In the 80’s several friends tried to get me involved in quilting, but I resisted, saying I didn’t have time, which was true at that time – creative embroidery, stitch, was more important to me. I’d had attended several fabulous workshops by inspiring teachers, and was using stitch (hand and fme) with paint and found objects to express my interests in landscape. I was invited to have my first solo exhibition, Sunburnt Textures in 1987; and at the end of that year we relocated to USA for a while. Through a new neighbour, Carol, I finally met traditional American geometric patchwork, an intense affair that dominated a large part of my life for a couple of years. However, that ended amicably enough when I was introduced to improvisational piecing, IP, and I haven’t looked looked back since.
I still carry several enduring marks I’d call influences rather than scars, the most obvious being use of repeated units of surface decoration (traditional ‘blocks’) in an overall design of rows. Other artists who share my love of grids include a favourite, Agnes Martin, Guillermo Kitka, James Sienna, Sol Lewitt, Sean Scully and Chung-Im Kim, about whom I wrote http://www.alisonschwabe.com/weblog/?p=4419
The first sample, on the left was a quick demo to show artist friend Lillian how easy IP is. Excited by this little sample, after she left I made a few more. However, a particular technique doesn’t necessarily translate to ‘a work of art’, and those samples sat on my wall for nearly a year. I gave them regular, thoughtful attention, but nothing clicked until after I’d watched the 2017 eclipse of the sun in Colorado.
Staying with our daughter Anna in Greeley CO at the time, in an area expecting to be in about 80% partial darkness, and with UNC classes cancelled for the day, the obvious thing to do was organise an eclipse party with fellow UNC grad students.
Even in the C21 in a modern civilisation, that silence of birds and animals which descends as light disappears or fades at the wrong time of day feels strange, eerie, truly awesome. To the ancients on all continents, eclipses of the sun and the moon, and the transit of comets and planets across the sky, and their regular appearances on different cycles, were mysterious and sometimes fearsome events, often a pretty handy tie-in to primitive religious beliefs. I remembered a TV documentary Sweat of The Sun,Tears Of The Moon seen 30+ years ago, and this brain activity led to my 125cm x 60cm diptych by that name. It will be at the 2019 Quilt Festival in Gramado Brasil in the masters(teachers) exhibition: because of course, that is where I will be teaching in 3 weeks’ time.