Archive for the ‘General’ Category

What’s the Story?

Monday, October 3rd, 2011

Quite often on the beach I find interesting sand erosion patterns; or entire dead birds and sea animals; or parts of non-marine animals such as goats and chickens, plus flowers fruits and candles, telling of offerings made from the beach to someone in the spirit world.  Some days more than others there is also debris in among the seaweed shells and drift wood, objects like those I collaged here, suggesting things lost and discarded.  We could speculate on what lies between each lost or abandoned object – a toy, shoe, drinks cooler, or breast enhancer from inside a bra …..

We would never know  if we were somewhere vaguely near the true story of how this object came here, or what the next stage on its journey is.  Will someone come along and pick it up before it is washed away again, and use it? It might be interesting to choose one such thing and make up a story about it.  Or perhaps write a series of short stories on each of the objects here … hmmmm and maybe I have spent a bit much time this morning reading reviews of books and stories other people have written to help build up the list of books to be ordered for the book group I belong to.  But for every author, there is always something that provides the starting point for their writing, something someone says or does, or something that appears or is found.  This morning I read a reviewer’s words along the lines that in places the reader has the impression of overhearing a long  phone conversation/chat between two friends including all the inconsequential little bits. I sometimes notice and am often amused by the amazing things people say in public toilets – I mean people who are clearly friends and while each is occupied in their loo cubicle they just continue their conversation for anyone to hear over the tinkling, farts and flushing !

 

Challenging

Friday, September 23rd, 2011

This week on the Quiltart list, there is a lot of interest in a challenge someone issued for members to try their hand at finding and using unconventional material (from hardware stores) in art quilts, by some specified time, and to photograph and publish the results online as a group – well I think that’s the gist of it since I haven’t  ‘done challenges’ these past couple of decades; and yet writing that I realise it is not strictly speaking true.  Everything I design and make is a challenge, of my own generation, really, requiring thought, possibly experimentation (samples) and commitment to achieve its completion.

There was a time nearly 2 decades back when I belonged to an experimental group in which the monthly challenges we took part in enabled each of us to grow, with more oganised experimentation, and through critique learn a lot more than what we achieved in our own individual works.  So this materials challenge will open a lot of eyes – the gee whizz factor being one result:” Who on earth would have thought to use tap washers/slices of garden hose/spray on weed killer/ etc in an art quilt?  Fancy that ….”  Participants will learn the positive and negative qualities of the materials they experiment with. 

But the treasure hunt for unusual materials and their use will not grant any of the works more artisitc merit unless the use of good design principles and the ability of the artist to connect with the viewer in some meaningful way is also pondered and employed. 

IMHO the art quilt world today is obsessively focused on techniques and materials, to the detriment of good design, and this challenge typifies the current imbalance in much of the work in this genre.

Dangling door handles from the lower edge, applying insect screen mesh or embellishing with tap washers may be technically interesting but does not necessarily produce something that is ‘art’.

Calling All Collectors of Art Quilts !

Monday, September 5th, 2011

The 2011 SAQA Benefit Art quilt Auction starts one week today – Monday September 12th at 2-00pm , Eastern Time USA – adjust for your local equivalent time to be quick off the mark.  It is an online auction, in reverse, so they come up on day 1 at the top price payable, (in this case $750) and every day at 2-00pm Eastern the price of those unsold drops, so they become more affordable but of course, more hotly contested !

For this annual auction, over 300 small wall quilts sized around 10″ to 12″ square, were contributed by SAQA members.  Every one is an original design.  Some of the makers are well known, and others not so – and in style and theme there’s something for everyone.  Some of them will be framed by their buyers, but all have been submitted ready to hang on the wall.   Mine is pictured below, and can be found on page 2a, 4th row down – this means it will be auctioned in the second auction week – the week beginning 19th september.

I don’t know why this little one never received a title – it is in the Timetracks series really, and I guess should be #21 but it never received it, and is listed as Untitled.  I’ll mentally allocate that number, and the next Timetracks I do, which is coming up in a rush right now, will be #22. 

 Anyway, if you are interested in collecting, go to SAQA where you will find this year’s quilts pictured on 6 pages.  Detailed instructions about how the auction operates are there.  Each  image can be clicked  to take you through to more information about the makers and their own websites.  New this year is the display of several small collections of images that have been grouped by volunteer curators who see a common theme in the quilts they selected.  These are very interesting – and I wonder if anyone will be prompted to try to collect a whole group?  Several pieces appear in more than one collection, interestingly, a sign of broad appeal, perhaps.

 

Gloved hands = BBQ Tools

Tuesday, August 23rd, 2011

I have been visiting some of my distant family in the past couple of months, and when I returned from the USA, our daughter and one grandson were down here for a couple of weeks.  This pic is from the travels we did in the north of the country while they were here.  

In Paysandu as we were leaving town to head west over to Artigas, we noticed this bbq array aka a  ‘parilla’ on the street outside a social club – lunch for a large number of people, some event maybe? Yes, it turned out a group of students were visiting from Montevideo – the guys told me there were 15 of them; but there are enough chickens cooking here for at least 4 times that number,  so perhaps a lot of locals were involved in the event.  Well, you may be thinking there’s nothing remarkable about that, surely. BUT get a load of the gloves on the parillero’s hands – without the aid of more conventional bbq tools,  he used gloved hands to turn and reposition the cooking bird halves …. I really hope those gloves are washed and sparkling white every time he cooks!

Well, anyway these were the ‘textile note’  in a comment on local colour.

 

Small Works Continued,

Wednesday, May 25th, 2011

A  few weeks ago I posted  group of small landscape works from 2000,  mounted on woven newspaper mats which seemed like a good idea at the time.   A while back I dug them out to give me something of  a starting point in a small pieced works direction to which I feel increasingly drawn.

 

These fit a 20cm x 20cm art stretcher. 

I love pieced work, where areas of different coloured and textured fabrics are joined by stitch to form a new fabric surface pattern.  Call it patchwork if you will, which it technically is;  however I think to most people the term ‘patchwork’  has connotations of templates,  traditional patterns and precise geometric shapes.  The ultra fine lines in pieced work  by Margery Goodall several years ago alerted me to technical potential that I had not explored in my own work (and since developed in my Ebb & Flow series)  Recent improvisational pieced works of Lisa Call and Erin Wilson have reminded me of the potential of ‘lines’.

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