Posts Tagged ‘deconstructed circles’

The SAQA Online Auction Begins Tomorrow!

Thursday, September 14th, 2017

“Whirlwind”,  2017.    12″ x 12″ ,  30.5cm x 30.5cm

Tomorrow, September 15th, is the first day of the annual SAQA Online Benefit Auction.  This year, for the first time, this first day is Diamond Day, on which every quilt offered for auction this is for sale at $1000 per piece – a wonderful opportunity for one of my collectors to secure this piece, “Whirlwind”!  Diamond Day opens at 2.00pm Eastern Time USA, tomorrow, September 15th – which is 22 hours from now as I write.

If it’s unsold on Diamond Day, my quilt will be offered 18-24 September in Section 1  (scroll to row 3) There are some wonderful pieces in this section, so as it’s a reverse auction, don’t linger indecisively too long! Anyone, anywhere, can participate.  For more information on how to purchase a quilt in the auction go to Bidding guidelines and FAQs

Deconstructed Circles For SAQA’s 2017 Online Auction

Friday, April 7th, 2017

The annual online auction to benefit SAQA, Studio Art Quilt Associates, comes up again, opening on September 15th and continuing through October 8th.  I’ll be reminding you closer to the time, of course.  For further information and updates including some of the works already received, go to SAQA’s website  Right now several hundred SAQA members including yours truly are preparing their 12″ x 12″ donations, and over the last few days I have almost finished mine – shown here with quilting in progress:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Excess fabric and batting will be trimmed off once the quilting is completed – and yes, I do darn in the ends as I go!  I may do a fine black binding, but will audition other coloured fabrics anyway, just in case one of them adds a bit more zing.  This is the third in a deconstructed circles theme that has emerged in the last few weeks, and I’m pondering a more meaningful title for what is clearly becoming a series – as ‘Deconstructed Circle #3’ is a bit unexciting.  I’ve started a list, with entries such as ‘Whirlwind’, ‘Cyclone’ and ‘Tornado’ under consideration.

 

 

‘Maelstrom’ 2009  was my first deconstructed circle design, to which I have turned again, and maybe it is now the first of a series of that name; meaning the one I’m nearly finished would be #4, but maybe I’ll come up with something else.

 

Deconstructed Circles

Tuesday, February 28th, 2017

Someone commenting on my latest work said last week wrote “deconstructed circles are popular now”, and she’s right, they are appearing in more art quilts, though I’ve been using them on and off for some time.  For someone who loves grids and works freehand the way I do, the deconstructed circle has great appeal as a design unit, as these two works in progress show: early stages in the construction of Maelstrom (2006)  left, and Anna’s Quilt (2008) right respectively.

 

 

 

 

 

 

 

 

What new work? you might be wondering.  True, it’s been a long time since I blogged, chiefly because I wasn’t creating (not even sewing hexagons) during a long illness late last year and the subsequent recovery period.  But recently I’ve found mental+physical energy coinciding, and have begun exploring ideas that have been on my mind a while.  I’ve keenly followed the the rise of  the Modern Quilt Movement with light clear colours plus greys and white that are so appealing to many that they are even beginning to populate traditional designs.  MQM’s website calls this overlap ‘modern traditionalism’, I just noticed.  A favourite Uruguayan artist, Mario Giacoya uses wonderful greens and yellows with small amounts of other light bright colours in his many rural landscapes.  A primary influence in my work is still landscape shapes, and earthy Australian colours, but I’m finding I’m wanting more ‘light’ and ‘bright’ in my work.

 

 

 

 

 

 

 

 

 

 

Although I’ve used the unit before, and am always happy with lines that don’t connect, I drew a diagram this time to emphasise that I’m thinking of some units having many lines of fabric in them, others few, one or possibly none, and I’m still mulling over that and will continue as the work proceeds.  This sample has more in common with Maelstrom above as the arcs are segments of colour.  My sample shows a complex set of them.  These were a bit tedious to make, but I’ve been thinking about this too and will rationalise and synthesise what I learned in this sample making stage:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

When sample making I normally just go as far as I need to learn something.  But this one I finished and bound because I plan to hand it on as a gift, hence this documentation.  I still have to think about

  • hand v machine quilting ?
  • any role for glitter here ?
  • what about dots?
  • And what a shame I only bought about 20cm of this wonderful striped fabric …
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