Archive for the ‘General’ Category

New Bungle Bungles Work – Questions Arising

Thursday, April 9th, 2015

Well I’ve pieced shapes and set them in, and things have gone together well – all finished and bound with sleeve on the back.

 I won’t show it all to you, but just enough to give an idea of an issue I have to decide on –  whether to go with dots, or not.

Are they a bit of a cliche?  Is their use cultural misappropriation? Are they just a readable reference to Aboriginal art?  Will they offend anyone?  On the left side is a segment of the quilt top design, and on the right you can see a strip that came from trimming to size, and it was very useful to use to paint some gold dots on to get an idea of what the overall effect would be:

bunglebungles 2 copy web testing

 

Although I have decided how to deal with it, if you would like to give your opinion please feel free!

About Souvenirs and Memories

Friday, March 27th, 2015

In today’s “The Australian”,  reporter Trent Dalton interviews writer Clive James, an Australian writer whose work I always enjoy.  In it, a sort of pre-recorded obituary, Clive reflects on his life in general and his illustrious career.  He’s lived in the UK  for many years, and at 75 he’s now unfortunately terminally ill and too frail to travel anywhere except to the hospice to which he will eventually be conveyed.  There, with none of his stuff and books around him, he expects to have time to reflect on the infidelity, as he puts it the biggest mistake in his life  –

“But I shall have time to reflect

That what I miss was just the bric-a-brac

I kept with me to blunt my solitude,

Part of my brave face when my life was wrecked

By my gift for deceit

Truth clears away so many souvenirs”           Clive James, 2015.

“Truth clears away so many souvenirs”  rang a bell with me, and I wish I could remember who it was who wrote some words I read just recently, on how all of us accumulate a lot of stuff including mementos and souvenirs, and especially the heaps and heaps of photos.   We find it hard to let all this stuff go, and yet these are not memories but merely the “artifacts of memories”.

 

Years ago I had a fierce argument with an aunt who was horrified that I did not wish to grab up our father’s sunday school and many academic prizes when their house was being sorted after our parents’ deaths.  She clearly felt I had some sort of duty to cling on to prizes HE won – but I didn’t feel that way at all!  Different life styles I guess – she spent her life mostly in the one town, we have moved a lot down the years, and more to come.  I dread being reunited with several shoe boxes of photos in our house in Australia – as we really let the photo album thing go, I think, in the flurry of house moves and long spells in storage – that’s my recollection, anyway, and I’m sticking to it!

And it was Barry Humphries as Edna Everidge who uttered the immortal line about wrinkles around the eyes which we Aussies call crows feet –   “… and what are they but the dried up beds of old smiles?”

Mexican Craftsmanship On Show

Thursday, March 19th, 2015

Here in Montevideo one of my favourite museums is the Museo de Arte Precolombino e Indigena,  or Museum of Pre-Columbian and Indigenous Art.

http://www.mapi.uy/informacion_de_interes.html     

It’s on Calle 25 Mayo in the Cuidad Vieja.  The permanent exhibitions are always fascinating and I always learn something new.  Definitely a must-visit if you’re coming here to Montevideo.

They also have exciting temporary/visiting exhibitions, and on at the moment until 4/4, with the possibility of extension – is a visiting exhibition of superb Mexican artisanship,  Grandes Maestros del Art Populare Mexicano,  which I enjoyed last week.  Just as in other parts of the world, hand crafted art is constantly under threat of extinction from mass produced stuff, and people are becoming less aware of the importance of traditional crafts. This project and touring exhibition is designed to help promote and preserve the traditions in danger of being lost to younger generations.

I have travelled a little in northern and central Mexico, and have a sister who for nearly 40 years has lived in the extreme south of New Mexico US.   That location has allowed a great deal of travel  across the border down the years, and given her opportunity she has never resisted to collect a large quantity of very fine examples of Mexican folk art.  Mexican ceramics, textiles, wordwork,  cut and textured tin, glassware and clothing are in use in and and decorate her genuine traditional adobe mud brick home in the Rio Grande Valley.  She would love this collection, and many of the pieces in this fantastic exhibition are of crafts and art that I  have met before.   But others were new to me – like this incredible candle wax sculptured altar

Mexican art 6 blog

approx 1m w x  90cm h which was displayed in a rather cold air-conditioned room for  obvious reasons!  (It was a pretty hot early march day)

 

Mexican art 1 blog

Mexican art 2 blog

This 2.5m x 2m hand embroidered cloth could be used on bed, wall or table.  I have a couple of huipils in this technique, plus some small mats and a table runner.

 

On one wall was hanging a group of different weavings, all in lovely colours and very skillful .  I show the edging of this shawl or scarf  for its featured fringing and feathers – quite beautiful.

Mexican art 3 blog

 

Embossed and cut metal sheeting is used a lot  for frames  and light fittings, and this one around a mirror is superb:

Mexican art 4 blog

 

From Oaxaca comes  wonderful hand painted wooden items particularly animals birds insect and fish, of which these are the largest examples I’ve seen.  We have some nice pieces at home in Australia, too, but they are much smaller.  The spotted cat-like creature, jaguar perhaps, is about 80cm long x 35cm high.

Mexican art 5 blog

 

 

The beautiful ceramic candelabra itself is perhaps 60cm tall and the candles add another 20cm approx.  Talk about intricate, delicate and downright fragile – heavens’ knows what the bill for packing and transporting this stuff was!!

Mexican art 7  blog

 

And, finally, some Day of The Dead ceramic figurines at a funeral …

Mexican art 8  blog

 

Apart from my delight at seeing this beautifully hand crafted art work and so much of it – 600 pieces – the wonderful thing about the exhibition is that it is here in Montevideo.  If you’re coming soon, or live here, take an hour or  two to enjoy it:  http://www.mapi.uy/informacion_de_interes.html

 

The Bungle Bungles of Australia’s Kimberley

Monday, March 9th, 2015

Known as “Purnululu” to the indigenous people of the region, and later known by Europeans as  “The Bungle Bungles”, these ancient landforms are located in a remote region of Australia’s north west known as The Kimberley.    It’s hard to get to, distances are long and rugged travelling, and though very expensive, flying over it is a very popular way for some to experience it.  I haven’t been there yet though I have travelled over a lot of the Kimberley region, including all the towns mentioned on this location map.

The Kimberley map

The Bungle Bungles have long been depicted in Aboriginal art from the area, and the formation has become a familiar motif in collectable art  in formats ranging  from paintings to Tshirts, graphic logos and 3d sculptures.

I’ve been inspired myself.   Back in 1993 I finished a quilt called Nightfall In The Bungle Bungles  155cm x 148cm part of which is shown here on the left. When finishing off this quilt, I went to a workshop by Nancy Crow at which I learned the basics of improvisational piecing which changed the whole way I piece fabric.  If I’d left making  NITBB until a month later, it would not have looked like a row of Egyptian pyramids 😉

BBungles Kimberley 2 collage blog The idea stayed with me and in 2002 I had another go, and the result, above right, was Kimberley 2, 70cm x 110cm.  

 

Wherever you go in this area it is impossible not be be impressed with distance, remoteness and dramatic scenery including waterfalls gracefully falling over over towering cliffs into the clear refreshing pools at their base.  Such cliffs inspired Kimberley 2, 1996,  110cm h x  70cm w, an irregular shaped peice photographed against a black background.

kimblerley

 

This morning I came across a call for entries for a textile art competition to be called ‘Kimberley Dreaming’ to be shown in Australia later in the year.  The required format is 30cm x 30cm.  I have some ideas gelling and enough time to put one or two into effect before the closing deadline – so I’m off to dig through my scrap bag for suitable fabrics to begin putting something together.

 

 

 

The Sketchbook Page Today…

Saturday, February 21st, 2015

 

 

sketchbook today feb 22 blog_edited-1

With arrows, stars, words and comments, this is a typical sketchbook page.  They’re always in pencil, but I re-did this one for you in pen to get a clearer scan.  I understand my own handwriting and abbreviations in this aide memoire,  and even if it doesn’t mean much to you I’m happy to share these marks as part of my process.  You’re welcome to anything else you glean of the ideas they encapsulate 🙂  There is much reference to several previous works or things I’ve been working with in sample form.

I regret that my hand writing has deteriorated, partly age-related 🙂  but even more a sign of the times.   It is the nearest I ever come to journal keeping, but of course it is definitely not that.  I really don’t know how the beautiful artist journal keepers keep it up  🙂  This morning I was casually googling around holes, sheers, grids and marks, when a couple of ideas struck.  Not wanting to lose a second, and with the sketchbook upstairs as usual, I took a sheet of waste paper from the printer and jotted them down.  I’m a diagram person, and when epiphany strikes like that a simple diagram+words, stars and arrows captures it. One just might solve a nagging problem to do with using sheers that has long bothered me, and I must let Rosemary Claus-Gray know ….

 

 

 

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