Archive for the ‘General’ Category

A Wall Quilt Featuring Botero Prints

Sunday, February 15th, 2015
botero wall quilt_blog-1

I will probably never put this on exhibition, but if I had to give it a title, this wall quilt would be called “Homage to Fernando Botero”  which I finished in early 2015.   It now hangs in the bano social in this house, where odd ceiling angles provide the perfect spot – ironically above the loo which Fernando Botero himself is never shy of depicting in the background to a figure when appropriate.

botero wall quilt

Mike and I are devotees of the Colombian artist Fernando Botero who Wiki introduces as the most recognised and quoted living Latin American artist today, and continues “His signature style, also known as “Boterismo”, depicts people and figures in large, exaggerated volume, which can represent political criticism  (Abu Grahib drawings and paintings) or humour, depending on the piece.” Just google his name and you’ll find a wealth of images of his sculptures, paintings and drawings – and of the artist himself.

One of my very favourites in the work with humour group – (he has mostly stayed away from political comment via his art)  is his  Mujere Con Pajaro / Woman with Parrot, seen here in my photo of this framed pastel drawing – unfortunately the glass and gallery lighting caused a couple reflections.  (but googling you can find a couple of images, neither of which have good colour)

botero's girl with parrot

There is such a lot of wonderful detail in this portrait of a woman –  the dress is gorgeous, her nails and jewellery are meticulous, the parrot is there on her shoulder of course and he’s green, matching her dress.  She’s pouring a drink for herself and whoever is just out of the picture.  The most eye-catching  thing about he, I think, is her turned eye, pun intended …. yet he called it ‘Woman With Parrot’

A couple of years ago we went to a fantastic exhibition here in Montevideo of his  pencil drawn still lifes and portraits, which prompted me to contact a dealer… and I learned I’d need to win the lottery to buy one, and so I will if I ever do!  In the meantime we have to make do with the catalogue of that exhibition, and personal visits to his work whenever the opportunity comes up, for he is widely represented in major museums and collections around the world.

botero's adam and eve bronzes web

When we visited Colombia in 2014 we found his work everywhere – there are huge bronze sculptures in plazas, gardens and museums, paintings and drawings in art museums, and we even found some delightful small inexpensive small giclees, in an artisan market in the historic city of Cartagena.  We bought a few of them as souvenirs, looking in vain for one of the woman with parrot, but anyway we love the ones we chose to bring home and somehow display.  Instead framing them individually, I eventually decided to ‘frame’ them together in a fabric wall quilt, and hang that.   So it is now installed where we can enjoy some of his art every day, and those of you who are in Montevideo and visit our home occasionally, we hope you’ll enjoy it too!   

Love Affair With a Special Fabric

Saturday, February 14th, 2015

A very special fabric and I were first introduced in 1990, and I’m still in love with it.  Its a cotton,  printed black with irregular tan coin spots, designed by and American designer, Jennifer Sampou for P&B Textiles in the early ’90’s.

 

I was living in the US when it was released, loved it at first sight and bought some on the spot realising it was the perfect border and sashing for this quilt, below, I was making at the time. “Through The Windows of My Mind” 1990, 256cm sq. became one of the earliest  Colour Memories quilts, inspired by the vegetation colours and landscape features of the remote tent camps we lived in for a couple of field seasons in the Northern Territory. This time, 1975-6, I now refer to as our Tent Period, and to me this quilt says it all.

Through The Windows of My Mind blog cropped-1

Several years later, I saw this fabric remaindered somewhere in the USA at $3/yd, so naturally I bought the remaining half bolt.  Although this fabric design was released in several colourways, the tan/black certainly is evocative of Australia’s sunburnt landscape and our national sense of colour; plus clearly in the minds of some it also referenced the dot paintings of some of our indigenous artists.  As Jennifer and her range were clearly American I am sure this is happy coincidence, and I think the black/tan colourway was actually too hard for American quiltmakers to use with their totally different ‘national colour palette’ – no wonder it was remaindered, imho.  Having about 9m of this fabric now, I began work on this 2m sq work, “Desert Wind” 1995, and I wish I had $1 for every time someone said something like “Oooh, so you do Aboriginal quilts, too !!”

Desert Wind copy blog

I understand the comment of course, but it’s never been said about this next one though, which to my mind might be more deserving.  Its title “Kimberley 2” 2002  90cm x 110cm refers to the Bungle Bungles rock formation located in the Purnululu National Park  up in the Kimberley region of Australia.

 

Kimberley 2 blog

 

I also used it as a background fabric to the blocks in this next quilt, “New Directions” 2002  96cm x 84cm    in which the lines and arrows represent people coming to our ancient continent from all directions over its entire  human history: the black/tan of course here signifies the original immigrants, our indigenous people who crossed the land bridges from Asia  perhaps at least 60,000 years ago.

New Directions blog


I still have about a metre of the fabric and eke it out,  and there are plenty of small bits in my scrap bag so pretty well every Ebb&Flow quilt has a little in it somewhere.  Some of it went into a bed quilt for our daughter a few years back, and there’s some on our bed, too.  I kick myself when I think of the 4 metres I used on the (never seen) back of “Desert Wind” .   I guess I naively assumed at the time that such a marvellous fabric would always be available … well of course, I now know that’s not true !   But what is true is that every now and then a fantastic fabric will come into my orbit;  I will instantly emotionally bond with it and recognising it as special, will buy as much as I can, at least 3 metres if possible.  I always make sure I have a credit card or some cash on me when I’m out and about in likely places.  Most important of all, I know I will use it because I love it.

 

Reading At The Moment

Monday, February 9th, 2015

I read quite a lot, particularly when you take into account the audio books I have playing when my hands are busy quilting.  I have three on the go at the moment, all with a strong foundation of history.

conquistador        Tonight I might finish this fascinating book, ‘Conquistador’ by Buddy Levy, telling of the Spaniard Hernan Cortes’ setting out from Cuba to conquer the Aztecs of Mexico and other groups of people in the region at the time in the quest for new dominions and treasure for Spain. Fascinating and quite bloody,  but I am really enjoying it.   I shied away from history at school because of the incredibly boring teaching style of our history teacher.  Years later, long after I graduated from university without modern history under my belt, I discovered how interesting it really is  – the power of a teacher, good or bad, to influence life choices!

narrow road to the deep northI’ve been reading but was interrupted and haven’t gone back yet, to Richard Flanagan’s ‘The Narrow Road To The Deep North’,   about an Australian doctor who went to war and ended up as POW of the Japanese, working on the Burmese railway to India. It was last year’s Man Booker Prize winner; and such a powerful, wonderful read that I need to put down every now and then to think about what I have just read.  I guess it was at one such point a week or so ago that I realised that as Conquistador is one of the new books in the book club I belong to, it must be returned this wednesday and so I’m focusing on finishing it by tomorrow evening to avoid the late fine 😉

code red    Last but not least, I am listening to John Maulden and Jonathan Tepper’s  ‘Code Red, How to Protect Your Savings from the Coming Crisis’  Definitely don’t put retirement savings in the banks I’ve learned, and taken in a bit about why – so we’re on track there.  A fascinating snippet from this afternoon’s listening  is that the population of Japan is so heavily weighted with seniors and retirees at the top of the demographic table that the population is shrinking or will soon do so, and that in Japan in 2012 sales of adult diapers/napkins outperformed sales of infants diapers/napkins for the first time  !!

Rolled For Transit

Tuesday, January 27th, 2015

Sunburnt Textures 6 is on the verge of leaving  for exhibition in Golden Textures, at the Goldfields Art Gallery, Maryborough, Victoria, Australia, opening on 21st February, and where it will be showing for 6 weeks.  If you are passing through or live in that area, try to visit what sounds like a wonderful contemporary art quilt exhibition.

I really didn’t want the quilt to be folded for the long trip from Montevideo to Maryborough: I wanted it rolled so that after a week+ maybe 9 days in transit it would be ready to hang, falling perfectly flat without any creases.  For some time I’d thought ‘So I’ll wrap it around a pool noodle and pin in place’ .   Silly me though, I made it a bit too wide to squeeze into a Fedex mailing tube (1m) , and I didn’t want to cut some inches off the sides – which could have been done, of course, except that it was professionally photographed  back in November.   However, when I confirmed that it doesn’t have to be in Fedex packaging, I took myself to the neighbourhood hardware store the other day, and bought a suitable length of white polyvinyl pipe 15cm inside diameter, of the finest/lightest weight they had – plus a pair of ends/lids and some duct tape  they happened to have in white –  perfect.

 

 

packing guide photos blog

 

Everything has been labelled with my name – the tube inside and out, the two lids, the quilt, the pool noodle and the grey cloth bag it goes in before being put in the tube. I took pics of the different stages of packing the quilt – collaged several and used this 4-in-1 pic to illustrate the sheet of clear, brief unpacking/repacking instructions I’m enclosing in the tube:

To unpack from mailing tube:

  1. Remove and keep both white duct tape and the lid from one end of the polyvinyl pipe container – NB this tape can be re-used many times.
  2. Remove grey cloth bag – named – please keep for re-use.
  3. From the bag carefully remove the quilt – it has 3-d elements well sewn on, but, anyway, please just be careful!
  4. Remove pins from along the edge – keep these for later by sticking them into the end of the noodle.
  5. Unroll the quilt – notice it was very firmly rolled around the noodle inside the sleeve, with front side facing to the outside of the roll, and this needs to be done at the end of the exhibition, too.
  6. Remove yellow pool noodle from inside the sleeve, and put the rest of the pins into it, place in the grey bag, and return all that packaging to polyvinyl pipe container; replace the lid onto the open end, and save it all for re-use at the end of the exhibition.

 

At the end of the exhibition:    

  1. Take the lid off the container and remove the grey bag and the pool noodle with pins stored on it.
  2. Insert the pool noodle into the sleeve – and secure by pressing pins through into the noodle every 15cm approx. along where the binding meets the orange.(upper left)
  3. Roll the quilt as firmly/tightly as possible, with the front side facing to the outside of the roll.(upper right)
  4. Secure the outer edge with the remaining pins pressed into the noodle. (lower left)
  5. Slide the rolled quilt into the grey bag. (lower right)
  6. Carefully push the rolled, bagged quilt into the polyvinyl pipe, being careful not to damage the 3-d elements – which you might need to press down a little to help them past the lip of the pipe without being pulled off/damaged.

Replace the lid and secure with the remaining duct tape

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I’m emailing a copy of the sheet to the gallery with tracking number for the consignment, and reasonably hopeful all packaging will be kept and used properly to send the quilt to a new owner or return it to me after the exhibition.

 

 

 

 

Fine Strips In Pieced Quilt Designs

Monday, January 19th, 2015

Kathy Loomis’ blog today referred a reader to her 2010 tutorial on piecing very narrow lines into a background fabric, which for some time have been a feature of her work.  She’s not the only one who pieces narrow at times – Lisa Call , Margery Goodall and Alicia Merrett  are among other well known quilt artists who produce great effects with very narrow lines pieced in.   I know Margery well but have never watched her doing her machine piecing;  Kathy described her process in that post; and I have no accurate knowledge of the steps Lisa and Alicia use or in which order, but I would say that they all do the cutting and piecing in different order, and perhaps even with different equipment, as none of their works look like the other – and nor do they look like mine, either!

When I first started to insert strips years ago, I worked out how to get them VERY even, parallel, usually about 1/2″ showing on front, but worked down to narrower strips after a time, as in “Strip Lighting”  1990 – the strips range from  1″, 3/4″ , 1/2″to 1/4″

Strip Lighting

 

Ora Banda 1992 (below L) and Window Onto Bougainville Street 1992 (below R)  are early examples, and you can find full views of these two in my  Colour Memories gallery on this website.  With straight cuts into the background fabric, strips cut exactly parallel, and carefully followed seam allowances, the result is predictable, and was pleasing at the time.

Bougainville St and Ora Banda collage blog

I eventually worked out how to avoid the dreaded bias cuts AND achieve a fair bit of curve using straight cuts from selvedge to selvedge, and it doesn’t even matter if the lines are a little uneven !!    Why? Because, as long as there’s enough seam allowance,  the main secret is that for the second seam I turn the work over and sew that line from the other side, that is, with the strip lying on the sewing table, beneath the background fabric.   

In 1991 I discovered that even straight strips will curve very nicely with proper handling, a learning process that began while making  ‘Lilydale’.  I was in hurry to meet a self imposed deadline, and had trouble with some cuts that came out unexpectedly a bit off, but some of those fabrics were fat 1/4’s of which there wasn’t any more to piece in – so with necessity being the mother of invention, I learned how to manage slightly curved inserts! 

Lilydale

Eventually I  incorporated more pronounced curves with strips, with a good example being Bushfire 4 (2004)  but there are  many more in the Colour Memories gallery. The strips in each are all cut selvedge to selvedge, really, there are no bias strips; and my piecing is as good and flat as anyone’s, anywhere.  These strips were cut about 3/4″ and appear on the front as something less than 1/2″.

Bushfire 4 adjusted blog copy

To make straight strips combine with curves, though, needs a workshop with hands on demo, and plenty of practice –  is is a little more complicated, but it’s not hard.     It took me a while to work out how far I could push the degree of curviness, but ask me to teach in your area and I’ll come and show you what I learned!

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2003 marked a new phase of inserts – with an organic look, often very skinny, too; but its still the same that once you get to sew – the sew-the-second-seam-from- the-back-thing still applies. This is ‘Lightstream’

Lightstream copy blog

and it led to the group of quilts I now label the Ebb & Flow quilts – gallery on  this website with plenty of examples.

 

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