March 9th, 2007

A ceramic pot from Margaret River W.A. artist, Helen Foster.

This beautiful sandy surface texture could be coastal or inland salt pan inspired, most of us have experienced and relate to at least one of those. (well most Aussies have, anyway)

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March 9th, 2007

A ceramic pot from Margaret River W.A. artist, Helen Foster.

This beautiful sandy surface texture could be coastal or inland salt pan inspired, most of us have experienced and relate to at least one of those. (well most Aussies have, anyway)

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Earthy Inspiration Continued

March 9th, 2007

As a follow-on from the previous posts of artists using the earth in some way as inspiration source for their work, I’d like to show the work of my friend , ceramic artist Helen Foster now of Margaret River, Western Australia.

For all the 30 plus years we have known each other I have admired and watched her increasing focus on the objects, textures and colours of the landscapes in which she has found herself. To me it is trite to say her ceramic forms ‘are decorated’ with the colours and textures of the surrounding landscapes: because all of the shapes are inherently organic, and the applied lines, textures and glazes are integral to the whole, not just ‘applied’
.

Helen was working as a draftsman when we met, and certainly that background is evident in the isobars on the surface of the mustard gold pot in the rear. The plate in the foreground is like a chunk of sunbaked and cracked mud around a dried up waterhole, plenty of which are found most years out in the Eastern Goldfields of WA and throughout much Australian Outback. Rain comes, wets, soaks, floods, eventually evaporates, the land dries rock hard and finally cracks under the hot sun. It is a texture Helen has often applied to her earthy pots, occasionally adding specks of metallic glaze down in the cracked area to suggest hidden wealth being revealed, as it often was/still is after a heavy rain out there in the Goldfields.

To find oneself, as I have on more than one occasion, down on hands and knees searching for small nuggets in still-damp red-brown earth after the rain is to understand what the term Gold Fever” means. It is real, and over time probably an addiction.

Helen’s eye for fine detail can be seen in the following two pots. I photographed them in her Margaret River studio about 6 months ago, and look forward to going back again sometime soon to see what she has been producing since then.

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Stunning and Dear To My Heart

March 7th, 2007

This morning, I was browsing around the Southproject site, looking for news of the upcoming gathering in Johannesburg later this year, and learned although they are still working on it, it will be in October, which is good enough for the time being. After Santiago last year I would love to go so will try.

Anyway I followed this link Earthmarks – exhibition by Jeanette Unite and found fabulous glass, paper and paint works expressing her passionate interest in the industry of mining in her country, which of course is massive and produces a lot of wealth for South Africa. Mining is exploitation of the earth’s mineral resources… a two-sided coin, it brings wealth, but can leave costly problems if, as in the past of countries with long mining histories there was little attention paid to rehabilitation following exploitation. I think Jeannette’s Earthscars is a gloriously emotive term, and wish I’d thought of it.

Here in Uruguay there is little mining, because there has been little systemmatic modern exploration for minerals. And yet knowing how this continent and western Africa were once joined along the coast placing Uruguay’s coast neatly fitting that of the minerals rich area of Namibia, it makes sense that serious searches here will eventually discover viable mineral resources. Historically the spanish, french and british through small mines and long outdated technology did produce some copper, silver and gold, but today there is just one modern gold mine in the central north between Tacuarembo and Rivera; and beautiful amethysts and agates come from the northern province of Artigas. Fabulous marble and granite is found here, and was quarried until recent times, but the finishing costs became too high, and the industry has subsided. Many older buildings around Montevideo and the country are fitted with simply beautiful Uruguayan stone from yesteryear; today marble and granite are still widely used in modern homes and offices, but the stone comes in from Brazil, much cheaper.

Another Earthy Site

March 7th, 2007

Another site I wandered into this morning while browing in the southproject links list, is this one, at first glance cute and crafty, but the message is anything but a cute commentary on the state of the world today: Las Piedras Rodantes Parlantes or to put it in english, The Talking Rolling Stones. With global climate change and the politics of water I find myself marvelling at the foresight of whoever it was who predicted that any Third World War would one day be fought over water.

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