lace samples, and writing.

October 30th, 2006

More interesting samples – this time showing their age plus dust, and the workmanship is even through all samples.

This group was given to me by a friend who found quite a lot on a market stall.
They are all on fairly fine cotton squares which have been hemmed by machine, and each piece is also backed by aging cream tissue paper whiy I am not sure. The whole lot of them are white on white samples.

The whole bunch, about 14, has been held together in one corner for some years by a large safety pin which has rusted in place.

And several of the designs are the same as I have already in my collection, which speaks of some kind of curriculum to a course of study at a school, college or institute.

This one, of quite pretty lace-ribbon embroidered flowers, is unusual and I really like it…. the rust stains over it say something about where it has been stored all these years….could be the beginning of an interesting little writing exercise. Posted by Picasa

Quilters workshop in Montevideo

October 24th, 2006

This is a group of 4 Uruguayan quilters who came to my house last saturday for a workshop on the basics of freehand cutting and piecing, otherwise known as improvisational piecing, an amalgam of the work of Marylin Stother of Canada, Nancy Crow of USA and the tool-free methods of fabric piecing by the Afro American quilters which were studied by Nancy herself and others such as Eli Leon who wrote “Who’d A Thought It”.
As the perfect technical framework for the mass of work to be accomplished by students in her colour and design classes, the method for this quick and easy construction has been taught far and wide byNancy, and many others since, with the result that it has become a new tradition in quiltmaking having been taken up by traditional, experimental and art quilters alike. There are countless examples now appearing in catalogues of contemporary quilt shows in countries such as UK, USA, Canada, Australia, Germany, France, Spain, South Africa, New Zealand, and wherever else the teaching goes or exhibitions travel it will emerge shortly after. So, I look forward to seeing how it emerges here, since the students were very keen, and worked very hard.

In the above sample, the heap of 4 pieces of fabric, all right side up, cut through three times to produce these 4 blocks will be recongised by anyone who have ever done this kind of workshop or construction. We moved on to strips and slivers. It is always a pleasure to teach to people who are keen to learn what you have to show them.

I learned that my studio could have accomodated one more student plus machine without being a squeeze, that I like having the extra trestle table up (dangerous precedent, Wendy?) and that I can easily get used to having quilting on one, piecing out on the other table still have my cutting table free…. theoretically. Posted by Picasa

Refurbished oldies glitter again

October 22nd, 2006

Because someone I met recently was interested and asked me to blog these, after I was talking about the amazing Gold Treasure wax, well, here they are. Gold tennis shoes, bought in London 1992, ( by Grant, a brand well known in UK I believe) after a lot of wear these looked quite dull and shabby especially around the toecaps until I tackled them with the gold wax. I’m thrilled with the result, because these really comfy shoes have a new lease of life, plus they cost a serious amount and so I was not keen to let them go even though they’d “lost it”. At the time I bought them, I was having some foot problems, and my doctor said I really should be wearing joggers as much of the time as possible…. and that did not sit well with me even though it promised comfort and better foot health. And that very month or so, on my first ever trip to UK, these just stopped me in my tracks as I browsed my way down past the shoes shops in Old Bond Street. I think the time I really felt them do well for me was years ago when the doorman at Caesar’s Palace, Las Vegas, who even back then must have seen it all before, offfered the unsolicited comment “Oh maam, I love those shoes”; basically they are “me” and I always feel good in them. Thank goodness glitter is big this year in conservative Montevideo, lots of glittery beads everywhere, and beautiful earings, and it extends to a lot of glitter on shoes. These maybe still a bit extreme for here, but they are going to be worn, and indeed have been, the other night to a concert of Mozart played by a visiting french orchestra in the wonderful Teatro Solis.

OK, this is a textile related blog for the most part, and these do qualify – beneath the side panels of glitter is actual yellow canvas to which the glitter is glued, or now starting to be not glued to, but enough is still hanging on there. Another textile aspect is the new laces I fashioned by twisted cords made from a lovely soft beige coloured, um string, really, with several gold strands entwined, too. Posted by Picasa

A delicate segment to prompt the brain along

October 17th, 2006

This is another of the lace samples I found in the markets at San Telmo while we were in BA a few weeks ago.

One of the themes of the South Project was how vital is the role of story telling in cultural connections and in coming to terms with the past there are stories to be told before constructing in the present. I did a short writing workshop with Ian Gedde NZ and Tony Birch, Aus, where a found object became the trigger to a piece of writing, not about the object itself, but a trigger to write some kind of story.

With this in mind, I think I have always been aware of these samples being a connection to the past, and valued them for that. But up to now I have not thought about their full potential to me and my inner creative self.

At least someone asked me what I am going to do with them – and more than ever I feel ‘nothing’ except go on collecting them. Several quiltmakers have suggested I make a quilt design using them all… nah, just going to let a few ideas swirl around in the cranial cavity for a while while I collect them and occasionally take them all out of their box and run them through my hands…. Posted by Picasa

Accepted for Quilt National 2007

October 16th, 2006

The day I headed out to South Project in Santiago, I got news that one of my new quilts with leather appliques has been accepted into next year’s show. I had the mountain of forms to fill in and the quilt to rush off up to Athens for photography for it all to be there by October 13th – that is really tight for international entries being accepted – maybe there’s good reason, but I wonder if they might loosen that. No pic here or on my website yet, because of course publishing it anywhere will preclude future participation, so I’ll arrange for a pic to go up after the Memorial Day opening weekend next year. It’s hard enough to get in, without shooting yourself in the foot that way. I was accepted for 1993 and 1995, and have entered every show since then, but without success until this year, so I am really thrilled, and of course will go up to the US for the opening and be part of what is always a special weekend – the Dairy Barn people treat exhibitors like royalty, and although Hilary Fletcher will be sadly missed this time, I am sure great and possible new traditions will continue and emerge around this very prestigious show.

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