Archive for the ‘General’ Category

Photographing Quilts In The New Series

Friday, July 31st, 2015

Kimberley Dreaming pieces collage blog 2

 

I’ve just set up a photography date next wednesday with my photographer here, Eduardo Baldizan, who has photographed all my work done here, and is great to work with.

Unusually  for me, the bindings and sleeves of three are already properly finished.  Many’s the time I’ve hastily basted these things in place at the last minute for photography – you can’t tell from the front, and I am by nature a bit of a last minute wonder.

And as usual, there’s the lure of a  last minute pressure buzz – I have several days to attempt the next one that I’ve been mulling over while I make # 6, and think I’ll make a dash for it, beginning in just a few minutes.  If its a wet weekend, as expected, I’ve got bags of time …  the entry deadline’s not for another week yet!

Take a Basic Shape, Repeat, Repeat …

Tuesday, July 28th, 2015

I discovered a very exciting french textile artist, designer, ceramicist – so talented in diverse media.  Her name is Cecile Cachary.  At this page on her website http://www.ceciledachary.com/ronds.html are wonderful examples of repeated round-ish shapes, ‘ronds’ , executed in various  textile techniques, each collection forming an art work in itself.  Quilt  makers know and understand the value of what I term repeat units, or ‘blocks’ to traditional quilt makers.  I haven’t ever based a design on rounds per se, but repeated roundish shapes – yes.  Use of them can bring rhythm and movement to a work,  Take this oneas an example,

DesertTracks 5

 

Desert Tracks, 61″ x 41″  2007

 

Freehand Or Improvisational Piecing – The Basics

Sunday, July 26th, 2015

 

detail, Ebb and Flow 2

I’m quite often asked how to go about improvisational or freehand (template free) cutting and piecing which has become very widespread  among quilt makers in the past 25 years- a modern tradition really.  Widely used by art quilt makers who piece their designs, and seen in quite a number of Modern Quilts, it’s all rotary cut and machine pieced.   The following basic instructions contain all you need to know to begin, as I only learned it from watching a short demonstration by Nancy Crow at the start of a several day long workshop, and then plunging in to using it straight away. It enabled us to rapidly get through heaps of exercises in her class on design and colour.  I’ve been enjoying this way of piecing ever since.

basics of improv

 

Hand piecers could use this just once,  perhaps, to make some wayy lines in the one direction  but it really is a machine technique,  even if you’re pretty speedy, as hand sewing won’t allow for more complex cutting, re-arranging, inserting slivers and so on.

Freehand or ‘improvisational piecing’ has become a modern convention – and once you recognize it, you’ll see it wherever there are pieced art and non-traditional quilts.   Elsewhere on this website are two galleries of my original quilts made between about 1990 and the present –  the Color Memories gallery followed chronologically by the Ebb& Flow gallery.  Keep in mind that have been piecing this way for over 20 years, but I too began with these simple instructions way back then.   With practice, you too will be able to achieve more complex constructions if you wish.

Basics of improv blog image

The main things to remember are:

  • to place both fabrics right side up
  • without built-in seam allowances, as you cut and sew each fabric shape its area showing on front becomes progressively smaller – so start out larger in anticipation. Experience will tell you how much to allow, but, if you run short somewhere on a side you can always add another piece as quilters traditionally have !
  • in addition to getting smaller, so, too, the edges become progressively more irregular. Resist your trimming urges until you have finished ALL the piecing.   When you do get round to trimming, discard tiny pieces but keep anything useful – small bits also piece up into lovely freeform mosaics you could use for appliqued or printed designs – see Judith Trager’s work among others for some good examples.

Alicia Merrett ‘s YouTube videos, are good in a very precise, controlled way –but, they were pitched to careful traditional quilters, but even so, you might find them helpful.    In the Nancy Crow class where I learned this piecing, we had a lot of colour and design work to get through in the time, and Nancy showed us these basics that enabled rapid working.  We put all rulers away and did no pinning, just putting edge to edge and sewed.  Some managed this better than others in the workshop; and at home I found my own way of working which includes periodic dots along the cut edges with permanent marker or other pen/pencil/chalk – and even more of these in tight curves.    I usually pin every few inches, more in tight curves –  but it all depends…. there are no right ways to do this, and only one correct result – a flat one.  Once you have learned the basics, experience will teach you whatever you want to know next – think it, try it.  And, if you ever need my advice or help, feel free to contact me through this website.

 

The Inspiration of Landscape Forming Processes

Saturday, July 25th, 2015

Many years ago, I found inspiration in volcanic activity which resulted in two quilts with design lines reflecting the ballooning and layering of molten lava emerging under the sea, and both  carrying the title ‘Pahoehoe’  as this particular resulting landform is known by earth scientists.  (with apologies for the quality of 20-year old  technology photos)

Pahoehoe

Pahoehoe  #1,   1995,  80cm H x 70cm W  is irregular shaped and photographed against a black background.

Pahoehoe 2

Pahoehoe #2  1997  is 12cmH x 13cm W and hangs against a sand coloured wall in our home in Australia.  I do need to photoshop this pic and remove the blue-ish background, because those patches of blue in the middle of the quilt are actually faced holes, openings.  I should have named it ‘Tricky’, perhaps.

Browsing around Pinterest,  as one is want to do with saturday morning coffee, I was thrilled to find this beautiful silk wall hanging on the artist Petra Voegle’s blog site   It was interesting to see that we’d found inspiration in the same natural force process.

Pele by Petra Vogle  blog

Titled “Pele” (from her Hawaiian Symbols series)  48″ x 17″  (c) Petra Voegtle.    She writes about the significance of Pele, the god, not the soccer playing legend – so click the link and go visit this lovely site. (which has lain dormant for some time, however)  There are some intriguing detail shots if you follow the link below the pic on her page.  She calls her process ‘silk carving’  but from her description, for my quilter readers she’s talking about a whole cloth quilt.  It’s stunning, perfectly capturing the drag and flow of the lava’s movement out across the landscape.

Mentoring – Entering a New Experience

Saturday, July 25th, 2015

I recently signed up to become a mentor in the new program Studio Art Quilt Associates has put into operation.  Potential mentors and mentoring applicants each fill out an online application form. Those applying to be mentored are termed ‘mentees’, a word none of us likes much, but despite looking around I’ve found no apparent synonym.

At different times in my life there have been several people who, by showing or suggesting possible ways forward towards my goals have in effect mentored me.   It was not always fibre art related.  For a time, usually briefly, each of those people shared background and experience, knowledge, wisdom perhaps, that was at the time much greater than my own, and I value what they passed on.    I realised when this call went out that I have many years’ experience in textile and fibre art, and, before my life became rather peripatetic, I taught at secondary school level.  It’s always pleased me to encounter an adult I used to teach as a young kid, because even in the case of several known ratbags who were/are not all bad, I feel that I positively influenced each person in some way.  The mentor’s form required some outline of fibre art and quiltmaking experience, and asked about motivation to mentor.

The applicants filled out a form checking off areas of quilt art practice they feel they want help with, and outlined their goals  against which to measure progress over the coming year.   With that they submitted images of their work so far.  I was shown several applications to see if I thought I could work with one of them.  I chose one, Julie from a small western US town, because her goals were clearly formed, and, over the recommended commitment of one year, realistically attainable.

So the process has begun, we’ve emailed a couple of times and talked once over skype with another chat scheduled for a few weeks’ time.  I don’t expect to be bombarded with reports, as the rate of scheduling contact is hers, not imposed by me, and leaves her plenty of time to get on with things.  I gather through contact with the mentors’ online chat group that some mentors have weekly progress reports or even phone talks set up – does  that make me off hand, not committed?   I don’t think so – it could be some other mentees are needier, and maybe certain important goals are looming fast, or maybe some are looking to their mentors to spoon feed them with over protective hand holding.  It could also been some neediness on the part of one or two mentors!

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