My work always references landscape in the process of change, and the landscape of much of my native Australia has recently suffered the onslaught of ravaging bushfires. I have some things to say, which have begun to appear in my recent work.
My next work will incorporate miniature landscapes, following on from those about which I recently posted, http://www.alisonschwabe.com/weblog/?p=5480
A few years ago I was thinking about these again, took photos of course, but for various reasons I was sidetracked from this idea. The 2014 samples (above) were very quick, totally improvisational, and worked directly from the scrap bag! as there is no ‘pattern’ for this kind of thing. Without being backed (stabilised) they were pinned onto the fabric and sewn down, so are not very robust samples. I think of them as sketches, and therefore very important, as a little fabric piece is the most powerful aide memoire of all. So then we come to this week’s samples:
From these three the following notes are important to me:
- On the left, the black backing (with misty fuse showing) has yet to be trimmed away like the other two.
- Considering the size, it seems unnecessary to form the more distant landscape elements of miniature patchwork – see the difference in the 2014 samples. At this size, simplify to clarify.
- The skies in the right pair are a bit too much for that scale of landscape, perhaps even not abstract enough. I realise I prefer a simpler, plainer neutral sky, not necessarily blue, either, just ‘light’.
- Foregrounds – I will need to be much more selective of the fabric here: the middle one in particular is far too big a print for that role.
- My next move must be to go through my scrap bags again, selecting only plains, subtle textures, hand dyeds and hand dyed look alikes in Australian landscape colours, and light coloured neutrals.
- This means most of what is already out on my table can be bagged up and put away out of sight, less overwhelming.
- These take very little fabric.
- Consider gold, silver, pewter, black or red for the ‘framing’ of these pieces …