Posts Tagged ‘keeping a record’

UFO Or Sample, Terminology Or State Of Mind?

Tuesday, November 6th, 2018

We’re  nearing the end of the year 2018, and though it’s a bit early to be thinking about the life-changing New Year Resolution just yet, another thing I tend to do as the Spring moves into Summer is a bit of tidying and a bit of chucking out, though really, if I’m honest it’s more like just moving stuff about a bit.  My summer clothes and winter clothes certainly do need to be swapped between cupboards, and any day now would be good.  But in the sewing room (I think it’s a bit pretentious to call it ‘my studio’) I tend to declutter my pin board and put away all samply-UFO things that I’ve really stopped ‘seeing’ and thinking about.

We artists all know some perfectly valid reasons why you can lose a sense of excitement over a project, and at such times the smartest thing mental health thing to do is call it a ‘Sample’ and put it wherever your samples go.  Mine go in a large opaque shopping bag.  I really don’t have many UFOs precisely because I do make samples to explore design or technique.  But once every few years, I jump right into a project, then have second thoughts.  At that time I decide the UFO is a ‘False Start’, and put that in the samples bag, too.

Now, if the UFO has become a rather advanced and possibly large project of fabric thread and you’re deciding to abandon it, I advise you be honest with yourself, suppress any guilt feelings, and select one of these options.  First, you could start referring to it as an ‘Ongoing Project’ as you put it aside for a while – but this does come with the implication that work has merely paused, not stopped.

If that is not true. or if it has been paused for so long that you know you have really abandoned it, you could consider cutting the UFO into dog-basket sized pieces, back each with some cosy flannel and edge with a machine sewn binding.  This is something useful for the family pets or gifts for your friends’ dogs.  Cats, too, like quilty mats, and you might find one of these useful in training a young cat where it is permitted to drape itself in your home and to help it develop a sense of its own special place.  (Key word ‘might’)  With a multiple UFO problem, you could make up a whole batch and donate them to your local animal rescue centre….getting rid of the UFOs and your guilt in one fell swoop.

Finally, I have heard of some makers cutting up their ‘false starts’ or advanced samples and using them in other, new, quilts.  I think that is an extreme and unsatisfactory solution, because the influence of the failed false start will always be there, enabling continued denial and showing that to some extent the sample/false start is controlling the maker.

Oh, and the pic above – just a snippet of a small sample of something which didn’t actually go further, as many samples don’t.

 

 

 

Browsing On Pinterest

Wednesday, May 9th, 2018

My readers know I dip into Pinterest every now and then, sometimes browsing and procrastinating for hours; but this morning I was a little ahead of my loosely imposed daily schedule so took ‘only a few minutes’ …. then felt moved to write a little on this, create and resize a collage pic to illustrate this, and so really, nearly an hour has flown !  But shortly I’ll head back to more quilting on the one I’m half way through.

To me, Pinterest is an ideas source, just like what journalists call a morgue – collection of files and clippings for reference.  I’m so glad I don’t have bulging drawers of paper clippings gathering dust somewhere – thank goodness for computers.  I watch out for interesting edge treatments, presentations, lines and shapes, contemporary hand stitch, holes, and a few other categories for which I have boards.  I just checked and among the 13 boards I have one for recipes – which I really don’t collect at all, hardly ever consult the cookbooks I have, and instead focus either on family favs or on the spot creativity.

With the exception of the broderie lace upper right, included because I own it and it inspires me  (holes) the other sections on this collage are samples I have probably tried out for reference having seen something relating to them on Pinterest.  This morning  I saw and saved some contemporary hand stitch that reminded me of mending, and several  things on paper which took me browsing into a couple of interesting bloggers’ sites that seem to have been abandoned several years ago – that’s always a bit disappointing.  But, hey, Life intervenes at times, and I’ll look further to see if they are still producing, perhaps in another medium.  But my hour’s nearly up, so that’s all for today 🙂

My Three ‘First’ Quilts

Sunday, March 11th, 2018

I am not going to go into the complicated detail of this claim though – it’s long and complicated; I just want to post the link to this post on FB, which for some reason tonight doesn’t seem to want to allow me to post all three to illustrate the point I’m making in an exchange there 🙂

Distant Shores 1987

First Day on The Slopes  1988

 

 

Ancient Expressions 1  1988

 

 

 

Rediscovered, 2011

Wednesday, February 28th, 2018

The illustrated catalogue I have just done of my works showed up a couple of gaps in my documenting, as although I thought I’d finished it, I just came across a photo of this piece, which I finished in 2011 just as a dear friend was leaving the country for South Africa and wanted to buy it.  So though it is in the Ebb&Flow series, and I didn’t remember to list it at the time, I have done so now.

Untitled, 2011, 60cm x 25cm  approx

At that time I was including burned synthetic fabric ‘lace’ in many of my works, and this one features plain black against black nylon organza, then the glittery layer lies behind five segments of pieced fabric – from memory each of these was quilted, but I’m sure Bradley will let me know some time. I really like how the lines in these five sections flow, and this piece is on my mind today.

Embarrassing – Help Anyone?

Saturday, January 6th, 2018

Compiling the illustrated catalogue of my art quilts over the past 30 years is interesting, and I’m now about 3/4 through and enjoying this challenging project.  There have been one or two surprises, and this little wall quilt is one of them.  When I came across the details “Forest Floor, 2000,  55cm  x 46cm” in my list of quilts, it took a bit of scrolling through a folder of earlier quilts to match these details with an image which had no caption – of a small wall quilt which I simply did not remember making until I recognised some of the fabrics, the style I’d often used and the undeniable evidence of this photo I took at the opening of my solo exhibition at The Embassy of Australia in Washington D.C., June 2005.  I guess I must have finished it shortly before packing to go up to USA without leaving enough time to take it into my photographer Eduardo Baldizan’s studio, because I have good photos of everything else in that show.  My record says this is Miriam, standing with presumably her young daughter beside the quilt, and that she bought it that night.  My embarrassment is that I don’t remember Miriam’s family name!  If anyone recognises her, I’d appreciate your letting me know who she is.

 

 

 

Translate »
%d bloggers like this: