{"id":340,"date":"2008-01-19T06:03:00","date_gmt":"2008-01-19T11:03:00","guid":{"rendered":"http:\/\/alison.gloderworks.net\/weblog\/?p=340"},"modified":"2008-01-19T06:03:00","modified_gmt":"2008-01-19T11:03:00","slug":"influences-are-everywhere","status":"publish","type":"post","link":"https:\/\/www.alisonschwabe.com\/weblog\/?p=340","title":{"rendered":"Influences Are Everywhere"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/bp3.blogger.com\/_ZszsUJzUXUE\/R5HY_aSvYPI\/AAAAAAAAAPw\/Ngw1wvTSuFM\/s1600-h\/DSC00174.JPG\"><img data-recalc-dims=\"1\" decoding=\"async\" id=\"BLOGGER_PHOTO_ID_\" style=\"CLEAR: both; FLOAT: left; MARGIN: 0px 10px 10px 0px\" alt=\"\" src=\"https:\/\/i0.wp.com\/www.alisonschwabe.com\/weblog\/wp-content\/uploads\/2008\/01\/DSC00174.jpg?ssl=1\" border=\"0\" \/><\/a> <em><span style=\"color:#993300;\"><strong>This is not a new work.<\/strong><\/span><\/em> I have shown a part of this pic before, in a blog recounting some of the work covered in a Dorothy Caldwell workshop, &#8220;The Expressive Stitch&#8221;. This is the worksheet, the experimental page, on which I explored ideas she presented. (see October 2005 archive) That very stimulating workshop reminded us all that anyone regardless of skill or experience can sew a simple straight stitch, in and out, again and again, without any fancy turns or knots along the way, and grouping them in lines, crosses or randomly, create expressive and possibly powerful patterns of marks on cloth .<\/p>\n<p>I am an admirer of UK textile artist <span style=\"color:#000000;\">Clyde Olliver<\/span>, whose thread marks are not on cloth but on stone. (&#8220;slate or other suitable material&#8221; ) This week I visited his blog<a href=\"http:\/\/clydeolliver.wordpress.com\/\">, http:\/\/clydeolliver.wordpress.com<\/a> and was fascinated by a recent post on current influences in his work. After reading his analysis, <span style=\"color:#ff0000;\"><span style=\"color:#000000;\">I was prompted to consider my own work in terms of &#8216;influences&#8217;.<\/span><em> <\/em><\/span>Everything we admire for qualities of design and craftmanship has influence, and I think <span style=\"color:#ff6600;\"><em>degrees of admiration and influence are in direct proportion to each other<\/em><\/span>. I think of fav. artists from several countries, all of which I realise have added something to my individual sense of colour, design concepts and love of line and texture.<\/p>\n<p>Serious influences in particular come from textile artists and teachers I have encountered. I became interested in &#8216;creative embroidery&#8217; in 1975 in a class of that name; <em><span style=\"color:#ff6600;\">Laurel Fraser Allen<\/span><\/em> really opened my eyes to the enormous variety of embroidery\/stitchery as a craft practised in all cultures. My <span style=\"color:#ff6600;\"><em>mother and grandmothers<\/em><\/span> stitched counted thread work, smocking, needlepoint and &#8216;fancy work&#8217; &#8211; remember the cloths, doilies and duchesse sets on pre-printed fabric? Often sold pre-edged, but Mum and Gran x2 bought ones you needed to crochet your own edges. Then between 1977 and 1980 followed <span style=\"color:#ff6600;\"><em>Cynthia Sparks<\/em><\/span> (own design, consider any thread, any stitch) <span style=\"color:#ff6600;\"><em>Constance Howard<\/em><\/span> I was privileged to have as a teacher for 4 days in Aus &#8217;79 (emphasis: really looking at <span style=\"color:#cc66cc;\">c<\/span><span style=\"color:#ff0000;\">o<\/span><span style=\"color:#33cc00;\">l<\/span><span style=\"color:#3333ff;\">o<\/span><span style=\"color:#ffcc33;\">u<\/span><span style=\"color:#00cccc;\">r<\/span><span style=\"color:#000000;\"> ) and <span style=\"color:#ff6600;\"><em>Meg Douglas<\/em><\/span> ( paint plus stitch, free machined embroidery) The next major textile influence was the world of <span style=\"color:#ff6600;\"><em>traditional patchwork and quilting<\/em><\/span> as experienced living in the USA &#8217;87-&#8217;94. A first flying geese wall hanging preceeded my own designs, all of which owe something to the grids and repeat units of traditional patchwork. <em><span style=\"color:#ff6600;\">Nancy Crow&#8217;s<\/span><\/em> multi-faceted influences on approach and attitude have been far greater than the mere technique of template-free rotary cutting and piecing construction techniques she teaches and which I and many other contemporarty quiltmakes now use exclusively. In recent work I am influenced significantly but possibly less obviously by temporarily <span style=\"color:#ff6600;\"><em>living out of my own country<\/em><\/span> in another with different cultural background and values; and finding <span style=\"color:#ff6600;\"><em>an interest in lace and leather<\/em><\/span> reflected in some ways, too. <\/span><\/p>\n<p>My website, <a href=\"https:\/\/www.alisonschwabe.com\/\">https:\/\/www.alisonschwabe.com\/<\/a> is currently being updated &#8211; the most recent artist statement\/bio addresses this, too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is not a new work. I have shown a part of this pic before, in a blog recounting some of the work covered in a Dorothy Caldwell workshop, &#8220;The Expressive Stitch&#8221;. This is the worksheet, the experimental page, on which I explored ideas she presented. (see October 2005 archive) That very stimulating workshop reminded [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[131],"tags":[],"class_list":["post-340","post","type-post","status-publish","format-standard","hentry","category-influences"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6uxpF-5u","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=340"}],"version-history":[{"count":0,"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=\/wp\/v2\/posts\/340\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.alisonschwabe.com\/weblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}