Posts Tagged ‘working in a series’

Endless Horizon – Lisa Call Exhibition

Sunday, November 1st, 2015

Early last month while visiting our daughter in northern Colorado, I enjoyed a gallery hopping day in Denver with friend Regina Benson of whom more in another post, as her latest textile exhibition was one of those I visited.

It really was a pleasure to see a collection of recent work at Spark Gallery, Denver, by Lisa Call titled Endless Horizon: 14000 feet to Sea Level   I have long admired Lisa’s quilted textile art since first encountering Structures #11 in Quilt National 2003.  Since then the output of this prolific artist has grown, developing signature elements which many have tried to copy.  These elements however go far deeper than her technique of heavily machine quilting improvisational pieced designs using hand dyed fabrics.  The rest comes from her approach to design and working in series, which can be explored by visiting her comprehensive website www.lisacall.com  

Lisa Call horizons show2 blog

This group of 12″ x 12″ pieces, lifted from Lisa’s own blogpost, is of one group of works subtitled ‘Changing Perspective|Seeing Forever’ and really, for me this group sums up the theme of the whole exhibition.  Lisa’s life has undergone much change in the past year, with new perspectives coming from travel and a new personal relationship that influenced her to leave her home in the foothills of the Colorado Rockies to live in New Zealand’s North Island. There, one is never far from ocean views and influence of the surrounding sea. Gazing out to sea or at a line of distant mountaintops is a meaningful experience in either location.    These life changes are reflected in new and strong expressions of landscape colour, even in such small works achieving a sense of looking through vast distance to the horizon, something new in Lisa Call’s art.

There were other, larger, pieces in the 40″ – 20″ range, mostly vertical panels, presenting groups of related sets of abstract compositions in colours observed in several particular named NZ locations.  It was interesting to see her hand painted small landscape studies from which she developed the works.  I think the act of actually sketching and painting them brought her deeper knowledge of her subject from which she was able to conceive and execute these successful pieces.

 

The Tighter The Curve The Trickier …

Wednesday, September 2nd, 2015

The Bungle Bungles series moves along.  I’ve started another one this week, to be 2.25m x approx 1m, destined for a particular wall in our house, which currently features either Ebb&Flow 15 or Timetracks 15 , which I rotate every couple of months.

If you’ve been following my posts you’ll know that this series involves a lot of setting curved shapes into background fabric.  This early one, called ‘Dreamtracks’ is a good example – the shapes are very small; when you consider this is a 30 cm square quilt, those patches are about 2cm – 4cm across.   Actually I don’t think quilted things this small deserve the moniker ‘quilt’, but this one is currently showing in a collection of 30cm quilts being seen in Australia, The Kimberley Dreaming Collection – I’m not sure where it is right now, but Dale Rollerson or Elizabeth Dubbelde will know 🙂

Dreamtracks Kimberley Dreaming entry copy blog

 

The smaller and tighter the curve, the more pins I need to keep the cut edges of the shapes together for sewing!  With the machine sewing very slowly, my right hand darts back and forth, pulling pins and pushing them into the pin cushion centimeters away, just out of the range of this photo.  Like a lot of  really improvisational piecing, it’s very painstaking, but worth it, imho; and made a bit easier with the machine located in a well constructed in the  sewing table by our friend Dennis, so that the machine bed is mol level with the table top.

the tighter the curve the trickier!

 

 

Linking in this post today to  http://ninamariesayre.blogspot.com/

Quilting Adds More Glitter

Wednesday, August 26th, 2015

Even with an interval of a couple of weeks and images taken by different cameras with different lighting, the same section of the work I’m almost finished quilting is comparable., and I’m thinking I like the totally smooth image on the left better than the other … nah, not going to undo it!  Now I’m going to add a couple of horizontal lines along the several bands of pain colour, bind and then it will be done.
BB 7 blog

Photographing Quilts In The New Series

Friday, July 31st, 2015

Kimberley Dreaming pieces collage blog 2

 

I’ve just set up a photography date next wednesday with my photographer here, Eduardo Baldizan, who has photographed all my work done here, and is great to work with.

Unusually  for me, the bindings and sleeves of three are already properly finished.  Many’s the time I’ve hastily basted these things in place at the last minute for photography – you can’t tell from the front, and I am by nature a bit of a last minute wonder.

And as usual, there’s the lure of a  last minute pressure buzz – I have several days to attempt the next one that I’ve been mulling over while I make # 6, and think I’ll make a dash for it, beginning in just a few minutes.  If its a wet weekend, as expected, I’ve got bags of time …  the entry deadline’s not for another week yet!

The Inspiration of Landscape Forming Processes

Saturday, July 25th, 2015

Many years ago, I found inspiration in volcanic activity which resulted in two quilts with design lines reflecting the ballooning and layering of molten lava emerging under the sea, and both  carrying the title ‘Pahoehoe’  as this particular resulting landform is known by earth scientists.  (with apologies for the quality of 20-year old  technology photos)

Pahoehoe

Pahoehoe  #1,   1995,  80cm H x 70cm W  is irregular shaped and photographed against a black background.

Pahoehoe 2

Pahoehoe #2  1997  is 12cmH x 13cm W and hangs against a sand coloured wall in our home in Australia.  I do need to photoshop this pic and remove the blue-ish background, because those patches of blue in the middle of the quilt are actually faced holes, openings.  I should have named it ‘Tricky’, perhaps.

Browsing around Pinterest,  as one is want to do with saturday morning coffee, I was thrilled to find this beautiful silk wall hanging on the artist Petra Voegle’s blog site   It was interesting to see that we’d found inspiration in the same natural force process.

Pele by Petra Vogle  blog

Titled “Pele” (from her Hawaiian Symbols series)  48″ x 17″  (c) Petra Voegtle.    She writes about the significance of Pele, the god, not the soccer playing legend – so click the link and go visit this lovely site. (which has lain dormant for some time, however)  There are some intriguing detail shots if you follow the link below the pic on her page.  She calls her process ‘silk carving’  but from her description, for my quilter readers she’s talking about a whole cloth quilt.  It’s stunning, perfectly capturing the drag and flow of the lava’s movement out across the landscape.

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