Archive for the ‘General’ Category

Presentation Is Everything.

Monday, February 11th, 2013

I always have my camera with me when I walk on the beach here, as offerings to the spiritual figures of the belief system that crossed the Atlantic with the African slave trade are likely to appear.  Of course the history of that trade is appalling, but the deeply held beliefs continue to sustain many now-free people up and down the americas. In all societies these beliefs are expressed and confirmed through ritualistic practices, art and music, all of which are handed down orally and aurally, and usually augmented by documents and text as a society moves towards literacy.

When I first came here I was rather disgusted by what I thought was merely discarded litter, and to be fair, although things have improved, back then there were far too few rubbish bins around Uruguayan streets, rubbish collection could be intermittent, and I have seen many people casually throw down litter in the street or out of windows of moving vehicles.  Though better now, it is still one of the things that has always bothered me in this country.   One day several years back I encountered a group of three women carefully taking several figurines down to the water and ritualistically ‘rinsing’ them.  They obviously didn’t mind me watching, and when I asked a question they began to tell me the first things I’d ever heard about the Goddess of The Sea, Imanja.  From the way they talked and handled these figurines they were sincere and I found it all very interesting.  I realised that when freshly set out on the beack, before being scattered by the tide, some of these things often included perfectly good candles and fresh flowers.  I began asking questions of Uruguayan friends, and a couple of people have offered to take me to ‘services’ of this system, but so far I haven’t felt OK about that – not all the offerings are ‘good’ – some represent curses or bad spells.

I didn’t go to the beach on the night of feb 2nd this year (the sea goddess’ birthday) but two days later I came across the little blue boat, below, still bobbing around in the water at our local beach.  That was quite good really, for the usual attrition rate of vessels launched that night is 100% destruction within a few hours!  I got close enough to see that its contents were gone (tipped out by waves I guess, but if so someone put if afloat again)   It was lovely – a flat bottomed basic boat shape, very effectively waterproofed with blue sticky back vinyl or similar, and large shells glued along the sides.  Especially on that night, people take great care and time to design and construct their offerings to float out to the sea goddess.

beach offerings feb 2013

I’m sure I’ve posted the watermelon one before, but its beautiful simiplicty makes it one of my favourites, however the lovely blue ribbon was vinyl, and on the whole the practice does leave quite a bit of non-biodegradable debris, such as the ubiquitous styrofoam, plastic bags and other plastic bits -they’re all cheap and/or recycled materials.

beach offerings non biodegradable elements

However, as my regular readers will know, one of the things that attracts me to these offerings is the care with which they are always prepared and presented, and the fact that they are taken down to the beach, always at night, usually in the pre-dawn hours. In the lower part of the first pic: the dead chicken and half empty jar of honey were atop a decent selection of fruits and vegetables; you can see many candles and some flowers (carnations are popular ?significant) the white grains might be rice and on the other side some variety of bean. Inside the mound of stuff might have been a few coins, and perhaps cheap pretty jewellery or a small bottle of cheap perfume – these things please the sea goddess and are often included.  In the yellow offering above, you can see quite a number of 10 peso coins (each about 50c US) and being yellow, it was almost certainly to another goddess in the spiritual pantheon.

A Documentary About The Tentmakers of Cairo.

Friday, February 1st, 2013

Just after our 2007 trip to Egypt I wrote in this blog about The Tentmakers , all men, who make appliqued fabric wall hangings tradionally used to line tents, and today still provide gorgeous wall hangings as backdrops to festive events.

collage1-001

At the top, Ashraf is shown sewing in the traditional sewing position, which for various reasons I would find impossibly uncomfortable, and so would most needleworkers I know.  Small fabric shapes are cut out with gigantic scissors (usually 12″ blades) and rapidly sewn to the backing fabric by hand, as shown.   In the lower pics, at left is a tent selling printed fabrics, and the lower right shows how genuine hand made hangings were used at the campsite in The White Desert where we  spent a night.

It’s an ancient craft, going back over 800 years.  But the craft and ancient heritage is largely unappreciated in Egypt itself, where people get the same visual effect from cheaper printed fabric featuring traditional designs.   The tentmakers are thus heavily dependent on tourism, where visitors to the city inevitably marvel at the work and take away as much of it as they can afford – we certainly did !  – that is IF they have heard of it and know where to find this one street in the old Islamic quarter of Cairo.  It’s not usually publicsed by hotels or tour operators.  We were taken there by friend Jenny Bowker who, during the time her husband served as Australia’s ambassador to Egypt, must have personally taken hundreds, perhaps thousands, of visitors there, and that she had become very good friends with these people was highly eveident.  Without her we would not have been shown this large important commission in progress:

Tentmaker commission

Jenny is pictured holding and looking at one of the set of ninety nine, that’s 99,   1.5m long wall hangings, of widths varying from 3-5m, and that’s a huge amount of fabric and work!  I don’t remember which number they said this one was …. When finished the set of hangings was destined to be installed in a large building in another middle eastern country.  At top left is a portion of one hanging turned to show the back – the fabric is appliqued directly to canvas, perhaps a sail weight,  and the needle picks up just a few of the threads with each stitch.  At right the owner of the workshop and showroom is holding one of the many cartoons from which the shapes were meticulously drawn onto the fabric, and for which every small piece of fabric was cut.  It would have been very important to get the symbols and heiroglyphics exactly right on these hangings.

There’s currently a fundraising campaign to support the maker of a full length documentary on the tentmakers and their craft.  The purpose is to broaden the knowledge of this work within and outside of Egypt.  Since leaving Egypt, Jenny herself has taken collections of the tentmakers work usually accompanied by one or two of the craftsmen themselves, to quilt, textile and fibre art exhibitions and galleries in Australia, UK, europe and north america.  Textile lovers have become enthusiastic fans and collectors – but a documentary dvd will be another valuable tool in publicising this wonderful traditional textile art.  With the political instability of the past couple of years these people are hurting more than ever as tourists stay away from Egypt.  But nothing stays the same for ever, and it is hoped that as conditions improve, more people will know in advance of one place they really should visit when in Cairo.  If you want to know how you can help, visit the Facebook page for The Tentmakers of Chareh El-Kiahmiah where you  can always see lovely pics and comments, sign up for a newsletter each month, and make a financial donation to help the film project on its way.

 

 

Recent Offerings, Including Cuba

Monday, January 28th, 2013

Ofertas Carraasco

The february 2nd birthday of the sea goddess appproaches, and this nice offering was seen recently on our local beach.

Just after new year, we were fortunate to visit Cuba.  What a fascinating place, and we had a memorable time.   Knowing things are starting to change there, for some time we’ve wanted to see this country before the pace of change accelerates.   I was only 12 in 1959 when Fidel Castro’s communist government took power after six years of armed revolutionary struggle, and so have little memory of that except that my parents were concerned and became very stressed, along with the rest of the world, as international tensions heightened in the leadup to the Bay of Pigs and the Russian/Cuban Missile crisis of the Kennedy era.  As the economic blockades and sanctions tightened, Cuba became isolated from countries that were not communist, and the resulting isolation has had profound long term effects still highly apparent, so that arriving there today gives the visitor a strong sense of stepping back in time – much as we experienced when we first started coming to Uruguay just 4 years after the end of the last dictatorship here, only much more pronounced.

One fascinating thing we saw, which we might not have happened upon or understood without our guide, was a small group of people down at the water’s edge who were meeting with a shaman (green headgear)  He conducted their offering ceremony to the water goddess.   The blue shopping bag you can see on the river’s edge just in front of the lady with the white hat and shoes, contained the same corn, lentils and other grains, fruit, vegetables, fabric, bottle of scent and cheap glittery jewellry that form similar offerings here.  We didn’t like to go close with our cameras, but stood back and watched them place things in the water and wash devotional objects including some fabric.   From our guide it was quite clear that with some local differences, this is the same spiritual belief system  – brought to the continent with the African slave trade from early in the C16.

Ofertas Cuba

Some day soon I’m going to re-listen to the recorded book (in english translation) of “Island Beneath The Sea’ by Isabel Allende, a fabulous story of the early plantation  era of the caribbean islands including Haiti and Cuba.

SAQA 2013 Auction – 12″ Square Completed

Wednesday, January 23rd, 2013

I often get back into the swing of creating after the holidays by tackling my piece for the annual SAQA Benefit Auction – the 12″ squares that are auctioned online later in the year.

This year for the first time, pieces submitted by Oceania SAQA members are being shown together as a collection once or twice before the actual auction.  So there’s that deadline anyway for us tall to get them done and in good and early.  But a few days ago. Lisa,  SAQA Rep for the Oceania region,  called for images of any finished squares for this year’s SAQA auction to submit to magazines as promotion for the organisation in the region and the auction in particular.  And that really galvanised me.  On monday morning I got out the stencil I’d  made some time ago – sprayed some of the shiny black with gold, machine embroidered with gold, then layered, machine quilted, bound and photographed it; and sent the image off before breakfast today  – its wednesday.

Sandlines - small

I’m calling this one ‘Sandlines’ – based of course on sand ripple patterns on the beach.

 

Tidelines Group Finished And On Their Way

Sunday, December 16th, 2012

tidelines 9 blog copy

During the blogs on the creation of this group of quilts, this was the one I used repeatedly to show various stages; so here it is finished and named “Tidelines 9”   Shortly after the photography, the quilts “Tidelines” 8 – 12  were on their way to Australia where they will appear in the Golden Textures Exhibition in Maryborough Vic, next February.  The design inspiration for each quilt were some sand ripple patterns photographed on my beach walks, hence the title.

tidelines  9 drawing blog

Computer manipulation of the images simplified the shapes.

 

The whole saga of how I got to stencilling the gold shapes,  followed by free machined stitch lines and stippled quilting was posted in October. 

 

 

Hence the title.

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