Posts Tagged ‘lines’

Ebb & Flow #26

Wednesday, January 10th, 2018

It’s uncharacteristically over the top early for me, but today I finished my donation to the 2018 SAQA Benefit Auction in September – and the call for entries doesn’t even open until February!   I’ll mention it again closer to the time.  This also means that my catalogue of quilts ius up to date.

Ebb & Flow 26    2018,  12″x 12″.  2018 SAQA Benefit Auction

The annual auction of these 12″ squares raises funds to assist in the promotion of quilted textile art known as art quilts.  I’ve been collected but I myself have never collected them, yet I’ve seen some lovely groups of them recently in a couple of homes.  I always make mine with a hanging sleeve attached that can easily be removed if the piece is to be framed or mounted on a canvas covered stretcher frame, as many collectors display them.

 

 

Do Art Quilts Belong in Quilt Shows?

Tuesday, January 9th, 2018

People love quilt shows, and flock to them whether in a regional agricultural show or a major city or state gallery.   No matter the source of inspiration or the pattern used, producing any quilt requires a certain amount of creativity and perspiration.  Despite the similarity of tools, many of the processes, and many of the raw materials used to produce all the different kinds of layered textiles, it’s a mistake to assess them as equals in every way.  Carrots and radishes, quilts and art quilts, yes they are alike, but different.

It’s over two decades since quilt show organisers began including art quilt sections in their events.  Years ago when I still belonged to a traditional quilt guild, as a known art quilt maker I felt it was important to participate by entering the guild’s annual show when for the first time it offered an art quilt section in the annual members’ quilt show.  A contemporary quiltmaking subgroup of the guild had formed a couple of years earlier, and there was enthusiastic interest in experimenting with techniques, materials and ideas beyond the range of traditional quiltmaking.  The entry form asked for the inspiration source for the quilt design – so I submitted a photo I’d taken of a ceiling in some caves nearby, and handed over my quilt, La Cueva (spanish for The Cave)  In quilt shows, the quilters expect and usually get some kind of technical comment back from judges, though this is not the case in art quilt exhibitions.  My quilt came back after the exhibition with a judge’s comment along the lines of  –   ‘The wavy lines are most distracting’.

La Cueva (The Cave)   1998         150cm x 130cm

Hmmm … the photo I took of the cave ceiling with roots and stalactites hanging down was the inspiration for the repeat units I combined to make the quilt.  That dismissive comment highlighted to me that the person chosen to judge the art quilts was not seeing these works as ‘originally designed art’ and really did not understand the difference between an art quilt and a functional bed or wall quilt from a traditional design or commercial pattern.

So the answer to my question is, no, I don’t think art quilts have a place in quilt shows.  Many textile artists differ with that view (for valid reasons to do with their own practice and marketing) but eventually it’s a personal choice about where to have your work seen, and sometimes a difficult decision.

The SAQA Online Auction Begins Tomorrow!

Thursday, September 14th, 2017

“Whirlwind”,  2017.    12″ x 12″ ,  30.5cm x 30.5cm

Tomorrow, September 15th, is the first day of the annual SAQA Online Benefit Auction.  This year, for the first time, this first day is Diamond Day, on which every quilt offered for auction this is for sale at $1000 per piece – a wonderful opportunity for one of my collectors to secure this piece, “Whirlwind”!  Diamond Day opens at 2.00pm Eastern Time USA, tomorrow, September 15th – which is 22 hours from now as I write.

If it’s unsold on Diamond Day, my quilt will be offered 18-24 September in Section 1  (scroll to row 3) There are some wonderful pieces in this section, so as it’s a reverse auction, don’t linger indecisively too long! Anyone, anywhere, can participate.  For more information on how to purchase a quilt in the auction go to Bidding guidelines and FAQs

Following A Trail – aka Making Samples

Saturday, July 22nd, 2017

Earlier this week I had a studio visit from local textile artist Lilian Madfes, and while she was here I gave her a demo/lesson in the basics of freehand patchwork piecing   Next week I will go to her studio for her demo of the basics of silk painting, at which she is a master in a very creative way.  When I had given her plenty to use to explore the technique if she wishes to, I talked about the dome-like shapes I often use in my designs and showed her how I do one.  Sewing it up therefore made it a sample – and my readers know I’m keen on samples for trying out any new ideas and materials!

That first one is on the RH end of this pic.  I liked it, so made more, and love where this is apparently going.

Making Dots – Samples

Sunday, June 11th, 2017

During the last 2 years some of my works have had the added surface design element of painted dots. These were applied by hand, using a cut-off paintbrush, but it could easily have been a cut off green twig as used by various peoples who use dots as a signature element of their painted designs, including Aboriginal Australians.  However applied, no one has a lock hold on the use of dots, so I don’t feel there is a problem with my using them in this way around my own original design shapes.

Last time I was in the USA I was thrilled to find some plastic bottles with applicator tops that I really thought would revolutionise, ie streamline, my application of dots of paint on the designs in which I wanted to use them, and happily paid a few dollars for a set of 6.  As always when trying something new or different, I did a sample.  In the next photo, paint and cut-off brush are placed near the applicators containing thick and thin versions of gold paint, and the sample piece on which I used both paints.  The result on the 6″ square of black featuring pieced-in colours, and easily show that  (1) either I need a lot more practice using the applicator bottles, both thick and thin paints, or (2) I need to go back to using the sawn-off brush to apply paint such dots in future 🙂

In the past couple of weeks I have viewed s0me TextileArtist.org videos, with the following take-away points that I totally agree with.  To develop one’s vocabulary of textile art techniques, a would-be artist needs to focus on experimenting to discover possible variations, no matter how limited the range of  techniques or stitches that person knows.  Making samples to ‘see what happens’ is vitally important – this is one of my soapbox topics! 

The key person in  TextileArtist.org is Sue Stone, who studied with the legendary Constance Howard for several years, and that influence shows.  I feel it myself, as I count myself fortunate to have been in a 4-day workshop taught by this now deceased, legendary, British embroiderer, in the Outback Australian mining town of Mout Isa, where I lived at the time.  It was either 1979 or 1978, a long time ago.  How we came to get her to stop over for a few days on her round-Australia teaching tour, owes a lot to Ailsa Bray, the intrepid secretary of the local embroiderers’ group in that town at the time.  Having snagged the booking, Ailsa asked the tour organisers “When the flight arrives, how will we know which passenger she is?”  The answer, delivered with a slight chuckle was “She’ll be the only passenger with green hair.”…and so it proved to be!  Amazing for the times; but once we had been in her presence a few hours, we all forgot about the colour of her hair and found ourselves totally focused on all that his amazing woman could teach us.  Her influence stays with me still, absolutely.

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