Archive for the ‘General’ Category

Lines – Seams Just Waiting to Happen 2

Tuesday, April 5th, 2016

 

THE  most basic knitting stitch and probably the first one learned by everyone is garter stitch.

knitting garter stitch blog

 

lines garter st blog

In a recent post,  the first of several on this theme, I showed how the lines in a newspaper ad featuring  part of head and shoulders of a man wearing a heavy knitted sweater inspired one of my wall quilts.  Since I made Waterweave twenty years ago, I’ve had it lurking in the back of my mind that garter stitch is a wonderful pattern  of line and shape to explore,.  I can’t think why its taken so long, but perhaps I needed to make the Bungle Bungles quilts for this notion to move forward again.  So I’m going to take time today to play with this basic linear pattern and see where it might lead.

While posting this garter stitch diagram, I remembered my first art quilt, Ancient Expressions 1   I cropped this segment from what back in 1988 was an excellent quality 35mm slide image, so its a bit grainy.  I’ve always had my work photographed using a good photographer using the best technology available at the time, but the quilt sold from the 1989 exhibition “Expressions in Quilting ” so I’ve never been able to have it re-photographed in digital format.

 

Ancient Expressions 1 pattern detail blog

On the horizontal bands of AE 1, I used linear quilting patterns from drawings I found in  a book on the ancient Anasazi people of  America’s Southwest.  We lived in Denver for a yew years in the late ’80s, and came to know that region of the USA well, including the wonderful petroglyphic sites, ancient village ruins and some of the history of the now disappeared Anasazi people.  Almost without thinking I used characteristic patterns and imagery from the Southwest in that series of quilts,  just like everyone else did and still does.  Patterns developed in different cultures and regions of the world for are found on rock, ceramic, metal, wood, leather and fabric surfaces.  They have much in common, and we recognise them as man-made marks even if no one around today is absolutely sure of their significance.  But bearing in mind the issue of cultural misappropriation, today I might not make some of that series in quite the same way. Anyway, looking back over a couple of decades, I see that appealing arc shape repeatedly popping up in my work in various ways.

As I’ve said before – a line is a seam waiting to happen.

Browsing With Pinterest …Lanny Bergner

Saturday, March 26th, 2016

This morning I was looking at an image Pinterest thought I might like, and instantly became an keen fan of very exciting North American mixed media artist, Lanny Bergner   ‘Mixed media’ barely covers what he does, though.

Using a wide repertoire of techniques common to many textile and fibre arts  – coiling, hand stitch, fraying, twisting, wrapping, gluing and knotting, to produce his works, Bergner employs bronze, brass, aluminum and stainless steel screening (meshes), wire, silicone, monofilament and glass frit (knowing nothing about glass I had to look up that word, frit)   Bergner’s work clearly falls within textile and fibre arts, but depend on an essential characteristic of these man-made materials – their inherent self supporting rigidity.

Working from organic life inspirations, and using just a few simple tools – metal snips, pliers and more recently a blowtorch – the artist is able to produce semi-sheer organic looking vessels and grid constructions that require no internal construction supports and layers.  It is exciting to me that many of the living things that have inspired Bergner’s art are fairly ephemeral or fragile, but despite using the harsh raw materials he does, he can still imbue his works with such fleeting, delicate organic qualities.

The results are beautiful, and hardly surprisingly words used about his art include ‘ethereal’ and ‘sheer’.  I have the impression of  light, almost diaphanous forms, and yet if I were privileged to handle a piece (and my fingers are itching) I’m sure I’d find it heavier than I expected – which is not to say ‘heavy’, but nowhere near so lightweight as silk organza or stiff tulle suggested by these images –

Lanny Bergner 3 Circling panels blog

Lanny Bergner, “Circling”  2010,   26″ x 82″ x 4″.  Bronze mesh, silicone, glass frit.

 

Lanny Bergner _blog Angular

Lanny Bergner  “Angular”  2011,   17″ x 20″ x 16″.  Bronze mesh, linen thread.

 

His bio contains this wonderful statement “My aim is to bring the natural/artificial and man/nature together into an assemblage of forms that appear to have grown into being. I love the natural world and am constantly inspired by its beauty and varieties of form. This, in combination with my fears, quirks and joys, results in work that celebrates the mystery and wonder of it all”.  Note to self,  I must work on a statement upgrade.

Images supplied courtesy Snyderman-Works Galleries Philadelphia PA

 

 

Pinterest Patterns

Friday, March 25th, 2016

I love Pinterest, and have several boards of things that interest me, and if you’re curious, you can browse through those here https://www.pinterest.com/alisonschwabe1/

For the uninitiated, Pinterest is exactly like a scrap book that you build for yourself online.  You set it up with your own ID etc and then you can browse around whatever you’re interested in and ‘pin’ anything you want to keep.  To get you started, Pinterest suggests about 40 broad interest categories, from recipes to gardening, tattoos to renovation ideas, acrylic fingernails to textile arts, and much, much more, limited only by your own interests or imagination.   Once you start finding things you like and pinning/saving them onto your own boards, Pinterest keeps sending you boards and pins by other pinners that they think you’ll like – sometimes great but they’re also often waaaay off!   You can even have a couple of secret boards, hidden from public view, but I can’t imagine why one would need that.  I have 11 boards and though I’ve saved one or two recipes and a few particular artists, mostly I am interested in design, texture, contemporary embroidery, fibre and textile art in general, so my 11 boards mostly relate to those things.  I have learned about some exciting contemporary artists whose work probably would otherwise have remained unknown to me, and enjoy following a pin with a visit to their website if they have one.

I have found it interesting when following other pinners’ pins, that people who really share interest on certain things I choose do tend to be fairly focused; they don’t pin every gorgeous thing they see online but select something special, meaningful.  By contrast I’ve come across people with many thousands of pins on hundreds of boards – and really, how does one keep track of all that?   And, I’ve found with such people that a quick scroll down will produce a bewildering array of stuff I have no interest in, so I back out quickly, there being so much more great stuff around.   I’ve noticed that <20 boards listed beside someone’s name, even if they’ve pinned several thousand pins, often points to a discerning, thoughtful pinner, and can be worth at least a look.

gold paint sample

I am covering the pieces of a black tetrahedron and plan gold paint+stitch on the surface, and this morning was looking for this little fabric sample in the box – another of my storage systems.  Unmounted, not named and without any notes on it, nevertheless it is part of my ‘scrapbook’ or morgue, too, just as Pinterest images are.  Enough – gold paint, thread and recorded book await me upstairs.

Lines- Seams Waiting To Happen

Tuesday, March 22nd, 2016

I’ve previously blogged about my approach to planning  https://www.alisonschwabe.com/weblog/?p=1010  and in that particular post used a collage of diagrams on pages from it:

Collaged sketch book pages

One was a snippet from a diagrammatic sketch of a man wearing heavy outdoor clothing featuring a fisherman’s rib neck on his sweater.  I saw it in some ad in an Aussie newspaper back in about 1995, and clearly remember it but can’t find the actual pic.  It inspired me to sketch the pattern of knitting and the use those lines and shapes in a commissioned quilt for a book “Quiltskills” 1997, published by the Quilters Guild of NSW.  Each chapter featured particular skills useful to contemporary quiltmakers, illustrated by a quilt made especially to go with the article.  Mine was chapter 2, Irregular Shapes.

Anyway this morning I found a very old and poor image of that quilt, Waterweave”,  the colour of which somehow seems stuck at ‘too green’ but anyway I’ve put it alongside that line diagram to show how for me a basic diagram can lead to an actual quilt.  Its typical of my planning that I work things out as I go, and usually know when its time to stop.

Waterweave quilt and sketch blog

 

As a student and then teacher of geography, illustrating whatever I’m talking about with a simple diagram is what I naturally turn to, so my designs in fabric and thread tend to develop from that kind of mark making, too, and I’ve mentioned before that I see almost any line as a seam waiting to happen.

Using Leftovers, Scraps

Saturday, March 19th, 2016

This week, my photographer here in Montevideo, Eduardo Baldizan  took pics of a number of my tetrahedron shapes.  This one is called “Rainbow”, and like all in this series so far, is 18cm x 18cm x 18cm x 15cm.   The dimensions result from the size of the quilter’s equilateral triangle I used to cut the shapes out of template plastic, it being a workable size for what I was planning.  The previous couple of previous posts give some insight into my construction process.

rainbow blog

Of course, cutting plastic shapes leaves scraps, some of them odd shaped, as in these ones from stencil making.  I don’t throw such things out in a place where I’d be lucky to find any of this particular material in a shop here.  Only yesterday was thinking that all these pieces are surely useful for something.

stencils 1 blog

It’s marvellous how the brain keeps turning things over while you’re asleep.  This morning around 4am I was woken by a bunch of party goers out in the street, who eventually got in a car and drove away.   Bless them – it took ages to get back to sleep; but in that time I had several brain waves, beginning with how useful these could be in making elements for use in the little collage pieces I have been doing small collatge 1 blogsmall collatge 2 blog

and presenting on little 20cm x 20cm canvas stretchers.   For example, they could provide a base over which threads could be wrapped to provide a warp for needlewoven elements as in this 1987 creation “Behind The Scenes 2”, which back then were mounted over cardboard.

Behind the Scenes 2

And further, elements could be placed with a spacer behind so it appears to float a little above the rest of the collage.  I was so excited this kept me awake for at least another hour.

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