Posts Tagged ‘beach’

Inspiring Patterns

Saturday, June 30th, 2012

It’s a cold dank day here in Montevideo, and at 11-30am the fog still hasn’t lifted – it might not.  The airport is prolly closed- I haven’t heard any planes on what is usually a busy morning. Despite the fog many were out on the beach walking/jogging/running/fishing, and my own time on the beach today again led me to some interesting water drainage patterns on the sand.  In the collage above you see two pattern photos I manipulated in a program which made them look like pencil sketches, an interesting effect.  It’s not that I can’t draw, I can a bit, but I love how I can get this effect by moving the controls back and forth over the image and clicking into place when all’s done.  I first discovered it when just fiddling around, (as you do and should do, my son first reminded me years ago)  If you work on copies etc you can usually undo or at least do no harm if something doesn’t work out.  I have taken many pics on the beach, as my regulars know, and some of them I converted to pencil sketches like this:

which I included in a submission for an inaugural contemporary quilt exhibition being held in a gold mining district of Victoria, Australia, next year.  Full details later – its not till february next.  But having been accepted a few weeks ago, my attention has now turned to creating what I had in mind.    The title of the exhibition, “Golden Textures”, is hugely significant for me, and not just because I love a bit of glitter! My husband has spent a lot of his professional life looking for and finding gold deposits, which has meant I spent a lot of time in Kalgoorlie Western Australia in particular, but have visited and passed through many other gold mining centres, ancient and modern, too.  Since studying geomorphology at uni in the ’60’s I have been fascinated by the earth’s textures and those processes that shape them on large or small scales.  My first solo exhibition of original creative embroidery,  1987, I titled “Sunburnt Textures”,  was an early reflection of that ongoing fascination, and you’ll find a few pics from it in the first drop down gallery at the top of this page.  Any kind of earth texture, sunburnt or not, is a principal underlying theme in my textile art.

In addition to the resume and outline of my proposed entry,  the submission required images of previous works, and so along with full views of several relevant and important works, I made and included this collage showing some details of how my inspirations have translated into designs and my use of materials and techniques my work would include if I were selected :

So, the actual work began this week.  While in Colorado a few weeks ago, visiting with Boulder friend and colleague Judith Trager, we just happened to drop in to a fabric store, as you do, where I found this wonderful greyish-purplish-brown gabardine and bought it; and as it happened this was the day I later received notice of acceptance into “Golden Textures”.  What serendipity there – it’s perfect background fabric for what I outlined in my proposal.  The designs of each piece roughly correspond to shapes in the ‘pencil sketches’ and are starting with patches of gold leather attached to the background in arrangements suggested by each pattern.   I have chosen several very different patterns of sand ripples, but each piece will have materials and technique in common.  The completed size of each work will be 40cm x 60cm.

I don’t yet have any title for this multi-part work, but have plenty of thinking time available;  something just right will surface in due course.  Feel free to leave any suggestions below!

New Small Works

Friday, March 16th, 2012

"Flowlines 8"

This is a 15cm sq miniature quilt mounted on a 20cm sq painted art stretcher, as much of my recent small works have been, and seeing as how I am using the lines and the grey fabric it seems logical to just continue on with the naming of them.  It’s one of several using the wonderful grey fabric.  Back  last year I did several others including this one with very Aus Outback colouring :

"Flowlines 10"

but I haven’t continued this colour group since I don’t have any of the shiny black left.  But never mind: as I said in the previous post, the wonderful thing about fabric is there’s always more.  As all quilt makers know, it may not be quite the same as you had before  -and there are some fabulous quilts both antique and modern showing the quiltmaker ran out of one fabric and used another that doesn’t quite match.  It’s an accepted part of the whole quilt heritage thing.   And that’s  OK too, as  many people believe nothing man-made can be really ‘perfect’ anyway.   Or, to put another way,  machine-made objects turn out exactly alike, unless the machine goes haywire or materials have defects, but the artist-craftsman produces things that show differences even if they carefully follow a pattern or template.

My regular readers will be interested to know that today a friend and I are to visit a Uruguayan woman who can tell me something of the belief system behind the beach offerings I find so fascinating.  She’s asked me to bring a flash drive to download some of the material she has – marvellous – and then it occurred to me to download some of my more interesting photos to take along to her for comment – which I hope will be enlightening!  Oh, and she does tarot readings too, so as its been several years since I had a reading, I’ll have one today.

 

 

From Simple to Complex Overnight

Saturday, January 14th, 2012

Yesterday’s utterly simple little offering on the beach was replaced this morning by a much more complex one, beautiful in a way, too:

I haven’t seen one quilte like it.   The overall layout of the ‘installation’ is the upper left hand pic, then the other sections show different parts of the whole arrangement.  All the usual elements are there in abundance, including flowers, candles, the dead chook (as usual, the head pointing east, towards the sea) various grains of rice and corn, fruit, plus the white round things are small meringues; however there’s no fabric (but it might be hidden)   Imanja, goddess of the sea, is vain (there’s a tiny little green plastic comb sticking out of the top of one of the yellow plums) and she likes pretty things, flowers, ribbons, beads and anything blue or shiny – I couldn’t see anything shiny, but there’s plenty of blue. 

Elsewhere this morning we came across a couple of other placements of much more basic offerings, all chickens, several of which were still in plastic bags.  They’d all been beheaded and the heads were nowhere to be seen.  These felt rather joyless, lacking the careful exhuberance of the offering above,  and so possibly sinister, rather like the goat legs and heads I found grouped on the beach last year.  This is the first time I’ve seen this exact style, too.  They were all aligned with tops of necks pointing out to sea/east.

As a friend we met for coffee later reminded me, although these things can be supplications for help of some kind,  or give thanks, some of these things contain voodoo spells for harming someone.  He married a Brasilian, has seen a lot of it up there, and he personally finds it rather creepy. I just think it is fascinating; but then on the other hand I don’t expect to be put under its influence any time, either.   Mind you, I not disturb even as much as a grain of corn or a chicken feather whenever I observe one, just in case…    I would like to find an impartial expert sometime to help me ‘read’ them, know which ones are joyful and which ones are something else…. and in the meantime I will continue to photograph the ones I come across, and not presume anything from what I see.  My regular readers will already know these can be found on the shore any time of year,  but I am expecting to see more important/interesting ones over the next few weeks, leading up to Imanja’s birthday on feb 2nd.   A particular beach closer to the city is where the most amazing ceremonials and boat launchings reportedly take place on feb 2nd, and I am planning to go along there this year and check that out.

Masses of Tiny Jellyfish, Shells and Spiders

Friday, December 2nd, 2011

A couple of weeks ago I mentioned the tiny weeny jellyfish I found along the receding tideline.  Contrary to my expectations, the photos with the better camera did work out OK – here’s one:

The largest no bigger than about an inch, ie they were between 1cm and 2cm, like little blisters dotted along the tideline.

 

Like a lace-edged tulle wedding veil tossed on the sand, this wash of white turned out to be massive numbers of the tiniest shells imaginable

 
 

These tiny weeny little shells are about 2mm, some 3mm long, almost too small to see with the naked eye - well mine at least. Didn't have my reading glasses ... and to give an idea of scale, the upturned white shell at the centre of this pic was about 1cm long.

 
About a week after I took these photos we had a massive storm, with strong winds causing waves breaking over the rambla (road along the river’s edge, esplanade equivalent, 25km of it in Montevideo)  The next day I was down there early, feeling sure there’d be masses of rubbish washed up all along the beach, but not so!   I walked just after the very high tide had turned – my prints were the third on the beach.  It was as if the beach had all been vacuumed and smoothed out.  Only  a delicate line of the tiniest shells were left behind:
 
 
 
Spiders?  Over the past couple of days there have been heaps of drifting lines of spider thread  passing over the water towards the land – they seem to come from Argentina which is south of here.  It’s not all day, they just come in drifts – and since I loathe spiders it’s irritating to me to have these fine threads about my face especially – the spiders at this stage are so minute I have no chance of capturing one on film, so you’ll just have to take my word for it.  I will reveal here I am one person who really loses it in the presence of a spider, and have warned my dearly beloved that if he ever wants to get rid of me, bringing a pet spider into the house will do it –  I will leave immediately.   I know spiders are our friends – but they can just go and be friends somewhere else, is how I feel !
 
As shown by these tiny stranded creatures on the little section of coastline I walk, masses of new life is produced with heavy rates of loss. but enough for species to survive, quite awesome when you think about it. 

Beach Offering Today ….

Wednesday, October 12th, 2011

On the beach this morning, just after 7am, walking into a strongish cold wind with the sand swirling around my feet, ahead I spotted this most unusual offering.  Considering the rising price of food these beautiful fruits and vegetables in quite a large pile with a few carnations scattered among them was a colourful sight and formed a very generous offing indeed.  A pineapple and a red capsicum/red pepper had escaped and rolled a little way – but that made a nice change from odd scattered  bird or animal body parts that are often associated with beach offerings.  To give you some idea of scale, the square of fabric they are on is a large women’s scarf, about 1m square.  I had already done the shopping for the next few days, so didn’t need to pick up any of the oranges, red peppers, cauliflower, pineapple, eggplants, avocados, cabbage, artichokes, maize and broccoli …;-p  not that I would have touched the collection in any way – I always leave them intact – although there are often early morning beach combers in the summer who do  ‘harvest’ the candles (none in this one) and presumably some of the fruit and veg at times.

 These offerings that appear year round are one of the main reasons I now always take my camera when I walk the dog on the beach.

Entries (RSS) and Comments (RSS).

All images and text are © Alison Schwabe
Reproduction of any kind is expressly prohibited without written consent.

Translate »