardage of several colours, so now I have plenty of ironed fabrics gathered ready to do a sort of mosaic type of design using the oversewn technique that I’ve recently found so agreeable.

This quilt has a dark theme, one to do with this dreadful pandemic, so there will be no clear bright colours, and nothing with any white in the fabric. It’s not that I’ve become stricken with depression or anything, it just wouldn’t be appropriate, given the title and imagery.

Hand Appliqued Small Quilt

Wednesday, July 29th, 2020

I recently posted on using gold straight stitches to hand applique joined strips of fabric scraps, https://www.alisonschwabe.com/weblog/?p=5758 and mentioned making a 40cm x 40cm piece – which I finished today. Yay!!!

Working title only at this stage is ‘gold oversewn bush colours’ 40cm sq.

To machine quilt black on black between the bands of colour, I chose a thread with dull finish to make it as unobtrusive as possible – which of course means that the lines of quilting MOL invisible! But it is there, and when I take it and the next one to my photographer, Eduardo Baldizan, in a few weeks’ time, I’m sure he’ll capture some close up detail at a dazzling number of pixels resolution.

I know many art quilters do have several pieces in progress at any time, rather as painters do, but it’s not normal for me to start another until I’ve reached the final hand sewing stage of either binding or facing, and the hanging sleeve. With more than one piece under construction, I find moving from one work to another distracting. If I get really stuck and can’t move on, I have been known to take something down off the wall, put it and those fabrics away completely out of sight before working on the next.

Sample Making – Auditioning Ideas

Friday, July 24th, 2020

The other day I found an interesting image called “Ruffles” from Peggy Ostercamp’s weaving on Pinterest. It consists of a core some fibre covered by a sleeve of her diaphanous hand woven silk fabric which is much longer than the core, so as it hangs it settles into wrinkles. Intrigued, I pinned the image to capture the essence of what inspired me at that moment, and immediately made a sample of a core with wrinkled fabric around it. I used firm plastic for my core and covered it with a tube of plain cotton, then added a few little needleweaving things – because when I saw Peggy’s work it immdiately struck me that this could be a framework/canvas for some kind of needleworked construction.

I’m busy oversewing fabric strips with gold onto a black background which I hope to finish today, but now I have this little sample kicking around, I can think about some possibilities:

  • use something non-crushable like nylon organza or some glittery fabrics I have in my stash?
  • make a soft rollable or foldable core rather than firm plastic sheeting?
  • hanging arrangement – sleeve? grommets?

Making a sample can show if an idea works, and may even lead to an unexpected ‘aha moment’ a long time after you make it. It can also eventually show that just because you can do something doesn’t mean you should !!!

Lines, Marks, Stitches, 3

Wednesday, July 22nd, 2020

Of course I love glitter, but using thread the same colour as the background to oversew the strips is a whole other area to pursue. I like the effect of small segments of colour lined up beside each other against the black.

L to R – (a) black quilting thread – marvellous (b) black perle #8 – too thick and shiny, and (c) a shiny polyester thread – too thin.

The glorious straight stitch is my very favourite, with enormous expressive potential in lines that outline shaopes and build into patterns and in groups to infill areas. Previously https://www.alisonschwabe.com/weblog/?p=741 I’ve posted on some of the ways this most basic stitch of all has been used since humans began sewing fabrics together for preactical purposes, and it was invitable that the element of decoration appeared concurrently. It is a very human characteristic to decorate surfaces and objects in our surroundings, and there are others in the animal kingdom that also decorate, chiefly as part of their routine to attract a mate.

In my last post I wrote “The sewing is very calming and satisfying – a perfect project for these turbulent times.” With the rise of the Slow Stitch movement in the last few years, and appearance in the fibre art of Penny Berens, Judy Martin, Christine Mauersberger, Dorothy Caldwell and many more artists, the straight stitch is hugely popular. Of course, hand quilting uses straight stitches, but I have been creatively stitching with them since long before I encountered quiltmaking in the late 80s. These pieces date between 1986 and 2007:

Upper left, detail “Sunburnt Textures” 1987; Lower left, detail “Desert Tracks 5: 2007;
Centre, detail “Heritage 1”, 2005; Right, detail “On the Edge Of The Golden Mile” 1986

The next image is a collage of details from some more recent works (2004-2016) featuring straight stitch as both quilting and embroidery.

Upper Left detail “About Red” 2015, Upper Right Tetrahedron, “Wave” 2016
Lower Left detail “Ebb&Flow 8 2004, Lower Right detail “Sunburnt Textures 5” 2015

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All images and text are © Alison Schwabe
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