Archive for the ‘General’ Category

Pinterest Patterns

Friday, March 25th, 2016

I love Pinterest, and have several boards of things that interest me, and if you’re curious, you can browse through those here https://www.pinterest.com/alisonschwabe1/

For the uninitiated, Pinterest is exactly like a scrap book that you build for yourself online.  You set it up with your own ID etc and then you can browse around whatever you’re interested in and ‘pin’ anything you want to keep.  To get you started, Pinterest suggests about 40 broad interest categories, from recipes to gardening, tattoos to renovation ideas, acrylic fingernails to textile arts, and much, much more, limited only by your own interests or imagination.   Once you start finding things you like and pinning/saving them onto your own boards, Pinterest keeps sending you boards and pins by other pinners that they think you’ll like – sometimes great but they’re also often waaaay off!   You can even have a couple of secret boards, hidden from public view, but I can’t imagine why one would need that.  I have 11 boards and though I’ve saved one or two recipes and a few particular artists, mostly I am interested in design, texture, contemporary embroidery, fibre and textile art in general, so my 11 boards mostly relate to those things.  I have learned about some exciting contemporary artists whose work probably would otherwise have remained unknown to me, and enjoy following a pin with a visit to their website if they have one.

I have found it interesting when following other pinners’ pins, that people who really share interest on certain things I choose do tend to be fairly focused; they don’t pin every gorgeous thing they see online but select something special, meaningful.  By contrast I’ve come across people with many thousands of pins on hundreds of boards – and really, how does one keep track of all that?   And, I’ve found with such people that a quick scroll down will produce a bewildering array of stuff I have no interest in, so I back out quickly, there being so much more great stuff around.   I’ve noticed that <20 boards listed beside someone’s name, even if they’ve pinned several thousand pins, often points to a discerning, thoughtful pinner, and can be worth at least a look.

gold paint sample

I am covering the pieces of a black tetrahedron and plan gold paint+stitch on the surface, and this morning was looking for this little fabric sample in the box – another of my storage systems.  Unmounted, not named and without any notes on it, nevertheless it is part of my ‘scrapbook’ or morgue, too, just as Pinterest images are.  Enough – gold paint, thread and recorded book await me upstairs.

Lines- Seams Waiting To Happen

Tuesday, March 22nd, 2016

I’ve previously blogged about my approach to planning  https://www.alisonschwabe.com/weblog/?p=1010  and in that particular post used a collage of diagrams on pages from it:

Collaged sketch book pages

One was a snippet from a diagrammatic sketch of a man wearing heavy outdoor clothing featuring a fisherman’s rib neck on his sweater.  I saw it in some ad in an Aussie newspaper back in about 1995, and clearly remember it but can’t find the actual pic.  It inspired me to sketch the pattern of knitting and the use those lines and shapes in a commissioned quilt for a book “Quiltskills” 1997, published by the Quilters Guild of NSW.  Each chapter featured particular skills useful to contemporary quiltmakers, illustrated by a quilt made especially to go with the article.  Mine was chapter 2, Irregular Shapes.

Anyway this morning I found a very old and poor image of that quilt, Waterweave”,  the colour of which somehow seems stuck at ‘too green’ but anyway I’ve put it alongside that line diagram to show how for me a basic diagram can lead to an actual quilt.  Its typical of my planning that I work things out as I go, and usually know when its time to stop.

Waterweave quilt and sketch blog

 

As a student and then teacher of geography, illustrating whatever I’m talking about with a simple diagram is what I naturally turn to, so my designs in fabric and thread tend to develop from that kind of mark making, too, and I’ve mentioned before that I see almost any line as a seam waiting to happen.

Using Leftovers, Scraps

Saturday, March 19th, 2016

This week, my photographer here in Montevideo, Eduardo Baldizan  took pics of a number of my tetrahedron shapes.  This one is called “Rainbow”, and like all in this series so far, is 18cm x 18cm x 18cm x 15cm.   The dimensions result from the size of the quilter’s equilateral triangle I used to cut the shapes out of template plastic, it being a workable size for what I was planning.  The previous couple of previous posts give some insight into my construction process.

rainbow blog

Of course, cutting plastic shapes leaves scraps, some of them odd shaped, as in these ones from stencil making.  I don’t throw such things out in a place where I’d be lucky to find any of this particular material in a shop here.  Only yesterday was thinking that all these pieces are surely useful for something.

stencils 1 blog

It’s marvellous how the brain keeps turning things over while you’re asleep.  This morning around 4am I was woken by a bunch of party goers out in the street, who eventually got in a car and drove away.   Bless them – it took ages to get back to sleep; but in that time I had several brain waves, beginning with how useful these could be in making elements for use in the little collage pieces I have been doing small collatge 1 blogsmall collatge 2 blog

and presenting on little 20cm x 20cm canvas stretchers.   For example, they could provide a base over which threads could be wrapped to provide a warp for needlewoven elements as in this 1987 creation “Behind The Scenes 2”, which back then were mounted over cardboard.

Behind the Scenes 2

And further, elements could be placed with a spacer behind so it appears to float a little above the rest of the collage.  I was so excited this kept me awake for at least another hour.

Tetrahedrons, Continued…

Tuesday, March 8th, 2016

This one is almost ready to sew up and I  thought I’d document a couple of steps with pics –

inside a tetrahedron blog

1) Showing the back/inside of the structure, where knots anchor the thread as it goes to the front.

black stitching blog

2)  Three of the triangles sewn together to provide the one working surface.

black and white ready to sew up blog

3)  When the stitching is finished, the final side seam is closed and the base sewn on.

I have done several now, and am enjoying making them.  In the next group I will do surface design before covering the template pieces, to see how that goes – probably some combination of paint and stitch – ideas for which are coming far faster than my ability to make them!  I may have some thinner batting somewhere and may replace batting with a couple of layers of cotton fabric – I learn something or tweak a detail on each one, but this is probably the last how-to on them, though  I have no idea where this 3D quilted textile art will go from here.

 

 

3D Covered Objects -Tetrahedrons

Tuesday, February 23rd, 2016

Yesterday I began covering enough equilateral triangles to make 4 tetrahedrons, and I just finished #16 this afternoon. As I tidied the work area gathering up the threads and snippets, I heaped the triangles into a neat pile,  and it struck me how much these cream triangles looked like sandwiches or cut bread!  So I set them on a plate for a pic or two – Tetrahedron sandwiches 2 blog

Starting from the lower RH corner, the next pic shows template plastic with cream fabric machine sewn to one side and trimmed;  heat activated batting triangles glued to triangular shapes of cream fabric; and finally the edges hand sewn in place all round a triangle shape.

Tetrahedrons sandwiches blog

So if you want to try them yourself, you have all the knowledge you need, except to practice slip stitching the edges together in such a way that very little stitching shows – use matching thread+skill.  OR one could make the stitching up each join part of the surface decoration.

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